{"title":"135mm+ Telephoto Lenses","description":"\u003cp\u003eTelephoto lenses of 135mm and longer from DZOFILM, SIRUI, TTArtisan and 7Artisans: 135mm primes, cine zooms, a 250mm reflex and a 500mm F6.3.\u003c\/p\u003e","products":[{"product_id":"dzofilm-catta-mf-70-135mm-t2-9-full-frame-cine-zoom-lens-sony-e-mount","title":"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 70-135mm T2.9 Full Frame Cine Zoom Lens for Sony E Mount\u003c\/h2\u003e\n\u003cp\u003eA Full Frame 70-135mm T2.9 telephoto cine zoom lens from the DZOFILM Catta MF series for Sony E mount, with a parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Ideal for portrait, wildlife, sports and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Telephoto Zoom 70-135mm\u003c\/strong\u003e Ideal for portrait, wildlife, sports and distant subjects\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure, soft, beautiful bokeh and excellent background blur\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp and focus holds as you zoom in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm Front Filter\u003c\/strong\u003e plus a rear filter slot for full filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 1.9X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSturdy, Lightweight Build\u003c\/strong\u003e Suited to every kind of production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ Sports \/ Event\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Film\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta 35-80mm?\u003c\/strong\u003e\u003cbr\u003eThe 70-135mm is more telephoto focused, ideal for blurred-background portraits, wildlife and sports.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. It has a 77mm front filter thread and a rear filter slot as well.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on Sony Full Frame cameras?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed specifically for Full Frame Sony E mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Telephoto Zoom T2.9 Parfocal for Sony E — blurred-background portraits and sharp telephoto\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428192396,"sku":"DZO-FF70135E","price":52000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428225164,"sku":"DZO-FF70135E-BLK","price":52000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF70135-product-1.png?v=1776412063"},{"product_id":"dzofilm-catta-18-35mm-70-135mm-t2-9-2-lens-kit-e-case","title":"DZOFILM Catta Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eDZOFILM Catta MF 2-Lens Kit (18-35mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n  \u003cp\u003e\n    A 2-lens Full Frame cine zoom kit, 18-35mm and 70-135mm T2.9, from the DZOFILM Catta MF series.\n    Covers both wide angle and tele in one set, ideal for documentary, interview and commercial work that needs both wide establishing shots and tight shots.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWide + Tele Coverage\u003c\/strong\u003e 18-35mm for establishing shots and 70-135mm for portrait \/ close-up\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Across the Zoom Range\u003c\/strong\u003e No exposure compensation needed when changing focal length\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds as you zoom, so you can keep working between takes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFull Frame Coverage\u003c\/strong\u003e Covers the entire Full Frame sensor\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLightweight for a Cine Zoom\u003c\/strong\u003e Genuinely usable on a gimbal and handheld\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e77mm Filter Thread + Rear Filter Slot\u003c\/strong\u003e Fit ND filters at the front or rear of the lens\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard 0.8 MOD\u003c\/strong\u003e Full compatibility with follow focus and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMatched Color\u003c\/strong\u003e Both lenses share the same color tone, so there is no color matching to do in the edit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Safe storage and transport\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDocumentary \/ Interview\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n    \u003cli\u003ePortrait Video \/ Close-up\u003c\/li\u003e\n    \u003cli\u003eEvent \/ Run \u0026amp; Gun\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLenses in Kit\u003c\/td\u003e\n\u003ctd\u003e18-35mm T2.9, 70-135mm T2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Focus \/ Zoom \/ Iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (+ Rear Filter Slot)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eColor: Black \/ White\u003c\/li\u003e\n    \u003cli\u003eMount: Sony E\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eCatta MF 18-35mm T2.9\u003c\/li\u003e\n    \u003cli\u003eCatta MF 70-135mm T2.9\u003c\/li\u003e\n    \u003cli\u003eHard Case\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWhy does this kit skip the 35-70mm range?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the two ends, wide and tele, for those who mainly shoot establishing shots and close shots. If you also need the mid range, we recommend the 3-lens kit.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCan it be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003eYes. It already covers full frame; on APS-C the angle of view narrows according to the crop factor.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    See more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003eWide + Tele T2.9 = the two ends that handle interviews and storytelling work in a single kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428257932,"sku":"DZO-FFCATTA2E1-WH","price":104000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428290700,"sku":"DZO-FFCATTA2E2-BLK","price":104000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E2-Product-1.png?v=1776412301"},{"product_id":"dzofilm-catta-35-80mm-70-135mm-t2-9-2-lens-kit-e-case","title":"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 2-Lens Kit (35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 35-80mm and 70-135mm T2.9, for Sony E Mount, covering standard to telephoto. Parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Case included. Ideal for film, portrait and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 35-80mm (Standard) and 70-135mm (Telephoto), geared toward portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers full-frame sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 throughout the zoom range\u003c\/strong\u003e Consistent exposure, soft bokeh and beautiful background blur\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm front filter\u003c\/strong\u003e plus a rear filter slot for complete filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color, gentle contrast, easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 18-35mm\/35-80mm kit?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the standard-to-telephoto range, making it better suited to portraits and close-ups, while the 18-35mm kit leans wider.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. Both lenses have a 77mm front filter thread and a rear filter slot.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, Standard + Telephoto — professional-grade portraits and close-ups\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707428389004,"sku":"DZO-FFCATTA2E-BLK","price":78000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707428421772,"sku":"DZO-FFCATTA2E-WH","price":78000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E-Product-1.png?v=1776412879"},{"product_id":"dzofilm-catta-18-35mm-35-80mm-70-135mm-t2-9-3-lens-kit-e-case","title":"DZOFILM Catta Zoom 18-35\/35-80\/70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 3-Lens Kit (18-35mm, 35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n\u003cp\u003eComplete set of 3 full-frame cine zooms, 18-35mm, 35-80mm and 70-135mm T2.9, for Sony E Mount, covering every range from wide angle to telephoto. Parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree zoom ranges\u003c\/strong\u003e 18-35mm (Wide), 35-80mm (Standard), 70-135mm (Telephoto), ready for every scene\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers full-frame sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 throughout the zoom range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm front filter\u003c\/strong\u003e plus a rear filter slot for complete filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color, gentle contrast, easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Medium Shot \/ Close-up \/ Telephoto\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Travel\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 18-35mm, 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy buy the 3-lens kit instead of buying separately?\u003c\/strong\u003e\u003cbr\u003eYou get the case along with the lenses, and one kit covers every range needed for production work.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. All 3 lenses have a 77mm front filter thread and a rear filter slot.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold all 3 lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 3-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 Full Frame T2.9 Parfocal Zooms covering every range — production-ready for every shot in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707428454540,"sku":"DZO-FFCATTA2E3-BLK","price":138000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707428487308,"sku":"DZO-FFCATTA2E3-WH","price":138000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E3-Product-1.png?v=1776413112"},{"product_id":"dzofilm-catta-ace-35-80mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film, portrait and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 35-80mm (Standard) and 70-135mm (Telephoto), geared toward portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 2-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Standard + Telephoto — professional-grade portraits in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447099532,"sku":"FFCATTAA-BUNDLE","price":98000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/FFCATTAA-BUNDLE-1.png?v=1776415210"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 70-135mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 70-135mm T2.9 telephoto cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for portrait, event and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Zoom 70-135mm\u003c\/strong\u003e Great for portraits, people, events and candids, with beautifully blurred backgrounds\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eFo\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447132300,"sku":"DZO-FFA70135-BLK","price":76000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA70135-BLK-Product-1.png?v=1776415372"},{"product_id":"dzofilm-catta-ace-18-35mm-35-80mm-70-135mm-3-lens-kit-pl-ef","title":"DZOFILM Catta Ace Zoom 18-35\/35-80\/70-135mm 3-Lens Kit T2.9 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 3-Lens Kit (18-35mm, 35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eComplete set of 3 full-frame cine zooms, 18-35mm, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree zoom ranges\u003c\/strong\u003e 18-35mm (Wide), 35-80mm (Standard), 70-135mm (Telephoto), ready for every scene\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Event\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 18-35mm, 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy buy the 3-lens kit instead of buying separately?\u003c\/strong\u003e\u003cbr\u003eYou get the case along with the lenses, and one kit covers every range needed for production work. Better value than buying separately.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 3-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447230604,"sku":"DZO-FFCATTAA3-BUNDLE","price":205000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA3-BUNDLE-Product-1.png?v=1776415504"},{"product_id":"dzofilm-catta-ace-18-35mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (18-35mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 18-35mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 18-35mm (Wide) and 70-135mm (Telephoto), covering wide angle and telephoto in one kit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Event \/ Candid\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 18-35mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy does this kit skip the 35-80mm?