{"title":"7Artisans Cinema Lenses","description":"\u003cp\u003eExplore 7Artisans Cinema Lenses across HOPE, Vision, Spectrum, DREAM, INFINITE. Compare the available models and options in each series.\u003c\/p\u003e","products":[{"product_id":"7artisans-hope-cine-10mm-t2-1-aps-c","title":"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle","description":"\u003ch2\u003e7Artisans Hope Cine 10mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 10mm T2.1 is an APS-C\/S35 cinema lens at 10mm (~15.0mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e10mm focal length on APS-C (approx. 15 mm equivalent on Full-Frame) delivers a wide view, ideal for landscapes or creative extreme-perspective shots\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.3 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e10 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 15 elements in 12 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 620 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic wide shots\u003c\/li\u003e\n\u003cli\u003eLandscape \/ Establishing Shot\u003c\/li\u003e\n\u003cli\u003eWide-angle vlogging\u003c\/li\u003e\n\u003cli\u003eDocumentary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e10mm (~15.0mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e15 elements \/ 12 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.3m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e620g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 10mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 10mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 10mm T2.1 · APS-C MF · Wide Angle – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723063436,"sku":"7ATS-HOPE-MF10MM-T21E-APSC","price":14900.0,"currency_code":"THB","in_stock":true},{"title":"Canon RF","offer_id":49643723096204,"sku":"7ATS-HOPE-MF10MM-T21RF-APSC","price":14900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723128972,"sku":"7ATS-HOPE-MF10MM-T21FX-APSC","price":14900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723161740,"sku":"7ATS-HOPE-MF10MM-T21MFT-APSC","price":14900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Product-1.jpg?v=1778138980"},{"product_id":"7artisans-hope-cine-16mm-t2-1-aps-c","title":"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle","description":"\u003ch2\u003e7Artisans Hope Cine 16mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 16mm T2.1 is an APS-C\/S35 cinema lens at 16mm (~24.0mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16mm focal length on APS-C (approx. 24 mm equivalent on Full-Frame) delivers a wide view, ideal for landscapes and filmmaking\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.25 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e10 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 14 elements in 11 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 706 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic wide shots\u003c\/li\u003e\n\u003cli\u003eLandscape \/ Establishing Shot\u003c\/li\u003e\n\u003cli\u003eWide-angle vlogging\u003c\/li\u003e\n\u003cli\u003eDocumentary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm (~24.0mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e14 elements \/ 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e706g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 16mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 16mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 16mm T2.1 · APS-C MF · Wide Angle – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723194508,"sku":"7ATS-HOPE-MF16MM-T21E-APSC","price":13900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723227276,"sku":"7ATS-HOPE-MF16MM-T21RF-APSC","price":13900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723260044,"sku":"7ATS-HOPE-MF16MM-T21FX-APSC","price":13900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723292812,"sku":"7ATS-HOPE-MF16MM-T21MFT-APSC","price":13900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF16MM-T21-APSC-Product-1.jpg?v=1778140120"},{"product_id":"7artisans-hope-cine-25mm-t2-1-aps-c","title":"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle","description":"\u003ch2\u003e7Artisans Hope Cine 25mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 25mm T2.1 is an APS-C\/S35 cinema lens at 25mm (~37.5mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e25mm focal length on APS-C (approx. 37.5 mm equivalent on Full-Frame) delivers a wide view, ideal for landscapes and filmmaking\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.25 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e11 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 12 elements in 9 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 712 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic standard shots\u003c\/li\u003e\n\u003cli\u003eDocumentary\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eInterview \/ Dialogue Scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25mm (~37.5mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements \/ 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e712g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 25mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 25mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 25mm T2.1 · APS-C MF · Wide Angle – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723325580,"sku":"7ATS-HOPE-MF25MM-T21E-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723358348,"sku":"7ATS-HOPE-MF25MM-T21RF-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723391116,"sku":"7ATS-HOPE-MF25MM-T21FX-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723423884,"sku":"7ATS-HOPE-MF25MM-T21MFT-APSC","price":12900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF25MM-T21-APSC-Product-1.jpg?v=1778140275"},{"product_id":"7artisans-hope-cine-35mm-t2-1-aps-c","title":"7Artisans Hope 35mm T2.1 · APS-C MF","description":"\u003ch2\u003e7Artisans Hope Cine 35mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 35mm T2.1 is an APS-C\/S35 cinema lens at 35mm (~52.5mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e35mm focal length on APS-C (approx. 52.5 mm equivalent on Full-Frame) offers a standard field of view with a natural perspective and a familiar look\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.51 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e10 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 12 elements in 10 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 602 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic standard shots\u003c\/li\u003e\n\u003cli\u003eDocumentary\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eInterview \/ Dialogue Scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm (~52.5mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements \/ 10 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e602g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 35mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 35mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 35mm T2.1 · APS-C MF – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723456652,"sku":"7ATS-HOPE-MF35MM-T21E-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723489420,"sku":"7ATS-HOPE-MF35MM-T21RF-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723522188,"sku":"7ATS-HOPE-MF35MM-T21FX-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723554956,"sku":"7ATS-HOPE-MF35MM-T21MFT-APSC","price":12900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF35MM-T21-APSC-Product-1.jpg?v=1778140653"},{"product_id":"7artisans-hope-cine-50mm-t2-1-aps-c","title":"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait","description":"\u003ch2\u003e7Artisans Hope Cine 50mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 50mm T2.1 is an APS-C\/S35 cinema lens at 50mm (~75.0mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e50mm focal length on APS-C (approx. 75 mm equivalent on Full-Frame) offers a standard field of view with a natural perspective and a familiar look\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.6 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e10 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 9 elements in 7 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 705 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic filmmaking\u003c\/li\u003e\n\u003cli\u003ePortrait \/ Beauty Shot\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eDialogue Scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm (~75.0mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e9 elements \/ 7 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e705g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 50mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 50mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 50mm T2.1 · APS-C MF · Portrait – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723587724,"sku":"7ATS-HOPE-MF50MM-T21E-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723620492,"sku":"7ATS-HOPE-MF50MM-T21RF-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723653260,"sku":"7ATS-HOPE-MF50MM-T21FX-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723686028,"sku":"7ATS-HOPE-MF50MM-T21MFT-APSC","price":12900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF50MM-T21-APSC-Product-1.jpg?v=1778140932"},{"product_id":"7artisans-hope-cine-85mm-t2-1-aps-c","title":"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait","description":"\u003ch2\u003e7Artisans Hope Cine 85mm T2.1 Manual Cine APS-C Lens — APS-C T2.1 Cine Lens with 260° Focus Throw + 0.8 MOD Gear, DJI Focus Pro Compatible\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine 85mm T2.1 is an APS-C\/S35 cinema lens at 85mm (~127.5mm equivalent on FF) with a de-clicked T2.1 aperture, a long 260° focus throw and 0.8 MOD gears for follow focus. Nano Coating reduces flare, breathing is minimal, it has dual FT\/M scales, and it works with DJI Focus Pro without calibration.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e85mm focal length on APS-C (approx. 127.5 mm equivalent on Full-Frame) offers a standard field of view with a natural perspective and a familiar look\u003c\/li\u003e\n\u003cli\u003eT2.1 aperture delivers smooth background blur and performs well in low light\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.9 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating resists dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eMinimal Breathing keeps framing stable by reducing field-of-view shifts while focusing\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 260° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard 0.8 MOD gears for follow focus systems\u003c\/li\u003e\n\u003cli\u003e10 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical design: 9 elements in 7 groups\u003c\/li\u003e\n\u003cli\u003eDual-scale design with FT and M markings on a single scale for easy use\u003c\/li\u003e\n\u003cli\u003eWorks with DJI Focus Pro without complicated calibration\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors, suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eWeight: 805 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePortrait Cinematic\u003c\/li\u003e\n\u003cli\u003eCinematic tele shots\u003c\/li\u003e\n\u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n\u003cli\u003eBokeh-heavy productions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm (~127.5mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported + DJI Focus Pro Compatible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eMinimal Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e9 elements \/ 7 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.9m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eDual FT \/ M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e805g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Hope Cine 85mm T2.1 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light actually transmitted through the lens (including coating losses), while F-stop is a theoretical value — cine lenses use T-stops for exposure accuracy in filmmaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why does a 260° focus throw matter?\u003c\/strong\u003e\u003cbr\u003eA: The long rotation allows fine, precise focusing, ideal for professional focus pulls\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is the 0.8 MOD cine gear used with?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, compatible with follow focus systems from all brands, such as Tilta, ARRI, DJI, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Hope Cine 85mm T2.1 — A great-value APS-C cine lens for filmmakers and content creators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans Hope 85mm T2.1 · APS-C MF · Portrait – product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723718796,"sku":"7ATS-HOPE-MF85MM-T21E-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723751564,"sku":"7ATS-HOPE-MF85MM-T21RF-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723784332,"sku":"7ATS-HOPE-MF85MM-T21FX-APSC","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723817100,"sku":"7ATS-HOPE-MF85MM-T21MFT-APSC","price":12900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF85MM-T21-APSC-Product-1.jpg?v=1778141033"},{"product_id":"7artisans-vision-cine-25mm-t1-05-aps-c","title":"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle","description":"\u003ch2\u003e7Artisans Vision Cine 25mm T1.05 Ultra-Fast Manual Cine APS-C Lens — Ultra-Fast T1.05 APS-C Cine Lens with 13 Aperture Blades and 82mm Filter Thread\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Vision Cine 25mm T1.05 is an APS-C cinema lens with an Ultra-Fast T1.05 aperture (~37.5mm equivalent on FF) that handles very low light with ease. 13 aperture blades render round bokeh, a 270° focus throw and 0.8 MOD cine gear support follow focus, ED glass reduces chromatic aberration, and it takes 82mm filters.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e25mm focal length on APS-C (approx. 38 mm equivalent on Full-Frame) gives a wide view, suited to landscape \/ portrait work\u003c\/li\u003e\n\u003cli\u003eAngle of view: 58.6°\u003c\/li\u003e\n\u003cli\u003eWide T1.05 aperture— excellent in low light, with beautiful bokeh and smooth, professional-looking background blur\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.23 m for capturing close-up detail\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 270° focus throw for precise control, ideal for video that needs smooth focus pulls\u003c\/li\u003e\n\u003cli\u003eHigh-quality ED Glass reduces chromatic aberration for sharp images with true-to-life color\u003c\/li\u003e\n\u003cli\u003eBuilt-in 0.8 MOD Cine Gear for use with follow focus\u003c\/li\u003e\n\u003cli\u003e82mm filter thread for mounting filters directly\u003c\/li\u003e\n\u003cli\u003e13 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical structure: 11 elements in 9 groups\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video\u003c\/li\u003e\n\u003cli\u003eSturdy, durable metal construction, weighing approx. 956 g\u003c\/li\u003e\n\u003cli\u003eAvailable in multiple mounts, including Sony E, FX, MFT, L and Canon RF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLow-light cinematic filmmaking\u003c\/li\u003e\n\u003cli\u003eWide Cinematic Shot\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eDocumentary Mood\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25mm (~37.5mm equivalent on FF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.05 (Ultra-Fast)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e58.