{"title":"Canon EF-Mount Lenses","description":"\u003cp\u003eCanon EF-mount cine and photo lenses from DZOFILM, Meike, SIRUI, DULENS and 7Artisans: Vespid Prime and Pictor Zoom kits, IronStar and APO Mini Prime.\u003c\/p\u003e","products":[{"product_id":"sirui-ironstar-45mm-t1-9-1-5x-anamorphic-full-frame-cine-lens","title":"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eSIRUI IronStar 45mm T1.9 1.5x Anamorphic Full Frame Cine Lens\u003c\/h2\u003e\n  \u003cp\u003e\n    A 45mm standard anamorphic lens for Full Frame with a balanced cinematic look,  \n    featuring oval bokeh and cinematic flares. Ideal for portrait, narrative and commercial work.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e45mm Full Frame\u003c\/strong\u003e A perspective close to human vision, ideal for portraits and storytelling\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1.5x Anamorphic\u003c\/strong\u003e Cinematic images: shooting 16:9 yields an aspect ratio close to 2.4:1\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eT1.9 – T16\u003c\/strong\u003e Fast aperture for low-light shooting with precise depth-of-field control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOval Bokeh \u0026amp; Streak Flare\u003c\/strong\u003e Oval bokeh plus blue \/ neutral flares, the signature anamorphic look\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow Focus Breathing\u003c\/strong\u003e Smooth focus pulls with a stable frame, suited to professional video work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdvanced Optical Design\u003c\/strong\u003e ASPH + ED + cylindrical + HRI glass reduces aberrations for accurate color\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eClose Focus 0.65m\u003c\/strong\u003e Focuses close for more storytelling flexibility\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard (0.8 MOD \/ 270°)\u003c\/strong\u003e Fully compatible with follow focus systems and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e95mm Front Diameter\u003c\/strong\u003e Works directly with professional matte boxes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Supports PL and EF for use on both cinema cameras and DSLR \/ mirrorless bodies\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFilmmaker \/ Narrative\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n    \u003cli\u003ePortrait Video\u003c\/li\u003e\n    \u003cli\u003eProfessional Production\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e45mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x Anamorphic\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual (270° Rotation, 0.8 MOD)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Focus\u003c\/td\u003e\n\u003ctd\u003e0.65m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue \/ Neutral\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFlare: Blue \/ Neutral\u003c\/li\u003e\n    \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eLens\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eMount (depending on version)\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHow does it differ from 1.6x?\u003c\/strong\u003e\u003cbr\u003e1.5x balances width with ease of use, making it better suited to general work.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWho is it for?\u003c\/strong\u003e\u003cbr\u003eProduction teams and filmmakers who want the anamorphic look while keeping the workflow nimble.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    Explore more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003e45mm 1.5x Anamorphic = the balance between a cinematic look and real-world practicality for any production\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-1.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-2.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-3.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-4.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-5.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-6.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-7.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-8.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-9.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 45mm T1.9 · Full Frame MF – Product detail image 9\"\u003e","brand":"SIRUI","offers":[{"title":"Blue Flare","offer_id":47214007156876,"sku":"SIRUI-IRON-45-B","price":31900.0,"currency_code":"THB","in_stock":true},{"title":"Neutral Flare","offer_id":47214007189644,"sku":"SIRUI-IRON-45-N","price":31900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Product-1.png?v=1775115734"},{"product_id":"sirui-ironstar-35mm-t1-9-1-5x-anamorphic-full-frame-cine-lens","title":"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eSIRUI IronStar 35mm T1.9 1.5x Anamorphic Full Frame Cine Lens\u003c\/h2\u003e\n  \u003cp\u003e\n    A wide-angle anamorphic lens for Full Frame, delivering cinematic images with dimension and true film character.  \n    Ideal for narrative, wide scenes, travel and documentary work that tells stories through a wide perspective.