\u003c\/strong\u003e\u003cbr\u003eThis kit pairs the wide and telephoto zooms, covering the two most different ranges. It suits work that needs maximum versatility from the fewest lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Wide + Telephoto — covers every situation in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447328908,"sku":"DZO-FFCATTAA2-BUNDLE","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA2-BUNDLE-Product-1.png?v=1776416642"},{"product_id":"dzofilm-pavo-135mm-t2-5-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 135mm T2.5 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 135mm T2.5 lens from DZOFILM for PL and EF mounts. A long telephoto focal length suited to portraits with beautiful background blur, wildlife and close-ups from a distance. Available in 2 coatings, Blue and Neutral, with a mount interchangeable between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 135mm Anamorphic\u003c\/strong\u003e A long focal length suited to portraits with background blur, wildlife, events and close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.5\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortraits \/ cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ Event \/ Sport\u003c\/li\u003e\n  \u003cli\u003eTelephoto close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the Pavo 100mm?\u003c\/strong\u003e\u003cbr\u003eThe 135mm gives a longer telephoto reach and more beautiful background blur, suited to work that needs to be shot from farther away.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Telephoto 135mm T2.5 — portraits with background blur, wildlife and gorgeous oval anamorphic bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452539020,"sku":"DZO-PA13525PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452571788,"sku":"DZO-PA13525PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA13525PLI-Product-1.png?v=1776664709"},{"product_id":"dzofilm-pavo-180mm-t2-8-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 180mm T2.8 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 180mm T2.8 lens from DZOFILM for PL and EF mounts. The longest telephoto focal length in the series, suited to wildlife, sports, portraits with maximum background blur and close-ups from a distance. Available in 2 coatings, Blue and Neutral, with a mount interchangeable between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 180mm Anamorphic\u003c\/strong\u003e The longest focal length in the series, suited to wildlife, sports, portraits with maximum background blur and close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eWildlife \/ sports \/ events from a distance\u003c\/li\u003e\n  \u003cli\u003ePortraits with maximum cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eHighly detailed telephoto close-ups\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the Pavo 135mm?\u003c\/strong\u003e\u003cbr\u003eThe 180mm gives a longer telephoto reach, suited to wildlife and sports that need to be shot from farther away, with more beautiful background blur.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Telephoto 180mm T2.8 — wildlife, sports and portraits at the longest reach, with oval anamorphic bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452801164,"sku":"DZO-PA18028PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452833932,"sku":"DZO-PA18028PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA18028PLI-Product-1.png?v=1776674715"},{"product_id":"dzofilm-pavo-65-135-180mm-2x-anamorphic-3-lens-kit-pl-ef","title":"DZOFILM Pavo 2x Anamorphic 65\/135\/180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 3-Lens Kit (65mm, 135mm, 180mm) T2.8-T2.5 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 3-lens set from DZOFILM, 65mm (Macro), 135mm and 180mm, for PL and EF mounts. Focused on telephoto and macro close-up work. Available in 2 coatings, Blue and Neutral, and ideal for filmmaking and professional-grade production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3 Telephoto Focal Lengths\u003c\/strong\u003e 65mm (Macro), 135mm and 180mm, focused on close-ups, portraits with background blur and wildlife\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e65mm Macro Anamorphic\u003c\/strong\u003e Shoot highly detailed close-ups in anamorphic style\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8-T2.5\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHighly detailed macro \/ close-ups\u003c\/li\u003e\n  \u003cli\u003ePortraits with cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ sports from a distance\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65mm \/ 135mm \/ 180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 (65mm, 180mm) \/ T2.5 (135mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Type\u003c\/td\u003e\n\u003ctd\u003eMacro (65mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 65mm, 135mm and 180mm with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy does this set start at 65mm?\u003c\/strong\u003e\u003cbr\u003eThis set is designed specifically for telephoto and macro. The 65mm Macro suits close-ups, while the 135mm and 180mm suit portraits and wildlife from a distance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used together with the A Set or B Set?\u003c\/strong\u003e\u003cbr\u003eYes. The coating and image character match well within the same series.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707453096076,"sku":"DZO-PAVO-65135180-PLIB","price":424000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707453128844,"sku":"DZO-PAVO-65135180-PLIN","price":424000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PAVO-65135180-PLIB.png?v=1776676475"},{"product_id":"dzofilm-arles-mf-180mm-t2-4-vista-vision-cine-lens-pl-mount","title":"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Arles MF 180mm T2.4 Full Frame \/ Vista Vision Cine Lens for PL Mount (Feet\/Meter)\u003c\/h2\u003e\n\u003cp\u003eTelephoto 180mm T2.4 Cine Prime lens from the DZOFILM Arles series for PL Mount. Covers Full Frame and Vista Vision with a 46.5mm Image Circle. The longest Telephoto in the series, with 16 Iris Blades, a 12-element, 9-group design and Nano Multi-Layer coating. Ideal for Portrait, Cinematic Close-up and professional Production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Prime 180mm\u003c\/strong\u003e The longest Telephoto in the series, ideal for Cinematic Portrait, Close-up, Wildlife and Commercial work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e 46.5mm Image Circle covers large sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.4\u003c\/strong\u003e Good contrast, excellent light control and a soft, beautiful focus falloff\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, cinema-grade bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e12 Elements \/ 9 Groups design\u003c\/strong\u003e Designed for maximum sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNano Multi-Layer Coating\u003c\/strong\u003e Reduces Flare and Ghosting with accurate color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimal Breathing\u003c\/strong\u003e Smooth focus pulls with no jumps, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Works with Follow Focus, Rigs and Gimbals\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet\/Meter scale\u003c\/strong\u003e Usable by any crew worldwide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium Alloy body\u003c\/strong\u003e Strong and durable, weighs ~1,675g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait Cinematic \/ Fashion \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eClose-up \/ Wildlife from a distance\u003c\/li\u003e\n  \u003cli\u003eFilm Production \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eNarrative \/ Feature Film\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003eφ46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design\u003c\/td\u003e\n\u003ctd\u003e12 Elements \/ 9 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet \/ Meter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~1,675g\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Arles 135mm?\u003c\/strong\u003e\u003cbr\u003eThe 180mm is a longer Telephoto with nicer Compression and excellent background blur, better suited to Cinematic Portrait and Wildlife from a greater distance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does T2.4 differ from T1.4?\u003c\/strong\u003e\u003cbr\u003eT2.4 gathers slightly less light, but gives better contrast and more precise light control at 180mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. It covers Full Frame and Vista Vision with a 46.5mm Image Circle.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat does the Feet\/Meter scale mean?\u003c\/strong\u003e\u003cbr\u003eThe focus scale shows both of the 2 systems on one lens, so it works for both Imperial and Metric crews.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Prime lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArles Telephoto 180mm T2.4 Full Frame — Cinematic Portrait and Close-up, 16 Blades and beautiful cinema-grade bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-1.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-2.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-3.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-4.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-5.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-6.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-7.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-8.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-9.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-10.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-11.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 11\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-12.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 12\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP-Detail-13.jpg\" alt=\"DZOFILM Arles 180mm T2.4 · Vista Vision MF · Telephoto · PL – product detail image 13\"\u003e","brand":"DZOFILM","offers":[{"title":"Metric","offer_id":53259696504972,"sku":"DZO-SAP180MPL","price":85000.0,"currency_code":"THB","in_stock":false},{"title":"Imperial","offer_id":53259696537740,"sku":"DZO-SAP180IPL","price":85000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP180-Product-1.png?v=1776746203"},{"product_id":"ttartisan-250mm-f5-6-reflex-mirror-manual-focus-lens-m42-mount","title":"TTArtisan Reflex Mirror 250mm F5.6 Donut Bokeh · Full Frame MF · Telephoto · M42","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eTTArtisan 250mm F5.6 Reflex Mirror Manual Focus Lens for M42 Mount (Donut Bokeh)\u003c\/h2\u003e\n\u003cp\u003eThe TTArtisan 250mm F5.6 is a manual focus reflex mirror lens for M42 mount. Its catadioptric design makes it far more compact than conventional telephoto lenses, and it produces a signature donut-shaped bokeh (Donut Bokeh). With a fixed F5.6 aperture, it is ideal for wildlife, sports, moon photography and creative work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReflex Mirror Design 250mm\u003c\/strong\u003e A mirror design that is much smaller and lighter than conventional telephoto lenses of the same focal length\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDonut Bokeh\u003c\/strong\u003e Ring-shaped, donut-like bokeh unique to mirror lenses, especially striking with point light sources in the background\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 250mm\u003c\/strong\u003e Suited to wildlife, sports, moon photography and long-distance telephoto work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFixed F5.6\u003c\/strong\u003e Easy to use, with consistent results at every focus distance\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Coating\u003c\/strong\u003e Reduces reflections and flare for sharp images with true-to-life color\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus\u003c\/strong\u003e Full, precise control over focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eM42 Mount\u003c\/strong\u003e Fits vintage cameras directly, or adapts to mirrorless cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eWildlife \/ Long-distance wildlife photography\u003c\/li\u003e\n  \u003cli\u003eSports \/ Event Telephoto\u003c\/li\u003e\n  \u003cli\u003eAstrophotography \/ Moon photography\u003c\/li\u003e\n  \u003cli\u003eCreative Work \/ Donut Bokeh Effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e250mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF5.6 (Fixed)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eReflex \/ Mirror Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Effect\u003c\/td\u003e\n\u003ctd\u003eDonut Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Coated\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eM42 Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer's warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is a Reflex \/ Mirror Lens?\u003c\/strong\u003e\u003cbr\u003eA lens that uses mirrors in place of some glass elements, achieving a long telephoto focal length in a much smaller body. The trade-off is a fixed, non-adjustable aperture.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhen does Donut Bokeh appear?\u003c\/strong\u003e\u003cbr\u003eIt comes from the lens's mirror construction and is most visible with points of light in the background, such as street lights, stars or reflections on water.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use it on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes. Use an M42-to-E, M42-to-Z or M42-to-RF adapter to mount it on Sony, Nikon Z, Canon RF and other cameras.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy is F5.6 fixed and not adjustable?