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 270° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e11 elements \/ 9 groups + ED Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e13 blades (round bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.23m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll metal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e956g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eAPS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eLeica L Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Vision Cine 25mm T1.05 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How does T1.05 compare with the T2.1 of the Hope Cine?\u003c\/strong\u003e\u003cbr\u003eA: T1.05 lets in far more light than T2.1 (~4x), for softer bokeh and better shooting in the dark\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is the 82mm filter size too big — can I use other sizes?\u003c\/strong\u003e\u003cbr\u003eA: 82mm is a standard pro-lens size and widely available. You can also use a step-up ring from a smaller size\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Does it work with the Leica L-mount Sigma fp?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The L Mount works with the Sigma fp, Panasonic S and Leica SL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Vision Cine 25mm T1.05 — An Ultra-Fast APS-C cine lens for filmmakers who want extreme bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-1.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-2.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-3.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-4.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-5.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-6.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-7.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-8.jpg\" alt=\"7Artisans Vision Ultra-Fast 25mm T1.05 · APS-C MF · Wide Angle – product detail image 8\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643723849868,"sku":"7ATS-VSN-MF25MM-T105E-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643723882636,"sku":"7ATS-VSN-MF25MM-T105RF-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643723915404,"sku":"7ATS-VSN-MF25MM-T105L-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643723948172,"sku":"7ATS-VSN-MF25MM-T105FX-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643723980940,"sku":"7ATS-VSN-MF25MM-T105MFT-APSC","price":10900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Product-1.jpg?v=1778143980"},{"product_id":"7artisans-vision-cine-50mm-t1-05-aps-c","title":"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait","description":"\u003ch2\u003e7Artisans Vision Cine 50mm T1.05 Ultra-Fast Manual Cine APS-C Lens — Ultra-Fast T1.05 APS-C Cine Lens with 13 Aperture Blades and 82mm Filter Thread\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Vision Cine 50mm T1.05 is an APS-C cinema lens with an ultra-fast T1.05 aperture (~75.0mm FF equivalent) that handles very low light with ease. 13 aperture blades render round bokeh, the 270° focus throw comes with a 0.8 MOD cine gear for follow focus, and ED glass reduces chromatic aberration. 82mm filter thread.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e50mm focal length on APS-C (approx. 75mm equivalent on full frame) for a standard field of view, suited to portraits, film, commercials and production work\u003c\/li\u003e\n\u003cli\u003eAngle of view: 31.8°\u003c\/li\u003e\n\u003cli\u003eFast T1.05 aperture— performs well in low light and delivers beautiful, smooth background blur\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.5 m for excellent close-up detail\u003c\/li\u003e\n\u003cli\u003eManual focus with a long 270° focus throw for precise control and smooth focus pulls in video\u003c\/li\u003e\n\u003cli\u003eHigh-quality ED glass reduces chromatic aberration for sharp images with true-to-life color\u003c\/li\u003e\n\u003cli\u003e0.8 MOD cine gear for use with a follow focus\u003c\/li\u003e\n\u003cli\u003e82mm filter thread for direct filter mounting\u003c\/li\u003e\n\u003cli\u003e13 diaphragm blades\u003c\/li\u003e\n\u003cli\u003eOptical structure: 7 elements in 5 groups\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring rotates continuously and smoothly, ideal for video\u003c\/li\u003e\n\u003cli\u003eDurable all-metal construction, weighing approx. 679 g\u003c\/li\u003e\n\u003cli\u003eAvailable in multiple mounts, including Sony E, FX, MFT, L and Canon RF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Portrait\u003c\/li\u003e\n\u003cli\u003eStandard \/ Tele film work\u003c\/li\u003e\n\u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n\u003cli\u003eProduction \/ Narrative\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm (~75.0mm FF equivalent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.05 (Ultra-Fast)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e31.8°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 270° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e7 elements \/ 5 groups + ED Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e13 (round bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e679g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eAPS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eLeica L Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Vision Cine 50mm T1.05 APS-C lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How does T1.05 compare with the T2.1 of the Hope Cine?\u003c\/strong\u003e\u003cbr\u003eA: T1.05 gathers far more light than T2.1 — about ~4x — giving softer bokeh and better performance in the dark.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: 82mm filters are large — can I use other sizes?\u003c\/strong\u003e\u003cbr\u003eA: 82mm is a standard pro lens size and widely available. You can also use a step-up ring from a smaller size.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Does it work with the Leica L mount on the Sigma fp?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The L Mount version works with the Sigma fp, Panasonic S and Leica SL.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Vision Cine 50mm T1.05 — an ultra-fast APS-C cine lens for filmmakers who want extreme bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-1.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-2.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-3.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-4.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-5.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-6.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-7.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF25MM-T105-APSC-Detail-8.jpg\" alt=\"7Artisans Vision Ultra-Fast 50mm T1.05 · APS-C MF · Portrait – Product detail image 8\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724046476,"sku":"7ATS-VSN-MF50MM-T105E-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724079244,"sku":"7ATS-VSN-MF50MM-T105RF-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643724112012,"sku":"7ATS-VSN-MF50MM-T105L-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643724144780,"sku":"7ATS-VSN-MF50MM-T105FX-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643724177548,"sku":"7ATS-VSN-MF50MM-T105MFT-APSC","price":10900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF50MM-T105-APSC-Product-1.jpg?v=1778144620"},{"product_id":"7artisans-floral-bloom-37mm-t2-9-pl","title":"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle","description":"\u003ch2\u003e7Artisans Floral Bloom 37mm T2.9 Manual Cine Lens for PL Mount — 37mm T2.9 PL Mount Cine Lens in Premium Floral Bloom Purple\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Floral Bloom 37mm T2.9 PL Mount is a professional cinema lens. 37mm focal length (~55.5mm FF equivalent), T2.9 aperture for explosive bokeh and a 101° angle of view for a cinematic wide look. Full-metal body in Floral Bloom Purple for a distinctive premium look, 300° manual focus throw for professional precision, 72mm filter thread.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh-quality cinema lens with a 37mm focal length (approx. 55.5mm equivalent on full frame)\u003c\/li\u003e\n\u003cli\u003eFast T2.9 aperture produces striking explosive bokeh\u003c\/li\u003e\n\u003cli\u003eWide 101° angle of view for a cinematic wide-angle look\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.35 m \/ 14 in, focusing all the way to “infinity” — suited to both people and travel shooting\u003c\/li\u003e\n\u003cli\u003eManual focus with 300° rotation for precise manual focus control in professional use\u003c\/li\u003e\n\u003cli\u003e72mm front filter size\u003c\/li\u003e\n\u003cli\u003eFull-metal body weighing approx. 344 g (PL mount version), finished in Floral Bloom Purple for a premium, modern, standout look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePL Mount cinema production\u003c\/li\u003e\n\u003cli\u003eProduction \/ Commercial\u003c\/li\u003e\n\u003cli\u003eMusic Video\u003c\/li\u003e\n\u003cli\u003eCinematic Documentary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e37mm (~55.5mm FF equivalent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e101° (Cinematic Wide)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 300° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.35m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eFloral Bloom Purple (premium purple)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull-Metal Body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~344g (PL Mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePL Mount (Cine)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Floral Bloom 37mm T2.9 PL lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount?\u003c\/strong\u003e\u003cbr\u003eA: The film industry's standard lens mount, used on professional cinema cameras such as ARRI, RED, Sony VENICE and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a mirrorless camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via a PL → mirrorless adapter (e.g. the 7Artisans PL Adapter).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What does Floral Bloom Purple look like?\u003c\/strong\u003e\u003cbr\u003eA: A distinctive premium purple that looks great and suits modern-style cinema work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Floral Bloom 37mm T2.9 — a premium purple PL Mount cine lens for filmmaking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-1.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-2.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-3.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-4.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-5.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-6.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-7.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-8.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-9.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-10.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-11.jpg\" alt=\"7Artisans Floral Bloom PL 37mm T2.9 · Full Frame MF · Wide Angle – Product detail image 11\"\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":49643724210316,"sku":"7ATS-FB-MF37MM-T2.9PL","price":12900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Product-1.jpg?v=1778145754"},{"product_id":"7artisans-floral-bloom-57mm-t2-9-pl","title":"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF","description":"\u003ch2\u003e7Artisans Floral Bloom 57mm T2.9 Manual Cine Lens for PL Mount — 57mm T2.9 PL Mount Cinematic Portrait Cine Lens in Floral Bloom Purple\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Floral Bloom 57mm T2.9 PL Mount is a portrait\/standard cinema lens at 57mm (~85.5mm FF equivalent). T2.9 aperture for beautiful explosive bokeh and a 45° angle of view, ideal for portraits and cinematic mid shots. Metal body in Floral Bloom Purple, 300° manual focus, 72mm filter thread.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh-quality cinema lens with a 57mm focal length (approx. 85.5mm equivalent on full frame)\u003c\/li\u003e\n\u003cli\u003eFast T2.9 aperture produces striking explosive bokeh\u003c\/li\u003e\n\u003cli\u003eWide 45° angle of view for a cinematic wide-angle look\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.5 m, focusing all the way to “infinity” — suited to both people and travel shooting\u003c\/li\u003e\n\u003cli\u003eManual focus with 300° rotation for precise manual focus control in professional use\u003c\/li\u003e\n\u003cli\u003e72mm front filter size\u003c\/li\u003e\n\u003cli\u003eFull-metal body weighing approx. 369 g (PL mount version), finished in Floral Bloom Purple for a premium, modern, standout look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinema Portrait\u003c\/li\u003e\n\u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n\u003cli\u003eMusic Video Mid Shot\u003c\/li\u003e\n\u003cli\u003eDocumentary Interview\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e57mm (~85.5mm FF equivalent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e45°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 300° Focus Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eFloral Bloom Purple\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull-Metal Body\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~369g (PL Mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePL Mount (Cine)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Floral Bloom 57mm T2.9 PL lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How is it different from the Floral Bloom 37mm?\u003c\/strong\u003e\u003cbr\u003eA: 57mm = Portrait\/Standard \/ 37mm = Wide — the two pair well together as a set.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What look does 57mm give on full frame?\u003c\/strong\u003e\u003cbr\u003eA: Equivalent to a classic ~85mm portrait lens, cutting out the surroundings to focus on the subject.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a mirrorless camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via a PL → mirrorless adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Floral Bloom 57mm T2.9 — a purple PL Mount portrait cine lens for professional filmmaking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-1.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-2.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-3.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-4.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-5.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-6.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-7.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-8.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-9.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-10.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF37MM-T2.9PL-Detail-11.jpg\" alt=\"7Artisans Floral Bloom PL 57mm T2.9 · Full Frame MF – Product detail image 11\"\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":49643724243084,"sku":"7ATS-FB-MF57MM-T2.9PL","price":12900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-FB-MF57MM-T2.9PL-Product-1.jpg?v=1778146015"},{"product_id":"7artisans-spectrum-prime-35mm-t2-full-frame","title":"7Artisans Spectrum Prime 35mm T2.0 · Full Frame MF · Wide Angle","description":"\u003ch2\u003e7Artisans Spectrum Prime 35mm T2.0 Manual Full Frame Cine Lens — FF 35mm T2.0 Cinematic Wide Cine Lens with 0.8 MOD Gear and 82mm Filter Thread\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Spectrum Prime 35mm T2.0 Full Frame Cinema is a wide-angle cinema lens for full-frame mirrorless cameras. The T2.0 aperture handles low light well and renders beautiful bokeh. 