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e35mm Full Frame\u003c\/strong\u003e A popular wide angle for street, travel and storytelling\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1.5x Anamorphic\u003c\/strong\u003e Shooting 16:9 yields an aspect ratio close to 2.4:1 without heavy cropping\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eT1.9 – T16\u003c\/strong\u003e Fast aperture for low-light shooting with precise depth-of-field control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOval Bokeh \u0026amp; Streak Flare\u003c\/strong\u003e Oval bokeh plus blue \/ neutral flares for a cinematic style\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow Focus Breathing\u003c\/strong\u003e Smooth focus pulls with a stable frame, suited to professional video work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdvanced Optical Design\u003c\/strong\u003e ASPH + ED + cylindrical + HRI glass reduces aberrations for accurate color\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eClose Focus ~0.68m\u003c\/strong\u003e Focuses close for more storytelling flexibility\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard (0.8 MOD \/ 270°)\u003c\/strong\u003e Fully compatible with follow focus systems and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e95mm Front Diameter\u003c\/strong\u003e Works directly with professional matte boxes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Supports PL and EF for use on both cinema cameras and DSLR \/ mirrorless bodies\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFilmmaker \/ Narrative\u003c\/li\u003e\n    \u003cli\u003eWide Scene \/ Establishing Shot\u003c\/li\u003e\n    \u003cli\u003eDocumentary \/ Travel\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x Anamorphic\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual (270° Rotation, 0.8 MOD)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Focus\u003c\/td\u003e\n\u003ctd\u003e~0.68m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue \/ Neutral\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFlare: Blue \/ Neutral\u003c\/li\u003e\n    \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eLens\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eMount (depending on version)\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHow does 35mm differ from 45mm?\u003c\/strong\u003e\u003cbr\u003e35mm gives a wider view, better for storytelling and showing more of the scene's context.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWho is it for?\u003c\/strong\u003e\u003cbr\u003eFilmmakers who want a wide-angle anamorphic lens that is easy to work with and delivers a film look.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    Explore more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003e35mm 1.5x Anamorphic = a storytelling wide angle with a true cinematic film look\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-1.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-2.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-3.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-4.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-5.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-6.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-7.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-8.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-9.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm T1.9 · Full Frame MF – Product detail image 9\"\u003e","brand":"SIRUI","offers":[{"title":"Blue Flare","offer_id":47214007222412,"sku":"SIRUI-IRON-35-B","price":31900.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Flare","offer_id":47214007255180,"sku":"SIRUI-IRON-35-N","price":31900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-35-Product-1.png?v=1775116569"},{"product_id":"sirui-ironstar-60mm-t1-9-1-5x-anamorphic-full-frame-cine-lens","title":"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eSIRUI IronStar 60mm T1.9 1.5x Anamorphic Full Frame Cine Lens\u003c\/h2\u003e\n  \u003cp\u003e\n    A portrait-length anamorphic lens for Full Frame, delivering cinematic images rich in dimension and mood.  \n    Ideal for portrait, dialogue and commercial work that needs clear subject separation and a film look.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e60mm Full Frame\u003c\/strong\u003e A balanced portrait length with a natural perspective that makes the subject stand out\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1.5x Anamorphic\u003c\/strong\u003e Yields an aspect ratio close to 2.4:1 from 16:9 without heavy cropping\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eT1.9 – T16\u003c\/strong\u003e Strong low-light performance with precise depth-of-field control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOval Bokeh \u0026amp; Streak Flare\u003c\/strong\u003e Oval bokeh plus blue \/ neutral flares, the signature anamorphic look\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow Focus Breathing\u003c\/strong\u003e Smooth focus pulls with a stable frame, suited to professional video work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdvanced Optical Design\u003c\/strong\u003e ASPH + ED + cylindrical + HRI glass for sharp images and accurate color\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eClose Focus 0.65m\u003c\/strong\u003e Focuses close, great for storytelling and commercial work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard (0.8 MOD \/ 270°)\u003c\/strong\u003e Fully compatible with follow focus systems and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e95mm Front Diameter\u003c\/strong\u003e Works directly with professional matte boxes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Supports PL \/ EF for use on both cinema cameras and DSLR \/ mirrorless bodies\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePortrait Video \/ Close-up\u003c\/li\u003e\n    \u003cli\u003eDialogue Scene\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n    \u003cli\u003eFilmmaker \/ Production\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e60mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x Anamorphic\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual (270° Rotation, 0.8 MOD)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMinimum Focus\u003c\/td\u003e\n\u003ctd\u003e0.65m\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue \/ Neutral\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFlare: Blue \/ Neutral\u003c\/li\u003e\n    \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eLens\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eMount (depending on version)\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHow does 60mm differ from 45mm?