\u003c\/strong\u003e\u003cbr\u003eIt is a limitation of reflex lenses. The mirror construction cannot accommodate conventional iris blades, so the aperture is fixed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eExplore more specialty lenses → \u003ca href=\"\/en-th\/collections\/ttartisan\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e250mm F5.6 Reflex Mirror M42 — Donut bokeh, compact telephoto for wildlife, the moon and creative photography\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF250MM-F56M42-Detail-1.jpg\" alt=\"TTArtisan Reflex Mirror 250mm F5.6 Donut Bokeh · Full Frame MF · Telephoto · M42 – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF250MM-F56M42-Detail-2.jpg\" alt=\"TTArtisan Reflex Mirror 250mm F5.6 Donut Bokeh · Full Frame MF · Telephoto · M42 – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF250MM-F56M42-Detail-3.jpg\" alt=\"TTArtisan Reflex Mirror 250mm F5.6 Donut Bokeh · Full Frame MF · Telephoto · M42 – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF250MM-F56M42-Detail-4.jpg\" alt=\"TTArtisan Reflex Mirror 250mm F5.6 Donut Bokeh · Full Frame MF · Telephoto · M42 – Product detail image 4\"\u003e","brand":"TTArtisan","offers":[{"title":"Default Title","offer_id":47836921430156,"sku":"TT-MF250MM-F56M42","price":10390.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF250MM-F56M42-Product-1.png?v=1777090485"},{"product_id":"ttartisan-500mm-f6-3-super-telephoto-manual-focus-lens","title":"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eTTArtisan 500mm F6.3 Super Telephoto Manual Focus Lens (Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F Mount)\u003c\/h2\u003e\n\u003cp\u003eThe TTArtisan 500mm F6.3 is a manual focus super telephoto lens with an 8-element, 5-group optical design, multi-layer coating and 12 iris blades. It comes with a tripod collar, supports follow focus and has an all-metal body, available in 8 mounts. Ideal for wildlife, birds, sports and moon photography.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper Telephoto 500mm F6.3\u003c\/strong\u003e Extra-long reach for wildlife, bird watching, sports and moon photography\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8 Elements \/ 5 Groups\u003c\/strong\u003e Optical design for sharp images and reduced chromatic aberration\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Layer Coating\u003c\/strong\u003e Reduces reflections, flare and ghosting for clearer images\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e12 Iris Blades\u003c\/strong\u003e Smooth, beautifully rounded bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTripod Collar\u003c\/strong\u003e Balances the lens weight when used on a tripod\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFollow Focus Compatible\u003c\/strong\u003e Works with follow focus systems for video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus\u003c\/strong\u003e Large, smooth focus ring for fine, precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll-Metal Body\u003c\/strong\u003e Strong and durable for heavy use\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 8 Mounts\u003c\/strong\u003e Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eWildlife \/ Bird Watching \/ Long-distance wildlife photography\u003c\/li\u003e\n  \u003cli\u003eSports \/ Event Telephoto\u003c\/li\u003e\n  \u003cli\u003eAstrophotography \/ Moon photography\u003c\/li\u003e\n  \u003cli\u003eVideo Production \/ Follow Focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e500mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eF6.3 – F22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design\u003c\/td\u003e\n\u003ctd\u003e8 Elements \/ 5 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Layer Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eTripod Collar\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAll-Metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eTripod Collar\u003c\/li\u003e\n  \u003cli\u003eManufacturer's warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is 500mm best for?\u003c\/strong\u003e\u003cbr\u003eWildlife, bird watching, sports and moon photography. The 500mm reach lets you shoot from far away without disturbing the subject.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIs the tripod collar necessary?\u003c\/strong\u003e\u003cbr\u003eRecommended. Long telephoto lenses are heavy, and the tripod collar balances the weight and reduces stress on the camera mount.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Fuji GFX medium format?\u003c\/strong\u003e\u003cbr\u003eYes. A Fuji GFX mount version is available for Fujifilm GFX Series medium format cameras.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it support follow focus?\u003c\/strong\u003e\u003cbr\u003eYes. It works with follow focus systems for video.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eExplore more Telephoto lenses → \u003ca href=\"\/en-th\/collections\/ttartisan\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e500mm F6.3 Super Telephoto — Wildlife, birds, sports, the moon; 8 mounts, tripod collar, follow focus\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Detail-1.jpg\" alt=\"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Detail-2.jpg\" alt=\"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF – Product detail image 2\"\u003e","brand":"TTArtisan","offers":[{"title":"Sony E","offer_id":47836921462924,"sku":"TT-MF500MM-F6.3E","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":47836921495692,"sku":"TT-MF500MM-F6.3Z","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":47836921528460,"sku":"TT-MF500MM-F6.3RF","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":47836921561228,"sku":"TT-MF500MM-F6.3L","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":47836921593996,"sku":"TT-MF500MM-F6.3X","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon F","offer_id":47836921626764,"sku":"TT-MF500MM-F6.3F","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":47836921659532,"sku":"TT-MF500MM-F6.3EF","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX","offer_id":47836921692300,"sku":"TT-MF500MM-F6.3GFX","price":11990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Product-1.jpg?v=1777090873"},{"product_id":"meike-135mm-t2-4-fullframe-prime-cinema-lens","title":"Meike Prime 135mm T2.4 · Full Frame MF · Portrait","description":"\u003ch2\u003eMeike 135mm T2.4 Full Frame Prime Cinema Lens — Cinematic Telephoto Portrait in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 135mm T2.4 is a premium Full Frame cinema lens for professional filmmaking and video production. \n  The 135mm focal length is known for the softest bokeh among telephoto lenses, with excellent subject-background separation. \n  It is ideal for portraits, wildlife, sports and cinematic scenes, with 8K-level image quality. \n  Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality captures every detail in the frame\u003c\/li\u003e\n  \u003cli\u003e135mm focal length, popular for portraits, wildlife, sports, cars and racing\u003c\/li\u003e\n  \u003cli\u003eT2.4–T22 aperture with beautiful background blur, ideal for portraits and medium-to-tight framing\u003c\/li\u003e\n  \u003cli\u003eMulti-layer Coating reduces flare and ghosting for greater sharpness and contrast\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e17 aperture blades for premium round, soft bokeh\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise control when pulling focus\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who need a cinema-grade 135mm telephoto\u003c\/li\u003e\n  \u003cli\u003ePortrait films and close-up shots that call for premium soft bokeh\u003c\/li\u003e\n  \u003cli\u003eWildlife, sports, cars and racing, where getting close is difficult\u003c\/li\u003e\n  \u003cli\u003eCommercial and fashion films that need clear subject-background separation\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e17 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e100 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~1.2 kg (depending on mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 135mm T2.4 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 202mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the advantage of 17 blades?\u003c\/strong\u003e\u003cbr\u003e\n      A: More blades make the aperture rounder, resulting in softer, rounder bokeh than typical lenses with fewer blades.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 82mm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 135mm T2.4 — Full Frame Telephoto Portrait in 8K Quality with Premium 17-Blade Bokeh for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF6.5MM-F2-Detail-1.png\" alt=\"Meike Prime 135mm T2.4 · Full Frame MF · Portrait – product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256763986060,"sku":"MK-FFPCM-135MM-T2.4-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256764018828,"sku":"MK-FFPCM-135MM-T2.4-RF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256764051596,"sku":"MK-FFPCM-135MM-T2.4-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554523276,"sku":"MK-FFPCM-135MM-T2.4-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554556044,"sku":"MK-FFPCM-135MM-T2.4-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-135MM-T2.4-Product-1.jpg?v=1777439438"},{"product_id":"nisi-athena-prime-135mm-t22-full-frame-cinema-lens","title":"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait","description":"\u003ch2\u003eNiSi ATHENA Prime 135mm T2.2 Full Frame Cinema Lens — Full Frame Cinema Lens 135mm T2.2 – Long Telephoto for Compression + Deep Bokeh\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 135mm T2.2 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 135mm focal length and a 17.6° angle of view covering Full Frame (Image Circle 46mm). Its T2.2 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLong Lens Close-up Portraits — the deepest Bokeh in the series\u003c\/li\u003e\n\u003cli\u003eLong-distance Documentary work (Wildlife \/ Sport)\u003c\/li\u003e\n\u003cli\u003eCompression Shots for MVs \/ Commercials\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.2 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e17.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.8m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.3kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e95mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 135mm T2.2 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844499415180,"sku":"NS-ATH-135-T22-E","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844499447948,"sku":"NS-ATH-135-T22-E-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844499480716,"sku":"NS-ATH-135-T22-RF","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844499513484,"sku":"NS-ATH-135-T22-L","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844499546252,"sku":"NS-ATH-135-T22-G-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844499579020,"sku":"NS-ATH-135-T22-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-135-T22-Product-1.jpg?v=1778735614"},{"product_id":"7artisans-af-135mm-f1-8-full-frame","title":"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait","description":"\u003ch2\u003e7Artisans AF 135mm F1.8 Autofocus Full Frame Telephoto Lens — Full Frame AF 135mm F1.8 Telephoto with STM Motor, 6 ED Elements, Dust Seal and USB-C\u003c\/h2\u003e\n\u003cp\u003e7Artisans AF 135mm F1.8 is a full-frame autofocus telephoto lens with a bright F1.8 aperture for beautiful bokeh and pro-level compression, ideal for portrait, wedding and cinematic shots. Its STM motor delivers fast, smooth, quiet and accurate focusing. The high-quality optical design of 16 elements in 13 groups includes 6 ED elements and 5 high-refractive elements to reduce chromatic aberration and purple fringing. A premium, sturdy metal construction, a dust-sealed mount and firmware updates via USB-C round it out.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBright F1.8 aperture for beautiful, standout background blur and strong low-light performance, ideal for portraits and cinematic work\u003c\/li\u003e\n  \u003cli\u003eAutofocus with an STM motor for fast, smooth, quiet and accurate focusing\u003c\/li\u003e\n  \u003cli\u003e135mm medium telephoto focal length, ideal for portraits, wedding photography and cinematic shots\u003c\/li\u003e\n  \u003cli\u003eSoft bokeh with pro-level compression\u003c\/li\u003e\n  \u003cli\u003eHigh-quality optics: 16 elements in 13 groups with 6 ED elements and 5 high-refractive elements to reduce chromatic aberration and boost sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003eED glass reduces purple fringing and color aberration\u003c\/li\u003e\n  \u003cli\u003eSturdy, premium metal construction\u003c\/li\u003e\n  \u003cli\u003eSupports firmware updates via USB-C\u003c\/li\u003e\n  \u003cli\u003eDust-sealed mount keeps dust out of the mount area for added confidence outdoors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLong-distance portraits \/ portrait compression\u003c\/li\u003e\n  \u003cli\u003eWedding Photography\u003c\/li\u003e\n  \u003cli\u003eCinematic shots and music videos\u003c\/li\u003e\n  \u003cli\u003eBeauty \/ Fashion Shot\u003c\/li\u003e\n  \u003cli\u003eLow Light shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF1.8 – F16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eAutofocus (STM motor)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e16 elements in 13 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003e6 ED + 5 High-Refractive\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.68m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eMetal + Dust-Sealed Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFirmware\u003c\/td\u003e\n\u003ctd\u003eUpdatable via USB-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,014 g\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans AF 135mm F1.8 Autofocus Full Frame Telephoto Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support Eye AF \/ Face AF?