0.8 MOD gear for follow focus, smooth rings suited to video, 82mm filter thread. Available in 4 main mounts, compatible with Sony, Canon, Nikon, Leica, Panasonic and Sigma.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eShoots in the dark: the fast T2.0 aperture performs well in low light\u003c\/li\u003e\n\u003cli\u003e35mm for a comfortably wide field of view\u003c\/li\u003e\n\u003cli\u003eCompatible with Sony, Canon, Nikon, Leica, Panasonic and Sigma cameras\u003c\/li\u003e\n\u003cli\u003eManual focus lens (no autofocus)\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gear for follow focus systems\u003c\/li\u003e\n\u003cli\u003eWeighs approx. 674.5 g (may vary slightly by mount)\u003c\/li\u003e\n\u003cli\u003e82mm filter size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Wide film work\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eDocumentary\u003c\/li\u003e\n\u003cli\u003eFull Frame production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine Smooth)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eSupported\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~674.5g (may vary slightly by mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eNikon Z Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eLeica L Mount (Full Frame)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Spectrum Prime 35mm T2.0 Full Frame lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How is Spectrum Prime different from Hope Cine?\u003c\/strong\u003e\u003cbr\u003eA: Spectrum Prime = Full Frame T2.0 \/ Hope Cine = APS-C T2.1 — choose based on your camera's sensor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Does it work with the Sigma fp?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The Leica L Mount version supports the Sigma fp, Panasonic S and Leica SL.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is an 82mm filter size large?\u003c\/strong\u003e\u003cbr\u003eA: It is the standard for pro cine lenses; 82mm ND\/polarizer\/diopter filters are widely available.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Spectrum Prime 35mm T2.0 — an affordable full-frame cine lens for filmmakers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-1.jpg\" alt=\"7Artisans Spectrum Prime 35mm T2.0 · Full Frame MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-2.jpg\" alt=\"7Artisans Spectrum Prime 35mm T2.0 · Full Frame MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-3.jpg\" alt=\"7Artisans Spectrum Prime 35mm T2.0 · Full Frame MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-4.jpg\" alt=\"7Artisans Spectrum Prime 35mm T2.0 · Full Frame MF · Wide Angle – Product detail image 4\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724275852,"sku":"7ATS-SPCTRM-35MM-T20E","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":49643724308620,"sku":"7ATS-SPCTRM-35MM-T20Z","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724341388,"sku":"7ATS-SPCTRM-35MM-T20R","price":12900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643724374156,"sku":"7ATS-SPCTRM-35MM-T20L","price":12900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Product-1.jpg?v=1778146262"},{"product_id":"7artisans-spectrum-prime-50mm-t2-full-frame","title":"7Artisans Spectrum Prime 50mm T2.0 · Full Frame MF","description":"\u003ch2\u003e7Artisans Spectrum Prime 50mm T2.0 Manual Full Frame Cine Lens — FF 50mm T2.0 Standard Cine Lens with 12 Aperture Blades and Cine Smooth Rings\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Spectrum Prime 50mm T2.0 Full Frame Cinema is a standard focal length close to human vision, suited to portraits, film and general scenes. T2.0 aperture, 12 aperture blades for soft round bokeh, smooth Cine Smooth rings, 0.8 MOD gear, MFD 0.48m and 82mm filter thread.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e50mm focal length gives a field of view close to human vision, suited to portraits, film and general scenes\u003c\/li\u003e\n\u003cli\u003eFast T2.0 aperture performs well in low light\u003c\/li\u003e\n\u003cli\u003eCinema lens with smooth focus and aperture rings\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003e12 diaphragm blades create soft bokeh\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance 48cm\u003c\/li\u003e\n\u003cli\u003e82mm filter size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Standard film work\u003c\/li\u003e\n\u003cli\u003ePortrait Cinema\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eDialogue Scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine Smooth)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 (soft bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.48m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eNikon Z Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eLeica L Mount (Full Frame)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Spectrum Prime 50mm T2.0 Full Frame lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How does a 50mm cine lens differ from a photo lens?\u003c\/strong\u003e\u003cbr\u003eA: Cine lenses focus on manual focus + Cine Smooth rings + 0.8 MOD gears + reduced breathing — ideal for video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why do 12 blades matter?\u003c\/strong\u003e\u003cbr\u003eA: They give beautifully round bokeh at every T-stop, without the angular shapes of lenses with fewer blades.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is it good value compared with other brands' cinema lenses?\u003c\/strong\u003e\u003cbr\u003eA: Very much so — pro cine lenses from other brands cost 5-10 times more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Spectrum Prime 50mm T2.0 — a full-frame standard cine lens for filmmakers getting started\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-1.jpg\" alt=\"7Artisans Spectrum Prime 50mm T2.0 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-2.jpg\" alt=\"7Artisans Spectrum Prime 50mm T2.0 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-3.jpg\" alt=\"7Artisans Spectrum Prime 50mm T2.0 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-4.jpg\" alt=\"7Artisans Spectrum Prime 50mm T2.0 · Full Frame MF – Product detail image 4\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724406924,"sku":"7ATS-SPCTRM-50MM-T20E","price":11900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":49643724439692,"sku":"7ATS-SPCTRM-50MM-T20Z","price":11900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724472460,"sku":"7ATS-SPCTRM-50MM-T20R","price":11900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643724505228,"sku":"7ATS-SPCTRM-50MM-T20L","price":11900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-50MM-T20-Product-1.jpg?v=1778146640"},{"product_id":"7artisans-spectrum-prime-85mm-t2-full-frame","title":"7Artisans Spectrum Prime 85mm T2.0 · Full Frame MF · Portrait","description":"\u003ch2\u003e7Artisans Spectrum Prime 85mm T2.0 Manual Full Frame Cine Lens — FF 85mm T2.0 Cinematic Portrait Cine Lens, 9 Elements in 8 Groups\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Spectrum Prime 85mm T2.0 Full Frame Cinema covers the popular portrait focal length, separating your subject clearly from the background. T2.0 aperture for good low-light performance, smooth Cine Smooth rings, 0.8 MOD gear, 9 elements in 8 groups, MFD 0.79m and 82mm filter thread.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e85mm is a popular portrait focal length, giving clear subject separation that makes your subject stand out\u003c\/li\u003e\n\u003cli\u003eFast T2.0 aperture allows good shooting in low light\u003c\/li\u003e\n\u003cli\u003eDesigned for video, with smooth focus and aperture rings\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003eOptical structure of 9 elements in 8 groups\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance 0.79m\u003c\/li\u003e\n\u003cli\u003e82mm filter size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePortrait Cinema\u003c\/li\u003e\n\u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n\u003cli\u003eMusic Video Tele\u003c\/li\u003e\n\u003cli\u003eBokeh-heavy production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine Smooth)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e9 elements \/ 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.79m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eNikon Z Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eLeica L Mount (Full Frame)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Spectrum Prime 85mm T2.0 Full Frame lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is an 85mm cinema lens mainly used for?\u003c\/strong\u003e\u003cbr\u003eA: Portraits, beauty shots and close-up dialogue scenes — it separates the subject from the background very clearly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it form a set with the 35mm + 50mm?\u003c\/strong\u003e\u003cbr\u003eA: Yes. A Spectrum Prime 35+50+85 bundle is available as a set for filmmakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Cine Smooth?\u003c\/strong\u003e\u003cbr\u003eA: Focus and aperture rings designed to turn smoothly and continuously, ideal for pulling focus in video.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Spectrum Prime 85mm T2.0 — a full-frame portrait cine lens for beauty and commercial work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-1.jpg\" alt=\"7Artisans Spectrum Prime 85mm T2.0 · Full Frame MF · Portrait – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-2.jpg\" alt=\"7Artisans Spectrum Prime 85mm T2.0 · Full Frame MF · Portrait – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-3.jpg\" alt=\"7Artisans Spectrum Prime 85mm T2.0 · Full Frame MF · Portrait – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-35MM-T20-Detail-4.jpg\" alt=\"7Artisans Spectrum Prime 85mm T2.0 · Full Frame MF · Portrait – Product detail image 4\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724570764,"sku":"7ATS-SPCTRM-85MM-T20E","price":14900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":49643724603532,"sku":"7ATS-SPCTRM-85MM-T20Z","price":14900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724636300,"sku":"7ATS-SPCTRM-85MM-T20R","price":14900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643724669068,"sku":"7ATS-SPCTRM-85MM-T20L","price":14900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-85MM-T20-Product-1.jpg?v=1778146922"},{"product_id":"7artisans-spectrum-prime-120mm-t2-9-macro-full-frame","title":"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF","description":"\u003ch2\u003e7Artisans Spectrum Prime 120mm T2.9 Manual 2X Macro Full Frame Cine Lens — 2X Macro 120mm T2.9 Full Frame Tele Macro Cine Lens, 14 Elements in 9 Groups\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Spectrum Prime 120mm T2.9 Full Frame Cinema is a 2X (2:1) macro lens at a medium-tele 120mm, capturing macro subjects at twice life size. T2.9 aperture, smooth Cine Smooth rings, 0.8 MOD gear, 14 elements in 9 groups to reduce chromatic aberration, MFD 0.3m, weight 1034g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2x magnification lets you shoot small subjects up close in fine detail\u003c\/li\u003e\n\u003cli\u003eMedium telephoto 120mm focal length provides a suitable working distance for macro\u003c\/li\u003e\n\u003cli\u003eFast T2.9 aperture allows shooting in low light\u003c\/li\u003e\n\u003cli\u003eCinema lens with smooth focus and aperture rings\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003e14 elements in 9 groups reduce chromatic aberration and deliver sharp images\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance 0.3m\u003c\/li\u003e\n\u003cli\u003eWeighs approx. 1034 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Macro\u003c\/li\u003e\n\u003cli\u003eProduct \/ Tabletop Production\u003c\/li\u003e\n\u003cli\u003eBeauty \/ Commercial Detail Shots\u003c\/li\u003e\n\u003cli\u003eScientific \/ Slow Motion Macro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e120mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e2X (2:1) Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine Smooth)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e14 elements \/ 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.3m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~1034g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eNikon Z Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eLeica L Mount (Full Frame)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e7Artisans Spectrum Prime 120mm T2.9 Macro Full Frame lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a 2X macro cine lens used for?\u003c\/strong\u003e\u003cbr\u003eA: Beauty macro (skin detail), tabletop product shots and slow-motion macro for scientific work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Why is 120mm good for macro?\u003c\/strong\u003e\u003cbr\u003eA: The medium-tele focal length gives a comfortable working distance from the subject without casting shadows on it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is 1034g very heavy?\u003c\/strong\u003e\u003cbr\u003eA: Heavy for a cine macro lens but normal for a pro cine lens — it is better used on a rig or tripod than handheld.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Spectrum Prime 120mm T2.9 Macro 2X — a full-frame cine macro lens for beauty and tabletop work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-1.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-2.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-3.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-4.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-5.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Detail-6.jpg\" alt=\"7Artisans Spectrum 2X Macro 120mm T2.9 · Full Frame MF – Product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724701836,"sku":"7ATS-SPCTRM-120MM-T29E","price":17900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":49643724734604,"sku":"7ATS-SPCTRM-120MM-T29Z","price":17900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724767372,"sku":"7ATS-SPCTRM-120MM-T29R","price":17900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643724800140,"sku":"7ATS-SPCTRM-120MM-T29L","price":17900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-SPCTRM-120MM-T29-Product-1.jpg?v=1778147285"},{"product_id":"7artisans-bundle-hope-cine-10-16-25-aps-c","title":"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle","description":"\u003ch2\u003e7Artisans Bundle Hope Cine 10+16+25mm T2.1 APS-C Cine Set with Hardcase — 3-Lens Wide Cine Set 10\/16\/25mm T2.1 APS-C with Hardcase\u003c\/h2\u003e\n\u003cp\u003eA 3-lens 7Artisans Hope Cine wide set comprising 10mm, 16mm and 25mm, all T2.1 with de-clicked apertures, 0.8 MOD gears for follow focus and nano coating, plus a hardcase for storage and transport. Ideal for filmmakers who need a wide-angle lens set for cinematic landscape, documentary and vlog work.