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The STM motor communicates fully with the camera, so Eye AF \/ Face Detect work, which is essential when shooting at F1.8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How does 135mm F1.8 differ from 85mm F1.8?\u003c\/strong\u003e\u003cbr\u003eA: 135mm gives more compression, pulling the background closer and blurring it more, but you need more working distance. It suits outdoor shoots or large studios\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: At around 1 kg, can I handhold it for long periods?\u003c\/strong\u003e\u003cbr\u003eA: Yes, but we recommend a strap rated for the weight, or a tripod\/monopod for long continuous shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore telephoto lenses → \u003ca href=\"\/en-th\/collections\/135mm-telephoto-lenses\"\u003eTelephoto Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans AF 135mm F1.8 Full Frame — Bright-aperture AF telephoto with 6 ED elements and pro-level compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-1.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-2.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-3.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-4.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-5.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-6.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-7.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-8.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-9.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-10.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-11.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Detail-12.jpg\" alt=\"7Artisans Telephoto 135mm F1.8 · Full Frame AF · Portrait – Product detail image 12\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127033491596,"sku":"7ATS-AF135MM-F18B-E","price":21900.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":52127033524364,"sku":"7ATS-AF135MM-F18B-L","price":21900.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":52127033557132,"sku":"7ATS-AF135MM-F18B-Z","price":21900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-AF135MM-F18B-Product-1_c9de0b1d-4bb7-48ff-bebd-77b81d9780b5.jpg?v=1786428306"},{"product_id":"7artisans-infinite-cine-135mm-t2-4-pl-white","title":"7Artisans INFINITE 135mm T2.4 · Full Frame Cine MF · Portrait · White","description":"\u003ch2\u003e7Artisans INFINITE Cine 135mm T2.4 Manual Cine Full Frame Lens (White) — 135mm T2.4 telephoto cine lens with a white body, PL Mount, 17 aperture blades and 330° focus throw\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 135mm T2.4 (White) is a telephoto cine lens with a white body and PL Mount. 135mm is a popular focal length for portraits, wildlife, sports, cars and cycling races, as well as other subjects that are hard to get close to. The T2.4 – T22 aperture gives beautiful background blur. Manual focus and aperture rings with standard 0.8 MOD gears work precisely with follow focus units and lens motors. It has a 330° focus ring rotation, 17 aperture blades for beautifully round bokeh, and an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e135mm focal length, a popular choice for portraits, wildlife, sports, cars and cycling races, as well as other subjects that are hard to shoot up close\u003c\/li\u003e\n  \u003cli\u003eT2.4 – T22 aperture suits portraits and medium to tight shots, with beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003e330° focus ring rotation gives precise control for focus pulling\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 12 elements in 8 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.82 m\u003c\/li\u003e\n  \u003cli\u003e17 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n  \u003cli\u003eFilter size: Φ82mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic long-distance portraits\u003c\/li\u003e\n  \u003cli\u003eTelephoto shots for film work\u003c\/li\u003e\n  \u003cli\u003eSports and competition shooting\u003c\/li\u003e\n  \u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eBokeh-heavy production work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (follow focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e17 blades (very round bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.82 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePL Mount (White)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 135mm T2.4 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 135mm T2.4 (White) — PL Mount telephoto cine lens with 17 aperture blades and beautifully round bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-135MM-T24PL-WH-Detail-1.jpg\" alt=\"7Artisans INFINITE 135mm T2.4 · Full Frame Cine MF · Portrait · White – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"PL","offer_id":52127895912588,"sku":"7ATS-INFN-135MM-T24PL-WH","price":27990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-135MM-T24PL-WH-Product-1_62b784ad-5d93-4861-a7b9-b690c4447d9e.jpg?v=1786430905"},{"product_id":"sirui-vision-prime-1-15-75-150mm-full-frame-cine-3-lens-kit","title":"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF","description":"\u003ch2\u003eSIRUI Vision Prime 1 Series 15mm T1.6 + 75mm T1.4 + 150mm T4 Macro Full Frame Cine 3-Lens Kit — Full Frame Cine 3-Lens Set from Ultra-Wide to Tele Macro, User-Swappable E\/RF\/Z\/L Mounts\u003c\/h2\u003e\n\u003cp\u003eThe SIRUI Vision Prime 1 Series 3-Lens Kit puts three professional prime focal lengths in one set — 15mm T1.6 for establishing shots and wide scenes, 75mm T1.4 for portraits and mid-telephoto work, and the 150mm T4 Macro 1.5x for close-ups and macro-level detail. Together they cover everything from ultra-wide to tele macro. Every lens covers Full Frame with a 46mm image circle, with no vignetting even when shooting Open Gate. The lenses use SIRUI's Interchangeable Mount system: they ship with Sony E fitted from the factory, plus Canon RF \/ Nikon Z \/ Leica L modules you can swap yourself without shims. Gear positions and color rendering are matched across the set, so you can change lenses mid-shoot without rebuilding your rig. Aspherical + ED + HRI Glass elements control distortion and chromatic aberration for 8K-ready work, and the Aluminum Alloy bodies are light at only about 599–700 g per lens.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePro-grade prime set with 3 focal lengths — 15mm, 75mm and 150mm — from ultra-wide to telephoto, covering virtually any situation\u003c\/li\u003e\n  \u003cli\u003eFull Frame sensor coverage for high image quality across a large sensor area, with no vignetting\u003c\/li\u003e\n  \u003cli\u003eFast apertures: T1.4 (75mm), T4 (150mm) and T1.6 (15mm)\u003c\/li\u003e\n  \u003cli\u003eBeautiful bokeh with smooth background blur and good low-light performance\u003c\/li\u003e\n  \u003cli\u003eIndustry-standard 0.8 MOD focus and iris gears\u003c\/li\u003e\n  \u003cli\u003eCinematic color and image character\u003c\/li\u003e\n  \u003cli\u003eManual focus with a smooth, fluid and precise focus action\u003c\/li\u003e\n  \u003cli\u003eHigh-quality optical design with Aspherical + ED + HRI Glass elements to reduce distortion and chromatic aberration, delivering sharpness from center to edge for professional filmmaking\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mount system (RF \/ Z \/ L) — swap mounts to use one lens across multiple camera brands\u003c\/li\u003e\n  \u003cli\u003eAvailable in 2 colors: Black and Metal Grey\u003c\/li\u003e\n  \u003cli\u003eCompact Aluminum Alloy body that is rugged, durable and lightweight\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction House \/ Rental Service\u003c\/li\u003e\n  \u003cli\u003eFilm productions that need to cover multiple focal lengths\u003c\/li\u003e\n  \u003cli\u003eCommercial and product work that requires macro shots\u003c\/li\u003e\n  \u003cli\u003eDocumentary with a complete lens set\u003c\/li\u003e\n  \u003cli\u003eTeams shooting on multiple camera brands within one project\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e15mm T1.6 + 75mm T1.4 + 150mm T4 Macro 1.5x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003e15mm: T1.6 \/ 75mm: T1.4 \/ 150mm: T4\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e150mm: 1.5x Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e150mm: 0.29 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame (Image Circle 46mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E factory-fitted + Canon RF \/ Nikon Z \/ Leica L modules included\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eAspherical + ED + HRI Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColors\u003c\/td\u003e\n\u003ctd\u003eBlack \/ Metal Grey\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 599 – 700 g per lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eColor\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBlack\u003c\/li\u003e\n  \u003cli\u003eMetal Grey\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eVision Prime 1 lens — 15mm T1.6\u003c\/li\u003e\n  \u003cli\u003eVision Prime 1 lens — 75mm T1.4\u003c\/li\u003e\n  \u003cli\u003eVision Prime 1 lens — 150mm T4 Macro 1.5x\u003c\/li\u003e\n  \u003cli\u003eSony E mount (factory-fitted)\u003c\/li\u003e\n  \u003cli\u003eCanon RF \/ Nikon Z \/ Leica L mount modules\u003c\/li\u003e\n  \u003cli\u003eFront and rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I really change the mount myself?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The lens ships with a factory-fitted Sony E mount, and Canon RF \/ Nikon Z \/ Leica L mount modules are included in the box. You can swap them yourself without shimming.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the actual amount of light transmitted through the lens, including losses from the glass elements and coatings, while an F-stop is a theoretical value. Filmmakers use T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is the kit better value than buying the lenses separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The kit costs less than buying all 3 lenses individually, and you get the full range from ultra-wide to tele macro in one purchase.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIRUI Vision Prime 1 Series 15mm T1.6 + 75mm T1.4 + 150mm T4 Macro Full Frame Cine 3-Lens Kit — 3-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-1.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-2.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-3.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-4.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-5.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-6.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-7.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Detail-8.jpg\" alt=\"SIRUI Vision Prime 1 Series 15\/75\/150mm Macro 3-Lens Kit T1.4-4 · Full Frame Cine MF – product detail image 8\"\u003e","brand":"SIRUI","offers":[{"title":"Black","offer_id":52646257164428,"sku":"VP-1-3DS-B","price":59990.0,"currency_code":"THB","in_stock":false},{"title":"Metal Gray","offer_id":52646257197196,"sku":"VP-1-3DS-G","price":59990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-3DS-Product-1_021a38ff-877d-4d9d-9a0b-06e1bb386dcb.jpg?v=1786952320"},{"product_id":"sirui-vision-prime-1-150mm-t4-macro-full-frame-cine","title":"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF","description":"\u003ch2\u003eSIRUI Vision Prime 1 Series 150mm T4 Macro 1.5x Full Frame Cine Lens — 150mm T4 Tele Macro Cine Lens, 1.5x Magnification, 0.29 m Close Focus, User-Swappable Mount\u003c\/h2\u003e\n\u003cp\u003eThe SIRUI Vision Prime 1 Series 150mm T4 Macro is a telephoto macro lens for filmmaking — a rare find among lightweight cine lenses. It reaches up to 1.5x magnification, beyond 1:1 macro, capturing fine detail on small subjects such as fabric textures, mechanical parts or insect eyes at a minimum focus distance of just 0.29 m. At the same time, the 150mm focal length gives telephoto compression, so one lens handles portraits, close-ups and compressed shots. T4 aperture with 0.8 MOD gears and a 270° focus throw. Aspherical + ED + HRI Glass elements keep focus breathing well controlled, even for a macro lens. The Interchangeable Mount system supports Sony E \/ Canon RF \/ Nikon Z \/ Leica L. Aluminum Alloy body, approx. 