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinema lens set including 10mm, 16mm and 25mm lenses\u003c\/li\u003e\n\u003cli\u003eFast T2.1 aperture for good low-light shooting\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture rings adjust smoothly and fluidly, ideal for video\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003eOptical design delivers good image quality, reduces chromatic aberration and produces sharp images\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating protects against dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eSupports S35 \/ APS-C sensors, suited to typical mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eComes with a case to store and protect the lenses, making them easy to carry and store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Wide Set film work\u003c\/li\u003e\n\u003cli\u003eDocumentary \/ Travel Filmmaker\u003c\/li\u003e\n\u003cli\u003eWide-heavy Music Video\u003c\/li\u003e\n\u003cli\u003eProfessional vlog setup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eHope Cine 10mm + 16mm + 25mm T2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardcase\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHope Cine 10mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 16mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 25mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n\u003cli\u003eHardcase for storage and transport\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The bundle saves several thousand baht compared with buying separately, plus you get a hardcase.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can I take the hardcase on a plane?\u003c\/strong\u003e\u003cbr\u003eA: The bundle hardcase is large and usually has to go in checked baggage — check with your airline first.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can I add 35mm\/50mm\/85mm lenses later?\u003c\/strong\u003e\u003cbr\u003eA: Yes. Buy them separately or choose the larger bundle (#59 - 6 lenses).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Bundle Hope Cine 10+16+25 — a great-value wide cine set for filmmakers getting started\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans HOPE 10mm + 16mm + 25mm 3-Lens Kit T2.1 · APS-C MF · Wide Angle – Product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724832908,"sku":"7ATS-BNDL-HOPE-10-16-25-T21E-APSC","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643724865676,"sku":"7ATS-BNDL-HOPE-10-16-25-T21RF-APSC","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643724898444,"sku":"7ATS-BNDL-HOPE-10-16-25-T21FX-APSC","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643724931212,"sku":"7ATS-BNDL-HOPE-10-16-25-T21MFT-APSC","price":39900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-BNDL-HOPE-10-16-25-T21-APSC-Product-1.jpg?v=1778141271"},{"product_id":"7artisans-bundle-spectrum-prime-35-50-85-full-frame","title":"7Artisans Spectrum 35mm + 50mm + 85mm 3-Lens Kit T2 · Full Frame MF","description":"\u003ch2\u003e7Artisans Bundle Spectrum Prime 35+50+85mm T2.0 Full Frame Cine Set with Hardcase — 3-Lens FF Standard Cine Set 35\/50\/85mm T2.0 with Hardcase\u003c\/h2\u003e\n\u003cp\u003eA 3-lens 7Artisans Spectrum Prime Full Frame standard set: 35mm + 50mm + 85mm, all T2.0. Designed for filmmakers who want a lens set covering wide through portrait, with matched 0.8 MOD gears across the set. Ideal for music videos, commercials and narrative film, and comes with a hardcase.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinema lens set including 35mm, 50mm and 85mm lenses\u003c\/li\u003e\n\u003cli\u003eEvery lens in the set has a fast T2.0 aperture for good low-light shooting\u003c\/li\u003e\n\u003cli\u003eDesigned specifically for video, with smooth focus and aperture rings\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003eOptical design delivers good image quality, reduces chromatic aberration and produces sharp images\u003c\/li\u003e\n\u003cli\u003eComes with a hardcase to store and protect the lenses, making them easy to carry and store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNarrative film production\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eWedding Cinematic\u003c\/li\u003e\n\u003cli\u003eDocumentary Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eSpectrum Prime 35mm + 50mm + 85mm T2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.0 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine Smooth)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardcase\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm (all lenses — filters can be shared)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eNikon Z Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount (Full Frame)\u003c\/li\u003e\n\u003cli\u003eLeica L Mount (Full Frame)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSpectrum Prime 35mm T2.0 lens\u003c\/li\u003e\n\u003cli\u003eSpectrum Prime 50mm T2.0 lens\u003c\/li\u003e\n\u003cli\u003eSpectrum Prime 85mm T2.0 lens\u003c\/li\u003e\n\u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n\u003cli\u003eHardcase for storage and transport\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can the 82mm filters be shared?\u003c\/strong\u003e\u003cbr\u003eA: Yes! Every lens has the same 82mm filter size — use a single ND filter across all lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Does it cover the standard Hollywood trio?\u003c\/strong\u003e\u003cbr\u003eA: Yes. 35-50-85mm is the \"Holy Trinity\" of Hollywood-standard cinema lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What if I need something wider?\u003c\/strong\u003e\u003cbr\u003eA: Add a separate Spectrum Prime 35mm, or a 24mm\/14mm from another brand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Bundle Spectrum Prime — the best-value full-frame Holy Trinity cine set for filmmakers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-BNDL-SPCTRM-35-50-85-Detail-1.jpg\" alt=\"7Artisans Spectrum 35mm + 50mm + 85mm 3-Lens Kit T2 · Full Frame MF – Product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643724963980,"sku":"7ATS-BNDL-SPCTRM-35-50-85-E","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":49643724996748,"sku":"7ATS-BNDL-SPCTRM-35-50-85-Z","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643725029516,"sku":"7ATS-BNDL-SPCTRM-35-50-85-R","price":39900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":49643725062284,"sku":"7ATS-BNDL-SPCTRM-35-50-85-L","price":39900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-BNDL-SPCTRM-35-50-85-Product-1.jpg?v=1778147616"},{"product_id":"7artisans-bundle-hope-cine-full-set-aps-c","title":"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF","description":"\u003ch2\u003e7Artisans Bundle Hope Cine 10+16+25+35+50+85mm T2.1 APS-C Full Cine Set with Hardcase — Complete 6-Lens APS-C Cine Set, Wide to Tele 10-85mm T2.1, with Hardcase\u003c\/h2\u003e\n\u003cp\u003eThe full 6-lens 7Artisans Hope Cine set: 10mm + 16mm + 25mm + 35mm + 50mm + 85mm, covering ultra-wide through portrait tele, all at T2.1. Ideal for production houses, professional filmmakers and rental services — everything in one set, with a large hardcase.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinema lens set including 10mm, 16mm, 25mm, 35mm, 50mm and 85mm lenses\u003c\/li\u003e\n\u003cli\u003eFast T2.1 aperture for good low-light shooting\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture rings adjust smoothly and fluidly, ideal for video\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for accessories such as a follow focus\u003c\/li\u003e\n\u003cli\u003eOptical design delivers good image quality, reduces chromatic aberration and produces sharp images\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating protects against dirt and reduces reflections\u003c\/li\u003e\n\u003cli\u003eSupports S35 \/ APS-C sensors, suited to typical mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eComes with a case to store and protect the lenses, making them easy to carry and store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eProduction House \/ Rental Service\u003c\/li\u003e\n\u003cli\u003eProfessional film production\u003c\/li\u003e\n\u003cli\u003eDocumentary filmmakers needing a full set\u003c\/li\u003e\n\u003cli\u003eFull-scale Music Video \/ Commercial work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eHope Cine 10\/16\/25\/35\/50\/85mm T2.1 (6 lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-layer Nano Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardcase\u003c\/td\u003e\n\u003ctd\u003eIncluded (large, fits 6 lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHope Cine 10mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 16mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 25mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 35mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 50mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 85mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n\u003cli\u003eLarge hardcase for 6 lenses\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying all 6 separately?\u003c\/strong\u003e\u003cbr\u003eA: Very much so — you save tens of thousands of baht compared with buying separately, plus you get a large hardcase.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How big is the hardcase?\u003c\/strong\u003e\u003cbr\u003eA: Large enough for 6 lenses — it has to go in checked baggage when flying, so it suits domestic jobs or rental work with vehicle transport.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is it suitable for hobbyists?\u003c\/strong\u003e\u003cbr\u003eA: It is better suited to pros — if you shoot only occasionally you don't need it; we recommend starting with the smaller bundle #57 or #60.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Bundle Hope Cine Full Set — a complete APS-C cine lens set for production houses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans HOPE 6-Lens Kit 10\/16\/25\/35\/50\/85mm T2.1 · APS-C MF – Product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643725095052,"sku":"7ATS-BNDL-HOPE-10-16-25-35-50-85-T21E-APSC","price":69900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643725127820,"sku":"7ATS-BNDL-HOPE-10-16-25-35-50-85-T21RF-APSC","price":69900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643725160588,"sku":"7ATS-BNDL-HOPE-10-16-25-35-50-85-T21FX-APSC","price":69900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643725193356,"sku":"7ATS-BNDL-HOPE-10-16-25-35-50-85-T21MFT-APSC","price":69900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-BNDL-HOPE-10-16-25-35-50-85-T21-APSC-Product-1.jpg?v=1778145256"},{"product_id":"7artisans-bundle-hope-cine-35-50-85-aps-c","title":"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF","description":"\u003ch2\u003e7Artisans Bundle Hope Cine 35+50+85mm T2.1 APS-C Cine Set with Hardcase — 3-Lens APS-C Standard-Tele Cine Set 35\/50\/85mm T2.1 with Hardcase\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Hope Cine Standard-Tele Set brings together 3 cinema lenses — 35mm + 50mm + 85mm — covering everything from standard to portrait tele. T2.1 aperture, de-clicked aperture ring and 0.8 MOD gears throughout. Ideal for filmmakers who work mainly at mid-to-long focal lengths. Hardcase included.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinema lens set including 35mm, 50mm and 85mm lenses\u003c\/li\u003e\n\u003cli\u003eFast T2.1 aperture for strong low-light performance\u003c\/li\u003e\n\u003cli\u003eDe-clicked aperture ring for smooth, seamless adjustment — ideal for video\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears for use with accessories such as follow focus systems\u003c\/li\u003e\n\u003cli\u003eOptical design delivers good image quality, reduced chromatic aberration and sharp results\u003c\/li\u003e\n\u003cli\u003eMulti-layer nano coating helps repel dirt and reduce flare\u003c\/li\u003e\n\u003cli\u003eCovers S35 \/ APS-C sensors — suited to most mirrorless cameras\u003c\/li\u003e\n\u003cli\u003eComes with a storage case to protect the lenses, making them easy to carry and store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n\u003cli\u003eWedding Cinematic\u003c\/li\u003e\n\u003cli\u003eNarrative Film (Portrait-heavy)\u003c\/li\u003e\n\u003cli\u003eDocumentary Interview Setup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eHope Cine 35mm + 50mm + 85mm T2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + 260° Throw\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardcase\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eS35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E Mount\u003c\/li\u003e\n\u003cli\u003eCanon RF Mount\u003c\/li\u003e\n\u003cli\u003eFuji X Mount\u003c\/li\u003e\n\u003cli\u003eMFT Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHope Cine 35mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 50mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eHope Cine 85mm T2.1 lens\u003c\/li\u003e\n\u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n\u003cli\u003eHardcase for storage and transport\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How is this different from Bundle #57 (10+16+25)?\u003c\/strong\u003e\u003cbr\u003eA: #57 = Wide Set \/ #60 = Standard-Tele Set — choose based on your shooting style\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What if I need wide angles?\u003c\/strong\u003e\u003cbr\u003eA: Buy the Hope Cine 10mm\/16mm\/25mm separately, or choose the larger Bundle #59 with all 6 lenses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes — you save money and get the Hardcase\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Bundle Hope Cine 35+50+85 — APS-C Standard-Tele Cine Set for cinematic portrait work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-1.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-2.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-3.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-4.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-5.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-HOPE-MF10MM-T21-APSC-Detail-6.jpg\" alt=\"7Artisans HOPE 35mm + 50mm + 85mm 3-Lens Kit T2.1 · APS-C MF – Product detail image 6\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":49643725226124,"sku":"7ATS-BNDL-HOPE-35-50-85-T21E-APSC","price":34900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":49643725258892,"sku":"7ATS-BNDL-HOPE-35-50-85-T21RF-APSC","price":34900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":49643725291660,"sku":"7ATS-BNDL-HOPE-35-50-85-T21FX-APSC","price":34900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":49643725324428,"sku":"7ATS-BNDL-HOPE-35-50-85-T21MFT-APSC","price":34900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-BNDL-HOPE-35-50-85-T21F-APSC-Product-1.jpg?v=1778142905"},{"product_id":"7artisans-dream-mf-50mm-t1-5-full-frame-cine","title":"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF","description":"\u003ch2\u003e7Artisans DREAM MF 50mm T1.5 Full Frame Cine Prime Lens — Full Frame T1.5 Cine Lens, 300° Focus Throw, M0.8 Gear, 82mm Filter, Metal Body\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans DREAM MF 50mm T1.5 is a 50mm cinema prime covering full-frame sensors, with a perspective closest to human vision that conveys your subject's expressions and emotions realistically. The extra-fast T1.5 aperture gathers plenty of light for soft, cinematic background blur. A 300° focus throw allows fine focus adjustment, and standard M0.8 gears work with follow focus systems from any brand. The de-clicked aperture ring turns smoothly without steps. All-metal body, weighing 806 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e50mm full-frame cinema prime — the focal length closest to human vision, with a natural perspective and sharp images that realistically convey your subject's expressions and emotions. Great for Portrait \/ Street \/ Everyday\u003c\/li\u003e\n  \u003cli\u003eExtra-fast T1.5 aperture gathers plenty of light for good low-light shooting and soft, cinematic background blur\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors — use it full-frame on FF cameras or on crop bodies\u003c\/li\u003e\n  \u003cli\u003eManual Focus with a de-clicked aperture that adjusts smoothly and steplessly — ideal for video\u003c\/li\u003e\n  \u003cli\u003e82mm front filter, with optional CPL \/ MRC-UV \/ Armor-Pro HD MC UV filters\u003c\/li\u003e\n  \u003cli\u003e300° Focus Throw for fine, precise focus adjustment\u003c\/li\u003e\n  \u003cli\u003eStandard M0.8 focus gear, compatible with standard follow focus systems\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, weighing 806 g\u003c\/li\u003e\n  \u003cli\u003eAvailable in 4 mounts: Sony E \/ Canon RF \/ Nikon Z \/ L-Mount (Panasonic-Lumix L)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic filmmaking\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Beauty Shot\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eDialogue Scenes \/ Interviews\u003c\/li\u003e\n  \u003cli\u003eProductions using Follow Focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.5 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked (smooth, stepless)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8 MOD (Follow Focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e46.9°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e9 elements in 7 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003e1 Aspherical + 1 ED\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.6 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eØ88 × 103 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 806 g (E mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans DREAM MF 50mm T1.5 Full Frame Cine Prime Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the actual amount of light transmitted through the lens, including losses from the glass and coatings, while an F-stop is a theoretical value. Filmmaking uses T-stops so exposure matches across every lens in a set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What's the benefit of a 300° Focus Throw?\u003c\/strong\u003e\u003cbr\u003eA: The long ring rotation lets you divide focus distances finely for precise, repeatable focus pulls — ideal for professional Pull Focus work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus systems work with the M0.8 gear?\u003c\/strong\u003e\u003cbr\u003eA: It's an industry-standard gear, compatible with follow focus systems from almost every brand, such as DJI, Tilta and ARRI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans DREAM MF 50mm T1.5 Full Frame — standard T1.5 cine lens with a metal body, great value for filmmakers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-1.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-2.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-3.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-4.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-5.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-6.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-7.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-8.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-9.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Detail-10.jpg\" alt=\"7Artisans DREAM Prime 50mm T1.5 · Full Frame Cine MF – Product detail image 10\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127031984268,"sku":"7ATS-DR5015-E","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":52127032017036,"sku":"7ATS-DR5015-L","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Canon RF","offer_id":52127032049804,"sku":"7ATS-DR5015-RF","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":52127032082572,"sku":"7ATS-DR5015-Z","price":9990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR5015-Product-1_f337017b-bd5a-435e-bc9a-c6c5d882c5d0.jpg?v=1786428266"},{"product_id":"7artisans-dream-mf-75mm-t1-5-full-frame-cine","title":"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait","description":"\u003ch2\u003e7Artisans DREAM MF 75mm T1.5 Full Frame Cine Prime Lens — Full Frame T1.5 Medium-Telephoto Cine Lens with 13 Blades, 300° Focus Throw and M0.8 Gear\u003c\/h2\u003e\n\u003cp\u003e7Artisans DREAM MF 75mm T1.5 is a cinema prime covering full-frame sensors. 75mm is a medium-telephoto focal length popular for portrait, fashion and animal shooting. The extra-bright T1.5 aperture delivers soft, cinematic background blur, and 13 aperture blades produce round, smooth bokeh. A 300° focus throw with a standard M0.8 gear connects to a follow focus. De-clicked aperture ring, all-metal body, weight 717 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e75mm full-frame prime, a medium-telephoto focal length popular for people, portrait, fashion and animal photography\u003c\/li\u003e\n  \u003cli\u003eExtra-bright T1.5 aperture gathers plenty of light for low-light shooting with soft, cinematic background blur\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors; use it full-frame on FF cameras or on crop bodies\u003c\/li\u003e\n  \u003cli\u003eManual focus with a de-clicked aperture for smooth, stepless adjustment, ideal for video\u003c\/li\u003e\n  \u003cli\u003e13 aperture blades for round, smooth bokeh\u003c\/li\u003e\n  \u003cli\u003e82mm front filter thread, with optional CPL \/ MRC-UV \/ Armor-Pro HD MC UV filters\u003c\/li\u003e\n  \u003cli\u003e300° focus throw for fine, precise focus adjustment\u003c\/li\u003e\n  \u003cli\u003eStandard M0.8 focus gear, compatible with standard follow focus systems\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, weight 717 g\u003c\/li\u003e\n  \u003cli\u003eAvailable in 4 mounts: Sony E \/ Canon RF \/ Nikon Z \/ L-Mount (Panasonic-Lumix L)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic portraits \/ beauty shots\u003c\/li\u003e\n  \u003cli\u003eTelephoto cinema work\u003c\/li\u003e\n  \u003cli\u003eFashion and commercial\u003c\/li\u003e\n  \u003cli\u003eMusic Video\u003c\/li\u003e\n  \u003cli\u003eBokeh-heavy shots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e75mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.5 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked (smooth, stepless rotation)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8 MOD (standard follow focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e31°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e6 elements in 6 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eHigh Refractive Element\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e13 (round, soft bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.85 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eØ88 × 92 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 717 g (E mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans DREAM MF 75mm T1.5 Full Frame Cine Prime Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the actual amount of light transmitted through the lens, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why are 13 blades better?\u003c\/strong\u003e\u003cbr\u003eA: More blades make the aperture rounder, so bokeh is rounder and softer and stays free of polygon shapes even when stopped down\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I share filters with other DREAM lenses?\u003c\/strong\u003e\u003cbr\u003eA: Yes. Every DREAM lens uses the same 82mm filter size, so one ND works across lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans DREAM MF 75mm T1.5 Full Frame — T1.5 portrait-length cine lens with 13 blades for round, soft bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-1.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-2.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-3.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-4.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-5.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-6.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-7.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-8.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-9.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Detail-10.jpg\" alt=\"7Artisans DREAM Prime 75mm T1.5 · Full Frame Cine MF · Portrait – Product detail image 10\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127033589900,"sku":"7ATS-DR7515-E","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":52127033622668,"sku":"7ATS-DR7515-L","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Canon RF","offer_id":52127033655436,"sku":"7ATS-DR7515-RF","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":52127033688204,"sku":"7ATS-DR7515-Z","price":9990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR7515-Product-1_a13eaaa7-292d-4472-8020-10cc5baf45a8.jpg?v=1786428316"},{"product_id":"7artisans-dream-mf-35mm-t1-5-full-frame-cine","title":"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003e7Artisans DREAM MF 35mm T1.5 Full Frame Cine Prime Lens — Full Frame T1.5 35mm Storytelling Cine Lens with 300° Focus Throw, M0.8 Gear and 82mm Filter\u003c\/h2\u003e\n\u003cp\u003e7Artisans DREAM MF 35mm T1.5 is a 35mm cine lens covering full-frame sensors. This popular focal length offers a perspective close to human vision, ideal for storytelling and dialogue scenes. The extra-bright T1.5 aperture handles low light well and delivers soft, film-like background blur. The de-clicked aperture ring turns smoothly with no steps, and the 300° focus throw comes with a standard M0.8 gear. All-metal body, weighing approx. 721 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e35mm full-frame lens, a popular classic focal length with a perspective close to human vision\u003c\/li\u003e\n  \u003cli\u003eExtra-bright T1.5 aperture gathers plenty of light for low-light shooting with soft, film-like background blur\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors; use it full-frame on FF cameras or on crop bodies\u003c\/li\u003e\n  \u003cli\u003eManual focus cine lens with a de-clicked aperture for smooth, stepless adjustment, ideal for video\u003c\/li\u003e\n  \u003cli\u003e82mm front filter thread, with optional CPL \/ MRC-UV \/ Armor-Pro HD MC UV filters\u003c\/li\u003e\n  \u003cli\u003e300° focus throw for fine, precise focus adjustment\u003c\/li\u003e\n  \u003cli\u003eStandard M0.8 focus gear, compatible with standard follow focus systems\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, weight 720 g\u003c\/li\u003e\n  \u003cli\u003eAvailable in 4 mounts: Sony E \/ Canon RF \/ Nikon Z \/ L-Mount (Panasonic-Lumix L)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eStorytelling and dialogue scenes\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eStreet Cinematic\u003c\/li\u003e\n  \u003cli\u003eProductions using a follow focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.5 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked (continuous adjustment)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8 MOD (standard follow focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e63.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e10 elements in 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.7 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eØ88 × 92 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 721 g (E mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans DREAM MF 35mm T1.5 Full Frame Cine Prime Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the actual amount of light transmitted through the lens, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is 35mm best suited for?\u003c\/strong\u003e\u003cbr\u003eA: It is a storytelling focal length that captures both the subject and the surroundings in one frame, ideal for dialogue, documentary and follow shots\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What are the benefits of a de-clicked aperture?\u003c\/strong\u003e\u003cbr\u003eA: You can adjust the aperture smoothly while recording, with no clicks picked up by the mic, and ride exposure seamlessly between shots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans DREAM MF 35mm T1.5 Full Frame — T1.5 storytelling cine lens with a metal body, fully equipped for filmmaking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-1.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-2.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-3.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-4.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-5.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-6.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-7.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-8.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-9.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-10.jpg\" alt=\"7Artisans DREAM Prime 35mm T1.5 · Full Frame Cine MF · Wide Angle – Product detail image 10\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127033720972,"sku":"7ATS-DR3515-E","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":52127033753740,"sku":"7ATS-DR3515-L","price":9990.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":52127033786508,"sku":"7ATS-DR3515-RF","price":9990.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":52127033819276,"sku":"7ATS-DR3515-Z","price":9990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Product-1_54d77bce-3386-41a9-872e-f2294db84883.jpg?v=1786428326"},{"product_id":"7artisans-dream-hard-case-3-lens","title":"7Artisans DREAM Hard Case for 3 Cine Lenses · 7Artisans Cine Lens \/ Camera Lens","description":"\u003ch2\u003e7Artisans DREAM Hard Case 3-Lens Cine Lens Case with Cut Foam — 3-Slot Cine Lens Case with Custom-Cut Foam, Shockproof, with Pressure Valve and Padlock Loops\u003c\/h2\u003e\n\u003cp\u003e7Artisans DREAM Hard Case is a 3-slot cinema lens case designed specifically for the DREAM Cine series. Custom-cut foam holds the full DREAM 35\/50\/75mm set in one case without shifting or knocking together. The rigid, shockproof shell protects lenses from impacts, drops and crushing during transport. A built-in pressure valve equalizes pressure when flying or changing altitude, the latches have padlock loops, and a sturdy handle makes carrying to set easy.