800 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e150mm telephoto focal length that excels at portraits — ideal for close-ups, portraits and compression\u003c\/li\u003e\n  \u003cli\u003eFull Frame sensor coverage for high image quality across a large sensor area, with no vignetting\u003c\/li\u003e\n  \u003cli\u003eFast T1.4 aperture gathers more light even in low-light conditions and creates shallow depth of field, with dreamy bokeh, a soft, pleasing background and beautifully soft night light orbs (Soft Night Orbs)\u003c\/li\u003e\n  \u003cli\u003eDesigned for filmmaking (Cine Lens) with smooth, natural focus and aperture response, plus standard 0.8 MOD focus and aperture gears\u003c\/li\u003e\n  \u003cli\u003eSmooth bokeh and high contrast for natural-looking images that are sharp across the frame\u003c\/li\u003e\n  \u003cli\u003eHigh-quality optical design with Aspherical + ED + HRI Glass elements to reduce distortion and chromatic aberration, delivering sharpness from center to edge for professional filmmaking\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts supporting Sony E \/ Canon RF \/ Nikon Z \/ L-Mount — switch between camera brands easily with a single lens\u003c\/li\u003e\n  \u003cli\u003eAvailable in 2 colors: Black and Metal Grey\u003c\/li\u003e\n  \u003cli\u003eCompact Aluminum Alloy body that is rugged, durable and lightweight\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eClose-ups and macro detail shots\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ Product \/ Tabletop\u003c\/li\u003e\n  \u003cli\u003eLong-distance portrait compression\u003c\/li\u003e\n  \u003cli\u003eJewelry and handcraft shooting\u003c\/li\u003e\n  \u003cli\u003eBeauty shots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e150mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT4 (T4 – T16)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e1.5x Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.29 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame (Image Circle 46mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E factory-fitted + Canon RF \/ Nikon Z \/ Leica L modules included\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eAspherical + ED + HRI Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColors\u003c\/td\u003e\n\u003ctd\u003eBlack \/ Metal Grey\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 800 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eColor\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBlack\u003c\/li\u003e\n  \u003cli\u003eMetal Grey\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSIRUI Vision Prime 1 lens — 150mm T4 Macro 1.5x\u003c\/li\u003e\n  \u003cli\u003eSony E mount (factory-fitted)\u003c\/li\u003e\n  \u003cli\u003eCanon RF \/ Nikon Z \/ Leica L mount modules\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I really change the mount myself?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The lens ships with a factory-fitted Sony E mount, and Canon RF \/ Nikon Z \/ Leica L mount modules are included in the box. You can swap them yourself without shimming.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How does 1.5x magnification differ from 1:1 macro?\u003c\/strong\u003e\u003cbr\u003eA: 1:1 macro renders the subject on the sensor at life size, while 1.5x renders it 1.5 times larger than life, capturing more detail. And because it is a 150mm lens, you can still work at a distance from the subject without blocking the light.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How thin is the depth of field at 1.5x?\u003c\/strong\u003e\u003cbr\u003eA: Very thin. We recommend a sturdy tripod, a macro rail and additional lighting. For deeper focus, use focus stacking.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIRUI Vision Prime 1 Series 150mm T4 Macro 1.5x Full Frame Cine Lens — 3-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-1.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-2.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-3.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-4.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-5.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-6.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-7.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-8.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-9.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-15-Detail-10.jpg\" alt=\"SIRUI Vision Prime 1 Series Macro 1.5x 150mm T4 · Full Frame Cine MF – product detail image 10\"\u003e","brand":"SIRUI","offers":[{"title":"Black","offer_id":52646257688716,"sku":"VP-1-150B","price":16990.0,"currency_code":"THB","in_stock":false},{"title":"Metal Gray","offer_id":52646257721484,"sku":"VP-1-150G","price":16990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/VP-1-150-Product-1_c39d9a6c-782c-4183-bc88-ece0c80cb90d.jpg?v=1786952347"},{"product_id":"sirui-ironstar-75-100-135mm-1-5x-full-frame-anamorphic-cine-3-lens-kit","title":"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF","description":"\u003ch2\u003eSIRUI IronStar 75mm T1.9 + 100mm T2.8 + 135mm T2.8 1.5x Full Frame Anamorphic Cine 3-Lens Kit — 1.5x Full Frame Anamorphic 3-Lens Set from Mid-Tele to Close-Up, User-Swappable PL\/EF\u003c\/h2\u003e\n\u003cp\u003eThe SIRUI IronStar 3-Lens Kit is a complete set of three 1.5x anamorphic lenses for Full Frame cameras — the 75mm T1.9 gives a horizontal equivalent of about 50mm, ideal for dialogue and storytelling; the 100mm T2.8 (about 66mm equivalent) focuses as close as 0.3 m for anamorphic macro shots; and the 135mm T2.8 (about 90mm equivalent) delivers strong compression to separate the subject from busy backgrounds. With a constant 1.5x squeeze, shooting 16:9 and de-squeezing gives close to a 2.4:1 aspect ratio without heavy cropping. You get the signature anamorphic oval bokeh and flares, with a choice of Blue Flare or Neutral Flare. Gear positions and the 95mm front diameter are identical across the set, so you can share a matte box and follow focus. Mounts are user-swappable between PL and Canon EF, with a built-in back focus adjustment ring and all-metal construction.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3-lens set of 75mm, 100mm and 135mm covering real-world work from portrait and medium tele to close-up and detail shots\u003c\/li\u003e\n  \u003cli\u003e1.5x anamorphic for a cinematic aspect ratio — shooting 16:9 gives close to 2.4:1 without heavy cropping, adding true cinematic depth\u003c\/li\u003e\n  \u003cli\u003eFast apertures of T1.9 (75mm) and T2.8 (100mm \/ 135mm) for bright images, good low-light performance and dimensional background blur\u003c\/li\u003e\n  \u003cli\u003eOval bokeh that makes the background stand apart, giving the signature anamorphic look\u003c\/li\u003e\n  \u003cli\u003eBlue\/Neutral flare options add cinematic mood that looks natural without disturbing image color\u003c\/li\u003e\n  \u003cli\u003eCine-grade manual focus with precise control\u003c\/li\u003e\n  \u003cli\u003e0.8 m close focus, suitable for both portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears with a 270° focus rotation, ready for follow focus and professional cine rigs\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts with both PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — works with multiple systems, including cinema cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n  \u003cli\u003eAll-metal construction built to withstand real production sets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction House \/ Rental Service\u003c\/li\u003e\n  \u003cli\u003eFull-scale anamorphic filmmaking\u003c\/li\u003e\n  \u003cli\u003eCommercials that require close-up shots\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Narrative Film\u003c\/li\u003e\n  \u003cli\u003eTeams using follow focus and matte boxes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e75mm T1.9 + 100mm T2.8 + 135mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003e75mm: T1.9 – T16 \/ 100mm \u0026amp; 135mm: T2.8 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e75mm: 0.8m \/ 100mm: 0.3m \/ 135mm: 0.8m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eHorizontal Equivalent\u003c\/td\u003e\n\u003ctd\u003e75mm ≈ 50mm \/ 100mm ≈ 66mm \/ 135mm ≈ 90mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame (Image Circle 46mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x (Constant Squeeze)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eCine-grade Manual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e92mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ Canon EF (user-swappable, both included)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBack Focus Adjustment\u003c\/td\u003e\n\u003ctd\u003eBuilt-in adjustment ring — no need to remove the mount or add shims\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue Flare \/ Neutral Flare\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFlare Type\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBlue Flare\u003c\/li\u003e\n  \u003cli\u003eNeutral Flare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eIronStar 75mm T1.9 1.5x lens\u003c\/li\u003e\n  \u003cli\u003eIronStar 100mm T2.8 1.5x lens\u003c\/li\u003e\n  \u003cli\u003eIronStar 135mm T2.8 1.5x lens\u003c\/li\u003e\n  \u003cli\u003ePL and Canon EF mounts (for every lens)\u003c\/li\u003e\n  \u003cli\u003eFront and rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I de-squeeze 1.5x anamorphic footage?\u003c\/strong\u003e\u003cbr\u003eA: In your editing software, stretch the image horizontally by 1.5x (or set the Pixel Aspect Ratio to 1.5). Shooting 16:9 and de-squeezing gives about a 2.4:1 cinematic widescreen ratio.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: PL or EF — which should I choose, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both PL and Canon EF mounts are included in the box, and you can swap them yourself. PL is for professional cinema cameras (ARRI, RED), while EF is for DSLRs and can be adapted to mirrorless cameras.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between Blue Flare and Neutral Flare?\u003c\/strong\u003e\u003cbr\u003eA: Blue Flare gives classic blue anamorphic streaks that show clearly when a bright light source enters the frame, while Neutral Flare gives neutral-toned flares with no color cast — ideal for work that requires accurate color control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIRUI IronStar 75mm T1.9 + 100mm T2.8 + 135mm T2.8 1.5x Full Frame Anamorphic Cine 3-Lens Kit — 3-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-1.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-2.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-3.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-4.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-5.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-6.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-7.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-8.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-9.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Detail-10.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 75\/100\/135mm 3-Lens Kit T1.9-2.8 · Full Frame Cine MF – product detail image 10\"\u003e","brand":"SIRUI","offers":[{"title":"Blue Flare","offer_id":52646258409612,"sku":"IRON-3DS-B+292A","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Flare","offer_id":52646258442380,"sku":"IRON-3DS-N+292A","price":99000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-3DS-Product-1_eedc6876-7e42-4f4a-ae65-4e7ffe032cb6.jpg?v=1786952356"},{"product_id":"sirui-ironstar-135mm-t2-8-1-5x-full-frame-anamorphic-cine","title":"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF","description":"\u003ch2\u003eSIRUI IronStar 135mm T2.8 1.5x Full Frame Anamorphic Cine Lens — 1.5x Anamorphic 135mm T2.8 Telephoto, 12 Aperture Blades, Oval Bokeh, User-Swappable PL\/EF\u003c\/h2\u003e\n\u003cp\u003eThe SIRUI IronStar 135mm T2.8 is a 1.5x anamorphic telephoto lens for Full Frame cameras. The 135mm focal length gives a horizontal equivalent of about 90mm with strong compression, separating the subject well from busy backgrounds — ideal for portraits and detail-focused scenes. With a constant 1.5x squeeze, shooting 16:9 and de-squeezing gives close to a 2.4:1 aspect ratio without heavy cropping. The T2.8 aperture performs well in low light and creates dimensional background blur, along with signature anamorphic oval bokeh and flares, available in Blue Flare or Neutral Flare. The optical design uses 13 elements in 10 groups with cinema-grade glass (ED \/ Aspherical \/ HRI) and very low focus breathing, plus 0.8 MOD gears and a 270° focus throw. Mounts are user-swappable between PL and Canon EF, in an all-metal construction.