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 custom-cut foam slots — holds the full DREAM 35\/50\/75mm set in one case, with no shifting or knocking together\u003c\/li\u003e\n  \u003cli\u003eRigid shockproof shell — protects lenses from impacts, drops and crushing during transport\u003c\/li\u003e\n  \u003cli\u003eShock-absorbing foam — surrounds each lens to absorb vibration while traveling\u003c\/li\u003e\n  \u003cli\u003eLockable latches — latch closures with padlock loops for added security\u003c\/li\u003e\n  \u003cli\u003eBuilt-in pressure valve — equalizes pressure when flying or changing altitude\u003c\/li\u003e\n  \u003cli\u003eSturdy handle — easy to carry and take to set\u003c\/li\u003e\n  \u003cli\u003eMade for the DREAM lens set — built specifically for the DREAM Cine series, no need to adapt another case\u003c\/li\u003e\n  \u003cli\u003eIdeal for filmmakers who travel often — for those who regularly take lenses to set and need impact protection and organization\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilmmakers who travel and work on set often\u003c\/li\u003e\n  \u003cli\u003eStoring a full DREAM Cine lens set\u003c\/li\u003e\n  \u003cli\u003eTransporting lenses by air\u003c\/li\u003e\n  \u003cli\u003eRental houses \/ gear organization\u003c\/li\u003e\n  \u003cli\u003eProtecting lenses from dust and moisture in storage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eShockproof hard case with cut foam\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCompartments\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003ctd\u003e7Artisans DREAM Cine series lenses (35 \/ 50 \/ 75mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFoam\u003c\/td\u003e\n\u003ctd\u003eCustom-cut, vibration-absorbing foam\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLock\u003c\/td\u003e\n\u003ctd\u003eLatches with padlock loops\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003ePressure Valve\u003c\/td\u003e\n\u003ctd\u003eBuilt in\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eHandle\u003c\/td\u003e\n\u003ctd\u003eSturdy carry handle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans DREAM Hard Case (3 slots)\u003c\/li\u003e\n  \u003cli\u003eCut foam for DREAM Cine lenses\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I fit lenses from other brands?\u003c\/strong\u003e\u003cbr\u003eA: The foam is cut specifically for DREAM Cine lenses. Other lenses of similar size may fit, but not as snugly\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I take it on a plane?\u003c\/strong\u003e\u003cbr\u003eA: Its size qualifies as carry-on on many airlines, but we recommend checking your airline's carry-on size limits before traveling\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the pressure valve for?\u003c\/strong\u003e\u003cbr\u003eA: It equalizes the pressure inside the case when altitude changes, making the case easy to open and reducing stress on the gear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore accessories → \u003ca href=\"\/en-th\/collections\/gear\"\u003eGear \u0026amp; Accessories\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans DREAM Hard Case — 3-slot cine lens case with custom-fit foam to protect your lenses on every trip\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR-CASE3-Detail-1.jpg\" alt=\"7Artisans DREAM Hard Case for 3 Cine Lenses · 7Artisans Cine Lens \/ Camera Lens – Product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Default Title","offer_id":52127895060620,"sku":"7ATS-DR-CASE3","price":2500.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR-CASE3-Product-1_ddcbf6e3-9196-43fa-8704-6ddb4a3ae0f0.jpg?v=1786430858"},{"product_id":"7artisans-bundle-dream-35-50-75mm-t1-5-full-frame-cine-set","title":"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF","description":"\u003ch2\u003e7Artisans Bundle DREAM 35+50+75mm T1.5 Full Frame Cine Set with Hard Case — 3-Lens Full Frame Cine Set, Matched T1.5, 82mm Filter, M0.8 Gear, with Hard Case\u003c\/h2\u003e\n\u003cp\u003e7Artisans Bundle DREAM 35+50+75mm T1.5 is a cinema prime set covering 3 focal lengths — 35mm for storytelling and dialogue, 50mm for all-round and portrait work, and 75mm for close-ups and compression. Every lens shares the same T1.5 aperture, so there is no need to re-expose when switching lenses. The matched design puts the focus and iris gears in the same position, so you don't have to reset the follow focus after a lens change. The same 82mm filter size and M0.8 gears across the set let you use one matte box and one filter for all lenses. Includes a hard case for storage and transport.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3-focal-length prime set — 35mm (storytelling\/dialogue), 50mm (all-round\/portrait), 75mm (close-ups\/compression)\u003c\/li\u003e\n  \u003cli\u003eT1.5 on every lens — matched across the set for strong low-light performance and soft background blur\u003c\/li\u003e\n  \u003cli\u003eMatched system design — focus\/iris gears in the same positions, no need to reset the follow focus when switching lenses\u003c\/li\u003e\n  \u003cli\u003eFull Frame + 43.5mm image circle — full-frame coverage on FF cameras\u003c\/li\u003e\n  \u003cli\u003e300° focus throw + declicked aperture — smooth, continuous focus and iris control for cinema work\u003c\/li\u003e\n  \u003cli\u003eStandard M0.8 gears + 82mm filters on every lens — works with follow focus \/ matte box, one filter for the whole set\u003c\/li\u003e\n  \u003cli\u003eAvailable in 4 mounts — Sony E \/ Canon RF \/ Nikon Z \/ L-Mount (Leica\/Panasonic\/Sigma L)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction House \/ Rental Service\u003c\/li\u003e\n  \u003cli\u003eProfessional film production\u003c\/li\u003e\n  \u003cli\u003eDocumentary filmmakers needing a full set\u003c\/li\u003e\n  \u003cli\u003eFull-scale music video \/ commercial work\u003c\/li\u003e\n  \u003cli\u003eTeams using a follow focus and matte box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eDREAM Cine 35mm + 50mm + 75mm T1.5\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.5 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 300° (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8 MOD (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e43.5mm (covers Full Frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm (all lenses — filters can be shared)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDREAM Cine 35mm T1.5 lens\u003c\/li\u003e\n  \u003cli\u003eDREAM Cine 50mm T1.5 lens\u003c\/li\u003e\n  \u003cli\u003eDREAM Cine 75mm T1.5 lens\u003c\/li\u003e\n  \u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eHard case for storage and transport\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The set costs less than buying all 3 lenses individually, and it also includes a hard case\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can the 82mm filters be shared?\u003c\/strong\u003e\u003cbr\u003eA: Yes. All 3 lenses use the same 82mm filter size, so a single ND or CPL works across the whole set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What if I want more focal lengths?\u003c\/strong\u003e\u003cbr\u003eA: You can add other DREAM focal lengths separately. The design and gears match, so they work with your existing set\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Bundle DREAM 35+50+75mm T1.5 — Complete 3-lens Full Frame cine set with hard case for production work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-1.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-2.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-3.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-4.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-5.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-6.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-7.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-8.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-9.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3515-Detail-10.jpg\" alt=\"7Artisans DREAM 35mm + 50mm + 75mm 3-Lens Kit T1.5 · Full Frame Cine MF – Product detail image 10\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127895126156,"sku":"7ATS-DR3SET-E","price":29990.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":52127895158924,"sku":"7ATS-DR3SET-L","price":29990.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":52127895191692,"sku":"7ATS-DR3SET-RF","price":29990.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":52127895224460,"sku":"7ATS-DR3SET-Z","price":29990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-DR3SET-Product-1_62863385-8c9e-4998-af23-6e0e4922bd6a.jpg?v=1786430867"},{"product_id":"7artisans-spectrum-prime-14mm-t2-9-full-frame-cine","title":"7Artisans Spectrum Prime 14mm T2.9 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003e7Artisans Spectrum Prime 14mm T2.9 Manual Cine Full Frame Lens — Full Frame 114° Ultra-Wide T2.9 Cine Lens with 0.8 MOD Gear, 82mm Filter and Low Breathing\u003c\/h2\u003e\n\u003cp\u003e7Artisans Spectrum Prime 14mm T2.9 is an ultra-wide cinema lens for full-frame cameras with a field of view as wide as 114 degrees, ideal for landscapes, architecture and epic scenes. T2.9 is relatively bright for a wide-angle lens, helping in low light. The focus and aperture rings turn smoothly, with a standard 0.8 MOD gear for use with a follow focus. The optical design has 13 elements in 9 groups, including aspherical and extra-low dispersion elements, and is designed to minimize focus breathing.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eField of view as wide as 114 degrees, ideal for landscapes, architecture or epic scenes\u003c\/li\u003e\n  \u003cli\u003eT2.9 is a relatively bright aperture that helps in low-light conditions\u003c\/li\u003e\n  \u003cli\u003eCinema lens with smooth focus and aperture rings\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears for use with accessories such as a follow focus\u003c\/li\u003e\n  \u003cli\u003eOptical design of 13 elements in 9 groups, including aspherical and extra-low dispersion elements\u003c\/li\u003e\n  \u003cli\u003e82mm filter size\u003c\/li\u003e\n  \u003cli\u003eMinimum focus distance 40cm\u003c\/li\u003e\n  \u003cli\u003eDesigned to minimize focus breathing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic wide shots\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Establishing Shot\u003c\/li\u003e\n  \u003cli\u003eArchitecture and interior scenes\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eWide-angle vlogging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e14mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e114°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (standard follow focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBreathing\u003c\/td\u003e\n\u003ctd\u003eDesigned for minimal breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eAspherical + Extra-low Dispersion (ED)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e40cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans Spectrum Prime 14mm T2.9 Manual Cine Full Frame Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the actual amount of light transmitted through the lens, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does low breathing matter?\u003c\/strong\u003e\u003cbr\u003eA: When pulling focus, the image does not zoom in and out, so focus pulls look smooth and natural, which is very important in cinema work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use filters at 114°?\u003c\/strong\u003e\u003cbr\u003eA: Yes. It has an 82mm front filter thread for ND or CPL filters as usual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Spectrum Prime 14mm T2.9 — 114° Full Frame ultra-wide cine lens for epic scenes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/ATS-SPCTRM-14MM-T29-Detail-1.jpg\" alt=\"7Artisans Spectrum Prime 14mm T2.9 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127895289996,"sku":"7ATS-SPCTRM-14MM-T29E","price":9900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":52127895322764,"sku":"7ATS-SPCTRM-14MM-T29Z","price":9900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":52127895355532,"sku":"7ATS-SPCTRM-14MM-T29R","price":9900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":52127895388300,"sku":"7ATS-SPCTRM-14MM-T29L","price":9900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/ATS-SPCTRM-14MM-T29-Product-1_0711218a-cfa4-4ba2-9924-9b8a0d00d7de.jpg?v=1786430877"},{"product_id":"7artisans-vision-cine-12mm-t2-9-aps-c","title":"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle","description":"\u003ch2\u003e7Artisans Vision Cine 12mm T2.9 Manual Cine APS-C Lens — APS-C 100° Wide-Angle T2.9 Cine Lens with 270° Focus Throw, ED Glass, 0.8 MOD Gear, 6 Mounts\u003c\/h2\u003e\n\u003cp\u003e7Artisans Vision Cine 12mm T2.9 is a wide-angle cinema lens for APS-C cameras. The 12mm focal length is equivalent to about 18mm on full frame, giving a 100° angle of view for landscapes and wide scenes. The T2.9 aperture handles low light well with soft background blur. A long 270° focus throw allows precise focus control, ED glass reduces chromatic aberration, and the 0.8 MOD cine gear connects to a follow focus. De-clicked aperture ring, 82mm filter thread, 9 aperture blades, 12 elements in 10 groups, and a sturdy metal body weighing approx. 602 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e12mm focal length on APS-C cameras (approx. 18 mm equivalent on Full-Frame) for a wide view, suited to landscape \/ portrait work\u003c\/li\u003e\n  \u003cli\u003e100° angle of view\u003c\/li\u003e\n  \u003cli\u003eBright T2.9 aperture — good low-light performance with soft background blur\u003c\/li\u003e\n  \u003cli\u003e0.4 m minimum focus distance captures close-up detail excellently\u003c\/li\u003e\n  \u003cli\u003eManual focus with a long 270° focus throw for precise focus control, ideal for video that needs smooth adjustments\u003c\/li\u003e\n  \u003cli\u003eHigh-quality ED glass reduces chromatic aberration for sharp images with true-to-life color\u003c\/li\u003e\n  \u003cli\u003eManual focus gives users precise control over settings\u003c\/li\u003e\n  \u003cli\u003eCine Gear 0.8 MOD for use with a follow focus\u003c\/li\u003e\n  \u003cli\u003e82 mm filter thread for direct filter mounting\u003c\/li\u003e\n  \u003cli\u003e9 diaphragm blades for round, beautiful bokeh\u003c\/li\u003e\n  \u003cli\u003eOptical structure of 12 elements in 10 groups\u003c\/li\u003e\n  \u003cli\u003eDe-clicked aperture ring (ideal for video)\u003c\/li\u003e\n  \u003cli\u003eSturdy, durable metal construction, weighing approx. 602 g\u003c\/li\u003e\n  \u003cli\u003eAvailable in multiple mounts, including Sony E, FX, MFT, L, Canon RF, Nikon Z\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic wide shots\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Establishing Shot\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eHandheld wide-angle vlogging\u003c\/li\u003e\n  \u003cli\u003eInterior scenes and tight spaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e12mm (approx. 18mm equivalent on Full Frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (standard follow focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 10 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED Glass to reduce chromatic aberration\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.4 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eMetal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 602 g\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eAPS-C \/ S35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Fuji X \/ MFT \/ Leica L \/ Canon RF \/ Nikon Z\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eNikon Z\u003c\/li\u003e\n  \u003cli\u003eMFT\u003c\/li\u003e\n  \u003cli\u003eFuji X\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans Vision Cine 12mm T2.9 Manual Cine APS-C Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between T-stop and F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the actual amount of light transmitted through the lens, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What are the benefits of a 270° focus throw?\u003c\/strong\u003e\u003cbr\u003eA: The long ring rotation divides focus distances finely, making focus pulls precise and repeatable, ideal for pull-focus work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a Full Frame camera?