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePro-grade 135mm telephoto — a popular focal length for portraits, wildlife, sports, cars and cycling races, and other subjects that are hard to shoot up close\u003c\/li\u003e\n  \u003cli\u003eFull Frame coverage (Image Circle 46mm) for full-frame images with no vignetting or crop\u003c\/li\u003e\n  \u003cli\u003e1.5x anamorphic for a cinematic aspect ratio — shooting 16:9 gives close to 2.4:1 without heavy cropping, adding true cinematic depth\u003c\/li\u003e\n  \u003cli\u003eFast T2.8 aperture for bright images, good low-light performance and dimensional background blur\u003c\/li\u003e\n  \u003cli\u003eOval bokeh that makes the background stand apart, giving the signature anamorphic look\u003c\/li\u003e\n  \u003cli\u003eBlue\/Neutral flare options add cinematic mood that looks natural without disturbing image color\u003c\/li\u003e\n  \u003cli\u003eCine-grade manual focus with precise control\u003c\/li\u003e\n  \u003cli\u003e0.8 m close focus\u003c\/li\u003e\n  \u003cli\u003eCinema-grade optical design with high-quality elements (ED \/ Aspherical \/ HRI) for sharp images and accurate color\u003c\/li\u003e\n  \u003cli\u003eVery low (near-zero) focus breathing keeps the frame steady during focus pulls, ideal for video\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears with a 270° focus rotation, ready for follow focus and professional cine rigs\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts with both PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — works with multiple systems, including cinema cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n  \u003cli\u003eAll-metal construction built to withstand real production sets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAnamorphic cinematic portraits\u003c\/li\u003e\n  \u003cli\u003eTelephoto narrative film\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ Beauty Shot\u003c\/li\u003e\n  \u003cli\u003eSports and automotive shooting\u003c\/li\u003e\n  \u003cli\u003eBokeh-heavy productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eHorizontal Equivalent\u003c\/td\u003e\n\u003ctd\u003eApprox. 90mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 10 groups (ED \/ Aspherical \/ HRI)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.8 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (Near-zero)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame (Image Circle 46mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x (Constant Squeeze)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eCine-grade Manual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e92mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ Canon EF (user-swappable, both included)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBack Focus Adjustment\u003c\/td\u003e\n\u003ctd\u003eBuilt-in adjustment ring — no need to remove the mount or add shims\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue Flare \/ Neutral Flare\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eEF approx. 1,110 g \/ PL approx. 1,135 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFlare Type\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBlue Flare\u003c\/li\u003e\n  \u003cli\u003eNeutral Flare\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSIRUI IronStar 135mm T2.8 1.5x lens\u003c\/li\u003e\n  \u003cli\u003ePL and Canon EF mounts (user-swappable)\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I de-squeeze 1.5x anamorphic footage?\u003c\/strong\u003e\u003cbr\u003eA: In your editing software, stretch the image horizontally by 1.5x (or set the Pixel Aspect Ratio to 1.5). Shooting 16:9 and de-squeezing gives about a 2.4:1 cinematic widescreen ratio.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: PL or EF — which should I choose, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both PL and Canon EF mounts are included in the box, and you can swap them yourself. PL is for professional cinema cameras (ARRI, RED), while EF is for DSLRs and can be adapted to mirrorless cameras.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between Blue Flare and Neutral Flare?\u003c\/strong\u003e\u003cbr\u003eA: Blue Flare gives classic blue anamorphic streaks that show clearly when a bright light source enters the frame, while Neutral Flare gives neutral-toned flares with no color cast — ideal for work that requires accurate color control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIRUI IronStar 135mm T2.8 1.5x Full Frame Anamorphic Cine Lens — 3-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-1.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-2.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-3.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-4.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-5.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-6.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-7.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-8.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-9.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Detail-10.jpg\" alt=\"SIRUI IronStar 1.5x Anamorphic 135mm T2.8 · Full Frame Cine MF – product detail image 10\"\u003e","brand":"SIRUI","offers":[{"title":"Blue Flare","offer_id":52646258507916,"sku":"IRON-135-B","price":31900.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Flare","offer_id":52646258540684,"sku":"IRON-135-N","price":31900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/IRON-135-Product-1_f2f8331f-7214-4ce3-8e92-df6d189c23e3.jpg?v=1786952364"},{"product_id":"dzofilm-arles-10-lens-kit-14-180mm-pl","title":"DZOFILM Arles Prime 14-180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Full Frame Vista Vision Prime Cine 10-Lens Kit for PL Mount — Full Frame \/ Vista Vision Cine lens set, all 10 focal lengths 14–180mm, 16 blades, PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Prime Cine 10-Lens Kit is a professional cinema lens set with all 10 focal lengths in one — 14 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180mm — from ultra-wide to long telephoto, enough to finish a whole production without renting extra lenses. Covers Full Frame and Vista Vision sensors with a maximum aperture of T1.4 (14mm T1.9 \/ 135mm T1.8 \/ 180mm T2.4). 16 blades give soft, round bokeh. Every lens shares the same Ø95mm front diameter and M86 filter thread, so one Matte Box and filter set serves the whole kit. 0.8 MOD gears and a 270° Focus Throw. Nano multi-coating controls breathing, color and flare. Aluminum alloy body. Comes with 2 Hard Cases.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional cinema lens set with all 10 focal lengths: 14 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180 mm\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame \/ Vista Vision sensors with a maximum aperture range from T1.4 to T22 for beautiful images and soft bokeh\u003c\/li\u003e\n  \u003cli\u003e16-blade diaphragm for soft, beautifully round bokeh\u003c\/li\u003e\n  \u003cli\u003eØ95 mm front diameter with M86 filter thread for accessories and matte boxes\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears and 270° focus rotation for fine focus control in video work\u003c\/li\u003e\n  \u003cli\u003eSuited to professional film work and studios\u003c\/li\u003e\n  \u003cli\u003eStandard PL mount with a Feet\/Meter focus scale to choose from, to match the shooting system and what the camera operator \/ DP is used to\u003c\/li\u003e\n  \u003cli\u003eNano multi-coating and an internal design built for Minimal breathing and good control of color and flare\u003c\/li\u003e\n  \u003cli\u003eAluminum alloy construction that is strong, durable and premium in feel\u003c\/li\u003e\n  \u003cli\u003eComes with a rugged, impact-resistant Hard Case that stores the full lens set and makes transport easy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRental Houses and large Productions\u003c\/li\u003e\n  \u003cli\u003eFeature films and series\u003c\/li\u003e\n  \u003cli\u003eHigh-End advertising\u003c\/li\u003e\n  \u003cli\u003eCrews that need every focal length covered\u003c\/li\u003e\n  \u003cli\u003eTeams using ARRI \/ RED \/ Sony VENICE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e14 \/ 21 \/ 25 \/ 35 \/ 40 \/ 50 \/ 75 \/ 100 \/ 135 \/ 180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.4 – T22 (14mm: T1.9 \/ 135mm: T1.8 \/ 180mm: T2.4)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision (Image Circle ~46.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris gear positions matched across the set)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eNano Multi-Coating, light blue tone, controls flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (Floating Element)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Temp\u003c\/td\u003e\n\u003ctd\u003eConsistent across the set ~5000K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eSelectable Feet or Meter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case × 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions (Focus Scale)\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Prime 14mm T1.9 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 21mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 25mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 35mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 40mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 50mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 75mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 100mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 135mm T1.8 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 180mm T2.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eHard Case × 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is T-stop different from F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements and coatings, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Feet and Meter?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. Choose whichever your focus puller is used to: Thai and European crews tend to prefer Meter, while American crews prefer Feet. The lens is identical in every way; only the numbers printed on the ring differ.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can PL Mount be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via a PL adapter such as the DZOFILM Octopus Adapter II, which converts to Sony E \/ Canon RF \/ Nikon Z \/ Leica L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm Full Frame Vista Vision Prime Cine 10-Lens Kit for PL Mount — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-1.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-2.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-3.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-4.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-5.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-6.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-7.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-8.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-9.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-10.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Detail-11.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/40\/50\/75\/100\/135\/180mm T1.4 10-Lens Kit · Vista Vision Cine MF · PL – product detail image 11\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":53262398881932,"sku":"DZO-SAP10IPL","price":650000.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":53262398914700,"sku":"DZO-SAP10MPL","price":650000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP10-Product-1.jpg?v=1787110851"},{"product_id":"dzofilm-arles-8-lens-kit-14-135mm-pl","title":"DZOFILM Arles Prime 14-135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles 14\/21\/25\/35\/50\/75\/100\/135mm Full Frame Vista Vision Prime Cine 8-Lens Kit for PL Mount — Full Frame \/ Vista Vision Cine lens set, 8 focal lengths 14–135mm, 0.8 MOD gears, PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Prime Cine 8-Lens Kit is a cinema lens set with 8 focal lengths — 14 \/ 21 \/ 25 \/ 35 \/ 50 \/ 75 \/ 100 \/ 135mm — from ultra-wide to telephoto, a set that balances coverage and budget. Covers Full Frame and Vista Vision sensors with a maximum aperture of T1.4 (14mm T1.9 \/ 135mm T1.8). 16 blades give soft, round bokeh. Every lens shares the same Ø95mm front diameter and M86 filter, so you can swap lenses without moving the Matte Box. 0.8 MOD gears and a 270° Focus Throw. Consistent ~5000K color for easy grading. Comes with a Hard Case.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8 prime lenses — 14, 21, 25, 35, 50, 75, 100, 135 mm — covering wide-angle to telephoto, with great flexibility for pro-level film \/video work\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors (Full-Frame \/ Vista Vision) for sharp images with “cinematic” depth\u003c\/li\u003e\n  \u003cli\u003eAperture from T1.4 to T22 for professional control of light and depth of field\u003c\/li\u003e\n  \u003cli\u003e16-blade diaphragm for smooth, beautiful background bokeh\u003c\/li\u003e\n  \u003cli\u003eCine Gear 0.8 MOD gears for use with Follow Focus\u003c\/li\u003e\n  \u003cli\u003eIdentical 95 mm front diameter at every focal length makes lens swaps and fitting filters \/ matte box quick and convenient\u003c\/li\u003e\n  \u003cli\u003eM86 (86 mm) filter thread on the lenses in the set for filter compatibility across the kit\u003c\/li\u003e\n  \u003cli\u003eManual focus with 270° rotation for high precision\u003c\/li\u003e\n  \u003cli\u003eAluminum body construction that is durable and lightweight\u003c\/li\u003e\n  \u003cli\u003eComes with a premium-grade Hard Case for carrying and protecting the full lens set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction House \/ Rental Service\u003c\/li\u003e\n  \u003cli\u003eFilm and series\u003c\/li\u003e\n  \u003cli\u003eAdvertising and Commercial\u003c\/li\u003e\n  \u003cli\u003eProfessional Documentary\u003c\/li\u003e\n  \u003cli\u003eARRI \/ RED \/ Sony VENICE crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e14 \/ 21 \/ 25 \/ 35 \/ 50 \/ 75 \/ 100 \/ 135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.4 – T22 (14mm: T1.9 \/ 135mm: T1.8 \/ 180mm: T2.4)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision (Image Circle ~46.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris gear positions matched across the set)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eNano Multi-Coating, light blue tone, controls flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (Floating Element)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Temp\u003c\/td\u003e\n\u003ctd\u003eConsistent across the set ~5000K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eSelectable Feet or Meter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions (Focus Scale)\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Prime 14mm T1.9 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 21mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 25mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 35mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 50mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 75mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 100mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 135mm T1.8 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is T-stop different from F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements and coatings, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Feet and Meter?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. Choose whichever your focus puller is used to: Thai and European crews tend to prefer Meter, while American crews prefer Feet. The lens is identical in every way; only the numbers printed on the ring differ.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can PL Mount be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via a PL adapter such as the DZOFILM Octopus Adapter II, which converts to Sony E \/ Canon RF \/ Nikon Z \/ Leica L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles 14\/21\/25\/35\/50\/75\/100\/135mm Full Frame Vista Vision Prime Cine 8-Lens Kit for PL Mount — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-1.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-2.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-3.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-4.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-5.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-6.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-7.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-8.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-9.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Detail-10.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/25\/35\/50\/75\/100\/135mm T1.4 8-Lens Kit · Vista Vision Cine MF · PL – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":53262417592460,"sku":"DZO-SAP8IPL","price":500000.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":53262417625228,"sku":"DZO-SAP8MPL","price":500000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP8-Product-1.jpg?v=1787111269"},{"product_id":"dzofilm-arles-5-lens-kit-b-14-21-40-135-180mm-pl","title":"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles 14\/21\/40\/135\/180mm Full Frame Vista Vision Prime Cine 5-Lens Kit B for PL Mount — add-on Cine lens set, 14\/21\/40\/135\/180mm, extending the 5-lens Kit A, PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Prime Cine 5-Lens Kit (B) is a cinema lens set with 5 focal lengths designed as an add-on kit — 14mm T1.9, 21mm T1.4, 40mm T1.4, 135mm T1.8 and 180mm T2.4. These focal lengths are not in the 5-lens kit (A), so it suits teams that already own the 25\/35\/50\/75\/100mm set and want to extend it at both the ultra-wide and long telephoto ends. Covers Full Frame and Vista Vision sensors, with 16 blades and the same Ø95mm front diameter and M86 filter as every Arles lens, so the same Matte Box works right away. 0.8 MOD gears and a 270° Focus Throw, with gear positions matching the existing set. Comes with a Hard Case.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eKey features\u003c\/li\u003e\n  \u003cli\u003e5 focal lengths — 14, 21, 40, 135, 180 mm — covering wide-angle, mid-range and telephoto shots, suited to both stills and film\u003c\/li\u003e\n  \u003cli\u003eFast apertures (T-stop) in the T1.4-T2.4 range depending on focal length, for good low-light shooting and beautiful bokeh control\u003c\/li\u003e\n  \u003cli\u003ePL Mount for professional cinema cameras, covering large sensors (Vista Vision \/ Full Frame) with an image circle larger than 46.5 mm\u003c\/li\u003e\n  \u003cli\u003eCine-style mechanics: Ø95 mm front diameter and a 16-blade diaphragm for beautifully round bokeh\u003c\/li\u003e\n  \u003cli\u003eDesigned for fast swaps: standard filter size, plus focus and iris gears for use with rigs and filmmaking equipment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTeams that already own the Arles 5-lens set (A)\u003c\/li\u003e\n  \u003cli\u003eFilm work that needs ultra-wide and long telephoto\u003c\/li\u003e\n  \u003cli\u003eRental Houses looking to add focal lengths\u003c\/li\u003e\n  \u003cli\u003eLandscape and Establishing Shot\u003c\/li\u003e\n  \u003cli\u003eLong-distance Portrait Compression\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e14mm T1.9 + 21mm T1.4 + 40mm T1.4 + 135mm T1.8 + 180mm T2.4\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.4 – T22 (14mm: T1.9 \/ 135mm: T1.8 \/ 180mm: T2.4)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision (Image Circle ~46.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus and iris gear positions matched across the set)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eNano Multi-Coating, light blue tone, controls flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (Floating Element)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Temp\u003c\/td\u003e\n\u003ctd\u003eConsistent across the set ~5000K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eSelectable Feet or Meter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions (Focus Scale)\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Prime 14mm T1.9 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 21mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 40mm T1.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 135mm T1.8 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eArles Prime 180mm T2.4 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is T-stop different from F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements and coatings, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Feet and Meter?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. Choose whichever your focus puller is used to: Thai and European crews tend to prefer Meter, while American crews prefer Feet. The lens is identical in every way; only the numbers printed on the ring differ.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is it different from the 5-lens kit (A)?\u003c\/strong\u003e\u003cbr\u003eA: Kit A is 25\/35\/50\/75\/100mm, the core working focal lengths, while this Kit B is 14\/21\/40\/135\/180mm, adding ultra-wide and long telephoto. The two kits together give all 10 focal lengths.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles 14\/21\/40\/135\/180mm Full Frame Vista Vision Prime Cine 5-Lens Kit B for PL Mount — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-1.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-2.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-3.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-4.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-5.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-6.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-7.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-8.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-9.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-10.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-11.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Detail-12.jpg\" alt=\"DZOFILM Arles Prime 14\/21\/40\/135\/180mm T1.4 5-Lens Kit B · Vista Vision Cine MF · PL – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":53262435549324,"sku":"DZO-SAP5B14IPL","price":350000.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":53262435582092,"sku":"DZO-SAP5B14MPL","price":350000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP5B14-Product-1.jpg?v=1787111755"},{"product_id":"dzofilm-arles-mf-135mm-t1-8-pl","title":"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL","description":"\u003ch2\u003eDZOFILM Arles MF 135mm T1.8 Full Frame Vista Vision Prime Cine Lens for PL Mount — Full Frame \/ Vista Vision Cine lens, 135mm T1.8, 16 blades, 270° Focus Throw, PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles MF 135mm T1.8 is a cinema prime lens with a 135mm focal length covering Full Frame and Vista Vision sensors (image circle ~46.5mm), suited to both Cinema cameras and large-sensor Mirrorless cameras. A telephoto lens with pronounced compression, ideal for Portrait work and scenes that need the subject separated from the background. The wide T1.8–T22 aperture handles low light well and delivers smooth, creamy background bokeh, and the 16 aperture blades keep bokeh round and soft. Manual focus with standard 0.8 MOD gears and a 270° Focus Throw. Nano multi-coating controls breathing, color and flare. Ø95mm front diameter with M86 filter thread. Focus scale available in Feet or Meter.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinema prime lens with a 135 mm focal length covering Full Frame \/ Vista Vision sensors (image circle ~46.5 mm), suited to both Cinema cameras and large-sensor Mirrorless cameras\u003c\/li\u003e\n  \u003cli\u003eWide T1.8–T22 aperture for low-light shooting and smooth, creamy background bokeh\u003c\/li\u003e\n  \u003cli\u003e16-blade diaphragm for soft, beautifully round bokeh\u003c\/li\u003e\n  \u003cli\u003eManual Focus for precise control\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears and 270° focus rotation for fine focus control in video work\u003c\/li\u003e\n  \u003cli\u003eNano multi-coating and an internal design built for Minimal breathing and good control of color and flare\u003c\/li\u003e\n  \u003cli\u003eØ95 mm front diameter with Ø86 mm filter thread for easy use of accessories\u003c\/li\u003e\n  \u003cli\u003ePL Mount focus distance scale available in 2 units: Feet and Meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLong-distance Cinematic Portrait\u003c\/li\u003e\n  \u003cli\u003eBeauty Shot and Commercial\u003c\/li\u003e\n  \u003cli\u003eTelephoto Compression\u003c\/li\u003e\n  \u003cli\u003eLow Light\u003c\/li\u003e\n  \u003cli\u003eSports and wildlife\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.8 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision (~46.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eØ86mm (M86)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eSelectable Feet or Meter\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,846 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions (Focus Scale)\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles MF 135mm T1.8 lens (PL)\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is T-stop different from F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements and coatings, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Feet and Meter?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. Choose whichever your focus puller is used to: Thai and European crews tend to prefer Meter, while American crews prefer Feet. The lens is identical in every way; only the numbers printed on the ring differ.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can PL Mount be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via a PL adapter such as the DZOFILM Octopus Adapter II, which converts to Sony E \/ Canon RF \/ Nikon Z \/ Leica L.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles MF 135mm T1.8 Full Frame Vista Vision Prime Cine Lens for PL Mount — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-1.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-2.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-3.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-4.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-5.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-6.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-7.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-8.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-9.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-10.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-11.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Detail-12.jpg\" alt=\"DZOFILM Arles Prime 135mm T1.8 · Vista Vision Cine MF · Telephoto · PL – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":53262441087116,"sku":"DZO-SAP135IPL","price":80000.