\u003c\/strong\u003e\u003cbr\u003eA: The lens is designed for APS-C \/ S35. On a full-frame camera you need to enable crop mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMore cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Vision Cine 12mm T2.9 — APS-C wide-angle cine lens available in up to 6 mounts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-1.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-2.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-3.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-4.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-5.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-6.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-7.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-8.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Detail-9.jpg\" alt=\"7Artisans Vision 12mm T2.9 · APS-C Cine MF · Wide Angle – Product detail image 9\"\u003e","brand":"7Artisans","offers":[{"title":"Canon RF","offer_id":52127895421068,"sku":"7ATS-VSN-MF12MM-T29RF-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":52127895453836,"sku":"7ATS-VSN-MF12MM-T29L-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Sony E","offer_id":52127895486604,"sku":"7ATS-VSN-MF12MM-T29E-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":52127895519372,"sku":"7ATS-VSN-MF12MM-T29Z-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":52127895552140,"sku":"7ATS-VSN-MF12MM-T29MFT-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":52127895584908,"sku":"7ATS-VSN-MF12MM-T29FX-APSC","price":10900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF12MM-T29-APSC-Product-1_22e61005-f6f3-48d4-b961-f9a1dfbe6679.jpg?v=1786430888"},{"product_id":"7artisans-vision-cine-35mm-t1-05-aps-c","title":"7Artisans Vision 35mm T1.05 · APS-C Cine MF","description":"\u003ch2\u003e7Artisans Vision Cine 35mm T1.05 Manual Cine APS-C Lens — APS-C cine lens with an ultra-wide T1.05 aperture, 270° focus throw, 12 aperture blades and 0.8 MOD gears\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans Vision Cine 35mm T1.05 is an ultra-fast cine lens for APS-C cameras. Its 35mm focal length is equivalent to about 53mm on Full Frame, giving a view close to the human eye that suits portraits, street and general shooting. The very wide T1.05 aperture performs superbly in low light and delivers smooth, professional-looking background blur. The long 270° focus ring allows precise control, ED glass reduces chromatic aberration, and 12 aperture blades produce round bokeh. It also features 0.8 MOD cine gears, a de-clicked aperture ring and a metal body, and weighs about 753 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e35mm focal length on APS-C cameras (equivalent to about 53 mm. on Full-Frame). As a standard wide-angle lens it gives a view close to the human eye, ideal for portraits, street photography and everyday general shooting\u003c\/li\u003e\n  \u003cli\u003eAngle of view 44°\u003c\/li\u003e\n  \u003cli\u003eWide T1.05 aperture — performs well in low light, with beautiful bokeh and smooth, professional-looking background blur\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance of 0.27 m captures close-up detail superbly\u003c\/li\u003e\n  \u003cli\u003eManual focus with a long 270° focus ring for precise focus control, ideal for video work that needs smooth adjustments\u003c\/li\u003e\n  \u003cli\u003eHigh-quality ED glass elements reduce chromatic aberration for sharp images and true-to-life color\u003c\/li\u003e\n  \u003cli\u003e0.8 MOD cine gears for use with a follow focus\u003c\/li\u003e\n  \u003cli\u003e82mm filter thread for attaching filters directly\u003c\/li\u003e\n  \u003cli\u003e12 diaphragm blades\u003c\/li\u003e\n  \u003cli\u003eOptical structure: 11 elements in 8 groups\u003c\/li\u003e\n  \u003cli\u003eDe-clicked aperture ring turns smoothly and continuously, ideal for video work\u003c\/li\u003e\n  \u003cli\u003eStrong, durable metal construction, weighing about 753 g\u003c\/li\u003e\n  \u003cli\u003eAvailable in several mounts, such as Sony E, FX, MFT, L, Canon RF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic standard-focal-length film work\u003c\/li\u003e\n  \u003cli\u003eCinematic portraits in low light\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eInterview \/ Dialogue Scene\u003c\/li\u003e\n  \u003cli\u003eCinematic street shooting at night\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm (equivalent to about 53mm on Full Frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.05\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e44°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Ring\u003c\/td\u003e\n\u003ctd\u003eDe-clicked (smooth, continuous rotation)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (follow focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e11 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED Glass, reduces chromatic aberration\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.27 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eMetal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 753 g\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eAPS-C \/ S35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji X \/ MFT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E\u003c\/li\u003e\n  \u003cli\u003eCanon RF\u003c\/li\u003e\n  \u003cli\u003eLeica L\u003c\/li\u003e\n  \u003cli\u003eFuji X\u003c\/li\u003e\n  \u003cli\u003eMFT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans Vision Cine 35mm T1.05 Manual Cine APS-C Lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is T1.05 different from T2.1?\u003c\/strong\u003e\u003cbr\u003eA: T1.05 gathers about 4x more light than T2.1, so it shoots far better in the dark and gives softer background blur.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is manual focus difficult at T1.05?\u003c\/strong\u003e\u003cbr\u003eA: Depth of field is very thin. We recommend using your camera's Focus Peaking or Focus Magnify, and the 270° focus throw also helps with fine adjustments.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans Vision Cine 35mm T1.05 — APS-C cine lens with an ultra-wide T1.05 aperture for low-light work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-1.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-2.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-3.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-4.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-5.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-6.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-7.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-8.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Detail-9.jpg\" alt=\"7Artisans Vision 35mm T1.05 · APS-C Cine MF – product detail image 9\"\u003e","brand":"7Artisans","offers":[{"title":"Sony E","offer_id":52127895748748,"sku":"7ATS-VSN-MF35MM-T105E-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":52127895781516,"sku":"7ATS-VSN-MF35MM-T105RF-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":52127895814284,"sku":"7ATS-VSN-MF35MM-T105L-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":52127895847052,"sku":"7ATS-VSN-MF35MM-T105FX-APSC","price":10900.0,"currency_code":"THB","in_stock":false},{"title":"MFT","offer_id":52127895879820,"sku":"7ATS-VSN-MF35MM-T105MFT-APSC","price":10900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-VSN-MF35MM-T105-APSC-Product-1_14ee14a2-88f8-42f0-8d0c-cf659fade657.jpg?v=1786430898"},{"product_id":"7artisans-infinite-cine-135mm-t2-4-pl-white","title":"7Artisans INFINITE 135mm T2.4 · Full Frame Cine MF · Portrait · White","description":"\u003ch2\u003e7Artisans INFINITE Cine 135mm T2.4 Manual Cine Full Frame Lens (White) — 135mm T2.4 telephoto cine lens with a white body, PL Mount, 17 aperture blades and 330° focus throw\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 135mm T2.4 (White) is a telephoto cine lens with a white body and PL Mount. 135mm is a popular focal length for portraits, wildlife, sports, cars and cycling races, as well as other subjects that are hard to get close to. The T2.4 – T22 aperture gives beautiful background blur. Manual focus and aperture rings with standard 0.8 MOD gears work precisely with follow focus units and lens motors. It has a 330° focus ring rotation, 17 aperture blades for beautifully round bokeh, and an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e135mm focal length, a popular choice for portraits, wildlife, sports, cars and cycling races, as well as other subjects that are hard to shoot up close\u003c\/li\u003e\n  \u003cli\u003eT2.4 – T22 aperture suits portraits and medium to tight shots, with beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003e330° focus ring rotation gives precise control for focus pulling\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 12 elements in 8 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.82 m\u003c\/li\u003e\n  \u003cli\u003e17 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n  \u003cli\u003eFilter size: Φ82mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic long-distance portraits\u003c\/li\u003e\n  \u003cli\u003eTelephoto shots for film work\u003c\/li\u003e\n  \u003cli\u003eSports and competition shooting\u003c\/li\u003e\n  \u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eBokeh-heavy production work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (follow focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e17 blades (very round bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.82 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePL Mount (White)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 135mm T2.4 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 135mm T2.4 (White) — PL Mount telephoto cine lens with 17 aperture blades and beautifully round bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-135MM-T24PL-WH-Detail-1.jpg\" alt=\"7Artisans INFINITE 135mm T2.4 · Full Frame Cine MF · Portrait · White – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"PL","offer_id":52127895912588,"sku":"7ATS-INFN-135MM-T24PL-WH","price":27990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-135MM-T24PL-WH-Product-1_62b784ad-5d93-4861-a7b9-b690c4447d9e.jpg?v=1786430905"},{"product_id":"7artisans-infinite-cine-24mm-t2-1-ef-white","title":"7Artisans INFINITE 24mm T2.1 · Full Frame Cine MF · Wide Angle · White","description":"\u003ch2\u003e7Artisans INFINITE Cine 24mm T2.1 Manual Cine Full Frame Lens (White) — 24mm T2.1 wide-angle cine lens with a white body, EF Mount, 270° focus throw and 0.8 MOD gears\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 24mm T2.1 (White) is a wide-angle cine lens with a white body and EF Mount. The 24mm focal length gives a wide view suited to general scenes, whether people, cityscapes or indoor locations. The T2.1 – T16 aperture provides enough light even in dim conditions, with soft, natural bokeh. Manual focus is precise thanks to a focus ring that rotates up to 270°, and cine-standard 0.8 MOD gears support follow focus systems. 13 elements in 11 groups, with an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e24mm focal length gives a wide view suited to general scenes, whether people, cityscapes or indoor locations\u003c\/li\u003e\n  \u003cli\u003eT2.1 – T16 aperture provides enough light even in dim conditions, with soft, natural bokeh\u003c\/li\u003e\n  \u003cli\u003ePrecise manual focus with a focus ring that rotates up to 270° for fine control\u003c\/li\u003e\n  \u003cli\u003eGeared focus and aperture rings in 0.8 MOD (cine standard) for precise operation with follow focus systems\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 13 elements in 11 groups\u003c\/li\u003e\n  \u003cli\u003eFront filter size 82mm\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.3 m\u003c\/li\u003e\n  \u003cli\u003e12 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic wide-angle film work\u003c\/li\u003e\n  \u003cli\u003eCityscapes and indoor locations\u003c\/li\u003e\n  \u003cli\u003eEstablishing Shot\u003c\/li\u003e\n  \u003cli\u003eDocumentary work\u003c\/li\u003e\n  \u003cli\u003eEnvironmental Portrait\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e24mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (cine standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.3 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eCanon EF Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon EF Mount (White)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 24mm T2.1 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can an EF Mount lens be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes. It adapts to Sony E \/ Canon RF \/ Nikon Z through an EF adapter as usual, and because it is a manual lens there is no need to worry about electronic communication.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 24mm T2.1 (White) — EF Mount wide-angle cine lens with a white body for production work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-24MM-T21EF-WH-Detail-1.jpg\" alt=\"7Artisans INFINITE 24mm T2.1 · Full Frame Cine MF · Wide Angle · White – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Canon EF","offer_id":52127895945356,"sku":"7ATS-INFN-24MM-T21EF-WH","price":27990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-24MM-T21EF-WH-Product-1_ab5fb35f-b8c2-4f8e-ae51-1cf13f306d6c.jpg?v=1786430912"},{"product_id":"7artisans-infinite-cine-85mm-t2-1","title":"7Artisans INFINITE 85mm T2.1 · Full Frame Cine MF · Portrait","description":"\u003ch2\u003e7Artisans INFINITE Cine 85mm T2.1 Manual Cine Full Frame Lens — 85mm T2.1 portrait cine lens with 330° focus throw and 0.8 MOD gears, in EF or PL Mount\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 85mm T2.1 is a cine lens at 85mm, a popular focal length for portraits, wildlife, sports and cars, as well as other subjects that are hard to get close to. The T2.1 – T22 aperture suits portraits and medium to tight shots, with beautiful background blur. Manual focus and aperture rings with standard 0.8 MOD gears work with follow focus units and lens motors for precise, repeatable adjustments. It has a 330° focus ring rotation, 14 elements in 8 groups and an all-metal body, and is available in both EF and PL mounts.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e85mm focal length, a popular choice for portraits, wildlife, sports, cars and cycling races, as well as other subjects that are hard to shoot up close\u003c\/li\u003e\n  \u003cli\u003eT2.1 – T22 aperture suits portraits and medium to tight shots, with beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003e330° focus ring rotation gives precise control for focus pulling\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 14 elements in 8 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.85 m\u003c\/li\u003e\n  \u003cli\u003e11 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n  \u003cli\u003eFilter size: Φ82mm\u003c\/li\u003e\n  \u003cli\u003eAvailable mounts: EF \/ PL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait Cinematic\u003c\/li\u003e\n  \u003cli\u003eTelephoto film work\u003c\/li\u003e\n  \u003cli\u003eBeauty Shot \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eInterviews that call for background blur\u003c\/li\u003e\n  \u003cli\u003eBokeh-heavy production work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (follow focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e14 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.85 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eCanon EF \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon EF\u003c\/li\u003e\n  \u003cli\u003ePL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 85mm T2.1 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 85mm T2.1 — portrait-length cine lens with a metal body, available in both EF and PL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-85MM-T21-Detail-1.jpg\" alt=\"7Artisans INFINITE 85mm T2.1 · Full Frame Cine MF · Portrait – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Canon EF","offer_id":52127896600716,"sku":"7ATS-INFN-85MM-T21EF","price":25990.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":52127896633484,"sku":"7ATS-INFN-85MM-T21PL","price":25990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-85MM-T21-Product-1_23c52c04-b8b9-4719-815f-6183671fd551.jpg?v=1786430920"},{"product_id":"7artisans-infinite-cine-50mm-t2-1","title":"7Artisans INFINITE 50mm T2.1 · Full Frame Cine MF","description":"\u003ch2\u003e7Artisans INFINITE Cine 50mm T2.1 Manual Cine Full Frame Lens — 50mm T2.1 standard cine lens with 330° focus throw and 0.8 MOD gears, in EF or PL Mount\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 50mm T2.1 is a 50mm cine lens with a standard view close to the human eye, suited to portraits, interviews and general scenes. The T2.1 – T22 aperture keeps images bright even in low light, with soft bokeh that adds depth. Manual focus and aperture rings with standard 0.8 MOD gears work precisely with follow focus units and lens motors. It has a 330° focus ring rotation, 12 elements in 8 groups, 12 aperture blades and an all-metal body, and is available in both EF and PL mounts.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e50mm focal length with a “standard” view, suited to people, interviews and more\u003c\/li\u003e\n  \u003cli\u003eT2.1 – T22 aperture keeps images bright even in low light, with soft bokeh that adds depth to your shots\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003e330° focus ring rotation gives precise control for focus pulling\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 12 elements in 8 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.6 m\u003c\/li\u003e\n  \u003cli\u003e12 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n  \u003cli\u003eFilter size: Φ82mm\u003c\/li\u003e\n  \u003cli\u003eAvailable mounts: EF \/ PL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic film work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Beauty Shot\u003c\/li\u003e\n  \u003cli\u003eInterviews\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eDialogue Scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (follow focus standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.6 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eCanon EF \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon EF\u003c\/li\u003e\n  \u003cli\u003ePL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 50mm T2.1 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 50mm T2.1 — standard cine lens with a metal body, available in both EF and PL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-50MM-T21-Detail-1.jpg\" alt=\"7Artisans INFINITE 50mm T2.1 · Full Frame Cine MF – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Canon EF","offer_id":52127896731788,"sku":"7ATS-INFN-50MM-T21EF","price":25990.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":52127896764556,"sku":"7ATS-INFN-50MM-T21PL","price":25990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-50MM-T21-Product-1_fdca9034-c8ee-40e7-afce-678e8e382dc1.jpg?v=1786430929"},{"product_id":"7artisans-infinite-cine-35mm-t2-1","title":"7Artisans INFINITE 35mm T2.1 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003e7Artisans INFINITE Cine 35mm T2.1 Manual Cine Full Frame Lens — 35mm T2.1 storytelling cine lens with 0.8 MOD gears and 12 aperture blades, in EF or PL Mount\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 35mm T2.1 is a 35mm cine lens with a standard angle of view suited to portraits, film, commercials and production work. The T2.1 – T16 aperture delivers sharp images with soft focus fall-off and beautiful bokeh. Manual focus and aperture rings with industry-standard 0.8 MOD gears are compatible with follow focus systems and lens motors for precise, repeatable adjustments. 12 elements in 10 groups, 12 aperture blades, a minimum focusing distance of 0.38 m and an all-metal body, available in both EF and PL mounts.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e35mm focal length with a standard angle of view, suited to portraits, film, commercials and production work\u003c\/li\u003e\n  \u003cli\u003eT2.1 – T16 aperture delivers sharp images with soft focus fall-off and beautiful bokeh\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 10 groups, 12 elements\u003c\/li\u003e\n  \u003cli\u003e12 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance: 0.38 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic standard-focal-length film work\u003c\/li\u003e\n  \u003cli\u003eStorytelling and dialogue scenes\u003c\/li\u003e\n  \u003cli\u003eCommercial work\u003c\/li\u003e\n  \u003cli\u003eProduction work using a follow focus\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 10 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.38 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eCanon EF \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon EF\u003c\/li\u003e\n  \u003cli\u003ePL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 35mm T2.1 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 35mm T2.1 — storytelling cine lens with a metal body, available in both EF and PL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-35MM-T21-Detail-1.jpg\" alt=\"7Artisans INFINITE 35mm T2.1 · Full Frame Cine MF · Wide Angle – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"Canon EF","offer_id":52128116899980,"sku":"7ATS-INFN-35MM-T21EF","price":25990.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":52128116932748,"sku":"7ATS-INFN-35MM-T21PL","price":25990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-35MM-T21-Product-1_92c06139-773e-406e-945c-73137a29e8c7.jpg?v=1786431849"},{"product_id":"7artisans-infinite-cine-16mm-t2-5","title":"7Artisans INFINITE 16mm T2.5 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003e7Artisans INFINITE Cine 16mm T2.5 Manual Cine Full Frame Lens — 16mm T2.5 wide-angle cine lens with 0.8 MOD gears and 0.25 m close focus, in EF or PL Mount\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 16mm T2.5 is a 16mm wide-angle cine lens with a wide view suited to landscapes and filmmaking. The T2.5 aperture keeps images bright even in low light, with soft bokeh that adds depth. Geared focus and aperture rings in cine-standard 0.8 MOD work precisely with follow focus systems. Manual focus suits shoots that demand fine control over the image. 13 elements in 11 groups, a minimum focusing distance of 0.25 m and an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e16mm focal length gives a wide view, suited to landscapes and filmmaking\u003c\/li\u003e\n  \u003cli\u003eT2.5 aperture keeps images bright even in low light, with soft bokeh that adds depth to your shots\u003c\/li\u003e\n  \u003cli\u003eGeared focus and aperture rings in 0.8 MOD (cine standard) for precise operation with follow focus systems\u003c\/li\u003e\n  \u003cli\u003ePrecise manual focus, suited to shoots that demand fine control over the image\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 13 elements in 11 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.25 m\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic wide-angle film work\u003c\/li\u003e\n  \u003cli\u003eLandscapes \/ Establishing Shot\u003c\/li\u003e\n  \u003cli\u003eInterior scenes and tight spaces\u003c\/li\u003e\n  \u003cli\u003eDocumentary work\u003c\/li\u003e\n  \u003cli\u003eWide-angle vlogs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (cine standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.25 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eCanon EF \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCanon EF\u003c\/li\u003e\n  \u003cli\u003ePL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 16mm T2.5 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 16mm T2.5 — wide-angle cine lens with a metal body, available in both EF and PL\u003c\/strong\u003e\u003c\/p\u003e","brand":"7Artisans","offers":[{"title":"Canon EF","offer_id":52128117194892,"sku":"7ATS-INFN-16MM-T25EF","price":27990.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":52128117227660,"sku":"7ATS-INFN-16MM-T25PL","price":27990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-16MM-T25-Product-1_6c465867-5047-4b12-9dc4-bff6b01ab0dc.jpg?v=1786431858"},{"product_id":"7artisans-infinite-cine-16mm-t2-5-pl-white","title":"7Artisans INFINITE 16mm T2.5 · Full Frame Cine MF · Wide Angle · White","description":"\u003ch2\u003e7Artisans INFINITE Cine 16mm T2.5 Manual Cine Full Frame Lens (White) — 16mm T2.5 wide-angle cine lens with a white body, PL Mount, 0.8 MOD gears and 0.25 m close focus\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 16mm T2.5 (White) is a wide-angle cine lens with a white body and PL Mount. The 16mm focal length gives a wide view suited to landscapes and filmmaking. The T2.5 – T16 aperture keeps images bright even in low light, with soft bokeh. Geared focus and aperture rings in cine-standard 0.8 MOD support follow focus precisely. Manual focus suits shoots that demand fine control over the image. 13 elements in 11 groups, a minimum focusing distance of 0.25 m and an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e16mm focal length gives a wide view, suited to landscapes and filmmaking\u003c\/li\u003e\n  \u003cli\u003eT2.5 – T16 aperture keeps images bright even in low light, with soft bokeh that adds depth to your shots\u003c\/li\u003e\n  \u003cli\u003eGeared focus and aperture rings in 0.8 MOD (cine standard) for precise operation with follow focus systems\u003c\/li\u003e\n  \u003cli\u003ePrecise manual focus, suited to shoots that demand fine control over the image\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 13 elements in 11 groups\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance 0.25 m\u003c\/li\u003e\n  \u003cli\u003eMetal body for durability and a premium feel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic wide-angle film work\u003c\/li\u003e\n  \u003cli\u003eLandscapes \/ Establishing Shot\u003c\/li\u003e\n  \u003cli\u003eFilm sets using PL Mount cameras\u003c\/li\u003e\n  \u003cli\u003eDocumentary work\u003c\/li\u003e\n  \u003cli\u003eInterior scenes and tight spaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (cine standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.25 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePL Mount (White)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 16mm T2.5 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 16mm T2.5 (White) — PL Mount wide-angle cine lens with a white body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-16MM-T25PL-WH-Detail-1.jpg\" alt=\"7Artisans INFINITE 16mm T2.5 · Full Frame Cine MF · Wide Angle · White – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"PL","offer_id":52128117620876,"sku":"7ATS-INFN-16MM-T25PL-WH","price":27990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-16MM-T25PL-WH-Product-1_d88a6501-e4dd-4b1d-a8dd-abdb81d1f726.jpg?v=1786431865"},{"product_id":"7artisans-infinite-cine-35mm-t2-1-pl-white","title":"7Artisans INFINITE 35mm T2.1 · Full Frame Cine MF · Wide Angle · White","description":"\u003ch2\u003e7Artisans INFINITE Cine 35mm T2.1 Manual Cine Full Frame Lens (White) — 35mm T2.1 storytelling cine lens with a white body, PL Mount, 0.8 MOD gears and 12 aperture blades\u003c\/h2\u003e\n\u003cp\u003eThe 7Artisans INFINITE Cine 35mm T2.1 (White) is a cine lens with a white body and PL Mount. Its 35mm focal length gives a standard angle of view suited to portraits, film, commercials and production work. The T2.1 – T16 aperture delivers sharp images with soft focus fall-off and beautiful bokeh. Manual focus and aperture rings with industry-standard 0.8 MOD gears are compatible with follow focus systems and lens motors for precise, repeatable adjustments. 12 elements in 10 groups, 12 aperture blades, a minimum focusing distance of 0.38 m and an all-metal body.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e35mm focal length with a standard angle of view, suited to portraits, film, commercials and production work\u003c\/li\u003e\n  \u003cli\u003eT2.1 – T16 aperture delivers sharp images with soft focus fall-off and beautiful bokeh\u003c\/li\u003e\n  \u003cli\u003eManual focus and aperture rings with industry-standard 0.8 MOD gears, compatible with follow focus systems and lens motors for precise, repeatable adjustments\u003c\/li\u003e\n  \u003cli\u003eOptical construction: 10 groups, 12 elements\u003c\/li\u003e\n  \u003cli\u003e12 aperture blades\u003c\/li\u003e\n  \u003cli\u003eMinimum focusing distance: 0.38 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematic standard-focal-length film work\u003c\/li\u003e\n  \u003cli\u003eStorytelling and dialogue scenes\u003c\/li\u003e\n  \u003cli\u003eFilm sets using PL Mount cameras\u003c\/li\u003e\n  \u003cli\u003eCommercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (industry standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 10 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e12 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.38 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAll-metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePL Mount (White)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7Artisans 35mm T2.1 CINE lens\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: T-stop measures the light that actually passes through the lens, including losses from the glass elements, while F-stop is a theoretical value. Film production uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which follow focus units work with the 0.8 MOD gears?\u003c\/strong\u003e\u003cbr\u003eA: It is the industry-standard gear pitch, so it works with follow focus units and lens motors from almost every brand, such as DJI, Tilta and ARRI.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is PL Mount, and can it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: PL is the standard mount for professional cinema cameras such as ARRI, RED and Sony VENICE. Mirrorless cameras can use it through a PL adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7Artisans INFINITE Cine 35mm T2.1 (White) — PL Mount storytelling cine lens with a white body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-35MM-T21PL-WH-Detail-1.jpg\" alt=\"7Artisans INFINITE 35mm T2.1 · Full Frame Cine MF · Wide Angle · White – product detail image 1\"\u003e","brand":"7Artisans","offers":[{"title":"PL","offer_id":52128117850252,"sku":"7ATS-INFN-35MM-T21PL-WH","price":25990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/7ATS-INFN-35MM-T21PL-WH-Product-1_801a7ade-742c-49c1-a0a0-3615650cce2a.jpg?v=1786431873"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/7artisans-cinema-lenses.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}