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":53262441119884,"sku":"DZO-SAP135MPL","price":80000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-SAP135-Product-1.jpg?v=1787115786"},{"product_id":"dzofilm-arles-zoom-65-180mm-t2-6-pl","title":"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 65-180mm telephoto cine zoom lens, constant T2.6, Parfocal, 7 ED + 2 HRI elements, 16 iris blades, lightweight at 1,782 g\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 65-180mm T2.6 is a telephoto cine zoom lens for Full Frame. The 65-180mm range runs from short telephoto to long telephoto, letting you move from a portrait or Medium Shot to a more distant Close-up without changing lenses. 2.8x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 20 elements in 8 groups, including 7 ED and 2 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation. This lens's 65mm end overlaps the 75mm end of the 25-75mm model, so the two pair as a two-lens set with no gap in focal range. Aluminum alloy body, approx. 1,782 g\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e65-180mm focal range runs from short telephoto to long telephoto, letting the operator move from a portrait or medium shot to a more distant close-up without changing lenses; 2.8X zoom ratio\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1782g with an aluminum alloy body, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortraits and long-distance Close-ups\u003c\/li\u003e\n  \u003cli\u003eTelephoto film and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary where you cannot get close to the subject\u003c\/li\u003e\n  \u003cli\u003ePairing with the Arles Zoom 25-75mm as a two-lens set\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65-180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.8X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 8 groups (7 ED + 2 HRI elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.89 m (from the sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,782 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with the Marlin 1.4x Extender?\u003c\/strong\u003e\u003cbr\u003eA: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143887462540,"sku":"DZO-AZ65180I","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143887495308,"sku":"DZO-AZ65180M","price":99900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ65180-Product-1_bfc0e4fb-ee33-4c91-bbda-b990d3a7416b.jpg?v=1788941071"},{"product_id":"dzofilm-arles-zoom-2-lens-kit-25-180mm-pl","title":"DZOFILM Arles Zoom Parfocal 25-75\/65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — Full Frame cine zoom 2-lens kit covering 25-180mm with no gap in focal range, constant T2.6 across the kit, Parfocal, with Hard Case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 2-Lens Kit is a set of 2 professional Full Frame cine zoom lenses, the Arles Zoom 25-75mm T2.6 and 65-180mm T2.6, covering wide-angle through long telephoto for a combined 25-180mm range. The key point is that the telephoto's 65mm end overlaps the wide zoom's 75mm end, so there is No Gap in focal range between the two lenses, and the overlap falls in the mid range used most often in documentary and interview work. Both lenses hold a constant T2.6 aperture throughout the zoom range, so you can swap lenses without compensating exposure. Both are Parfocal, holding focus while zooming, with very low Focus Breathing. The Four-Group Linkage optical system uses ED and HRI elements for Prime-level quality. Both cover a Ø43.5mm Image Circle and share a 16-blade iris, Ø95mm front diameter, M86 filter thread and matching M0.8 gear positions, so lenses can be changed quickly without moving the Matte Box or resetting the Follow Focus, even with lens motors attached. Weights are similar at around 1.77 and 1.78 kg, so the gimbal barely needs rebalancing. Supplied with a Hard Case for storage and transport\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional full-frame cine lens kit of 2 lenses, 25-75\/65-180mm, covering wide-angle through telephoto\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1767g \/ ~1782g with aluminum alloy bodies, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction Houses and Rental Services\u003c\/li\u003e\n  \u003cli\u003eFilm and commercial work that needs to cover every focal length\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interview work with no time to swap lenses\u003c\/li\u003e\n  \u003cli\u003eTeams using Follow Focus and Matte Box\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cinema cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eArles Zoom 25-75mm T2.6 + Arles Zoom 65-180mm T2.6\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCombined Range\u003c\/td\u003e\n\u003ctd\u003e25-180mm (no gap in focal range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e3X (25-75mm) \/ 2.8X (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e25-75mm: 22 elements in 8 groups (ED 7 + HRI 5) · 65-180mm: 20 elements in 8 groups (ED 7 + HRI 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.51 m (25-75mm) \/ 0.89 m (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e178.1mm \/ 190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1.77 kg \/ 1.78 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Zoom 25-75mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eArles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront and rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eHard Case for storage and transport\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why do you say there is no gap in focal range?\u003c\/strong\u003e\u003cbr\u003eA: Because the telephoto's 65mm end overlaps the wide zoom's 75mm end, the pair covers 25-180mm continuously with no focal length missing, and the overlap is the mid range used most often in documentary and interview work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The kit costs less than buying the two lenses separately, and the Hard Case is included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143890346124,"sku":"DZO-AZ25180I","price":199900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143890378892,"sku":"DZO-AZ25180M","price":199900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ25180-Product-1_3ab2691b-c587-428d-9fe9-3ba54852c4ac.jpg?v=1788941080"},{"product_id":"chiopt-xtreme-zoom-mf-75-250mm-t3-2-full-frame-parfocal-cine-zoom-lens","title":"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts)","description":"\u003ch2\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — Telephoto 75-250mm Cine Zoom with Constant T3.2, 11 Aperture Blades, Parfocal, User-Swappable PL\/EF\/E Mounts\u003c\/h2\u003e\n\u003cp\u003eThe CHIOPT XTREME ZOOM MF 75-250mm T3.2 is a cinema zoom lens that covers Full Frame and Super 35 sensors with a ⌀46mm image circle. The 75-250mm range is a telephoto zoom with strong perspective compression that separates subjects well from cluttered backgrounds, ideal for long-distance portraits, sports and scenes where you can't get close to the subject. Its 3.5x zoom ratio is the widest in the set, and it uses an 11-blade aperture versus 9 blades on the other two, giving especially smooth, round bokeh, which matters for telephoto work with heavily blurred backgrounds. The constant T3.2 aperture across the zoom range lets you change focal length without exposure shifts. The Parfocal design holds focus while zooming in and out, and focus breathing is kept very low, so the frame doesn't grow or shrink when racking focus, making editing easier. Mounts are user-swappable between PL, Canon EF and Sony E with high-strength stainless steel mounts, so you can move to another camera system without buying a new lens. The focus ring rotates 288° with a standard 0.8 MOD gear, ready for a follow focus right away. The focus scale is marked in meters on the left and feet on the right, ready for international crews. The 114mm front diameter is the same across the set, so you can swap lenses without readjusting the Matte Box or donut. The all-metal body is sealed against dust and splashes, with housing gaps filled with special material, and back focus is user-adjustable with multiple shim sizes included.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eParfocal: focus holds while zooming, no refocusing mid-shot\u003c\/li\u003e\n  \u003cli\u003eConstant T3.2 across the range: no exposure shifts or readjustments when changing focal length\u003c\/li\u003e\n  \u003cli\u003eFull Frame + S35: 46mm image circle covers Full Frame and Super 35 sensors\u003c\/li\u003e\n  \u003cli\u003eVery low breathing: the frame doesn't grow or shrink when racking focus, for easier editing\u003c\/li\u003e\n  \u003cli\u003eInterchangeable mounts: PL \/ EF \/ E high-strength stainless steel mounts, change cameras without buying a new lens\u003c\/li\u003e\n  \u003cli\u003e288° focus rotation with 0.8 MOD gear: long focus throw for precise pulls, works with standard follow focus systems right away\u003c\/li\u003e\n  \u003cli\u003eDual meter + feet scales: meters on the left, feet on the right, ready for international crews\u003c\/li\u003e\n  \u003cli\u003e114mm front diameter across the set: swap lenses without readjusting the Matte Box \/ donut\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, dust and splash resistant: housing gaps sealed with special material, built for location work\u003c\/li\u003e\n  \u003cli\u003eUser-adjustable back focus: multiple shim sizes included so you can fine-tune the flange distance yourself\u003c\/li\u003e\n  \u003cli\u003eColor-matched across all 3: 16-35 \/ 28-85 \/ 75-250 share the same color rendering and mechanics, ready to build a set\u003c\/li\u003e\n  \u003cli\u003eSmooth, round bokeh: 9-blade aperture (75-250mm = 11 blades) for beautifully round out-of-focus highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLong-distance cinematic portraits\u003c\/li\u003e\n  \u003cli\u003eSports and events\u003c\/li\u003e\n  \u003cli\u003eScenes where you can't get close to the subject\u003c\/li\u003e\n  \u003cli\u003eShots that need heavily blurred backgrounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF \/ E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16-35mm, 28-85mm, 75-250mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.18x, 3x, 3.5x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eT3.2-T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImaging Circle\u003c\/td\u003e\n\u003ctd\u003e⌀46mm (Full Frame + Super 35)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMOD From Lens Front\u003c\/td\u003e\n\u003ctd\u003e0.34m, 0.4m, 1.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e0.05-0.1X, 0.05-0.15X, 0.05-0.18X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight (PL)\u003c\/td\u003e\n\u003ctd\u003e2.5kg, 2.7kg, 2.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Pitch\u003c\/td\u003e\n\u003ctd\u003e0.8M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 × 1\u003c\/li\u003e\n  \u003cli\u003ePL \/ Canon EF \/ Sony E mounts (user-swappable)\u003c\/li\u003e\n  \u003cli\u003eShim set in multiple sizes for back focus adjustment\u003c\/li\u003e\n  \u003cli\u003eFront and rear lens caps\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Typical zoom lenses lose focus when you zoom in or out, so you have to refocus every time. A Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of cinema-grade zoom lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Do I need to choose a mount when ordering?\u003c\/strong\u003e\u003cbr\u003eA: No. PL, Canon EF and Sony E mounts are all included, and the stainless steel mounts are user-swappable, so you can move to another camera system without buying a new lens.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is adjusting back focus difficult?\u003c\/strong\u003e\u003cbr\u003eA: Not at all. Multiple shim sizes are included for setting the flange distance after a mount change or when infinity focus is off. We recommend checking back focus every time you change mounts.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it worth buying the full set?\u003c\/strong\u003e\u003cbr\u003eA: All 3 share matched color rendering and mechanics, the same 114mm front diameter and 0.8 MOD gears in the same position, so you can swap lenses without moving the Matte Box or resetting the follow focus. For full-scale production work, the set is better value than a single lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-1.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-2.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-3.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-4.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-5.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-6.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-7.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-8.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-9.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 9\"\u003e","brand":"CHIOPT","offers":[{"title":"Default Title","offer_id":59014591447180,"sku":"CHPT-XTZ-MF75-250-T32","price":139000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF75-250-T32-Product-1.jpg?v=1789445463"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/135mm-telephoto-lenses.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}