\u003c\/strong\u003e\u003cbr\u003e60mm offers a longer reach, more background separation and a more compressed, dimensional image.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWho is it for?\u003c\/strong\u003e\u003cbr\u003eFilmmakers who want a portrait anamorphic lens for serious cinematic work.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    Explore more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003e60mm 1.5x Anamorphic = cinematic portraits with strong dimension, beautiful background blur and maximum focus on the subject\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-1.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-2.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-3.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-4.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-5.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-6.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-7.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-8.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-9.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 60mm T1.9 · Full Frame MF – Product detail image 9\"\u003e","brand":"SIRUI","offers":[{"title":"Blue Flare","offer_id":47214007287948,"sku":"SIRUI-IRON-60-B","price":31900.0,"currency_code":"THB","in_stock":true},{"title":"Neutral Flare","offer_id":47214007320716,"sku":"SIRUI-IRON-60-N","price":31900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-60-Product-1.png?v=1775117008"},{"product_id":"sirui-ironstar-35-45-60mm-t1-9-1-5x-anamorphic-3-lens-kit","title":"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eSIRUI IronStar 35-45-60mm T1.9 1.5x Anamorphic Full Frame Cine 3 Lens Set\u003c\/h2\u003e\n  \u003cp\u003e\n    A professional anamorphic set covering 3 focal lengths for filmmaking.  \n    From wide shots to portraits and close-ups, it delivers a consistent cinematic look across the entire production.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e3 Focal Lengths (35 \/ 45 \/ 60mm)\u003c\/strong\u003e Covers wide, standard and portrait for every scene\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1.5x Anamorphic\u003c\/strong\u003e Get close to a 2.4:1 aspect ratio from 16:9 without heavy cropping\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eT1.9 Across the Set\u003c\/strong\u003e Strong low-light performance with precise depth-of-field control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOval Bokeh \u0026amp; Streak Flare\u003c\/strong\u003e Oval bokeh plus Blue \/ Neutral flare for the signature anamorphic look\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow Focus Breathing\u003c\/strong\u003e Stable framing while pulling focus, ideal for professional video\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdvanced Optical Design\u003c\/strong\u003e ASPH + ED + Cylindrical + HRI elements for sharp images and accurate color\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard (0.8 MOD \/ 270°)\u003c\/strong\u003e Fully compatible with follow focus systems and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e95mm Front Diameter\u003c\/strong\u003e Works with matte boxes and on-set accessories right away\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Supports PL \/ EF for use on cinema cameras as well as DSLR \/ mirrorless bodies\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor \u0026amp; Look Matching\u003c\/strong\u003e Matched color and character across the set for a smooth production workflow\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFilmmaker \/ Production\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV \/ Short Film\u003c\/li\u003e\n    \u003cli\u003eNarrative \/ Cinematic Content\u003c\/li\u003e\n    \u003cli\u003ePortrait \/ Dialogue \/ Close-up Scene\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm \/ 45mm \/ 60mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eSqueeze Ratio\u003c\/td\u003e\n\u003ctd\u003e1.5x Anamorphic\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T16\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual (270° Rotation, 0.8 MOD)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFlare\u003c\/td\u003e\n\u003ctd\u003eBlue \/ Neutral\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFlare: Blue \/ Neutral\u003c\/li\u003e\n    \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e35mm Lens\u003c\/li\u003e\n    \u003cli\u003e45mm Lens\u003c\/li\u003e\n    \u003cli\u003e60mm Lens\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eMount (per selected version)\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWho is it for?\u003c\/strong\u003e\u003cbr\u003eProduction teams that need a full range of focal lengths with a consistent cinematic look.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWhat kind of work is 1.5x anamorphic best for?\u003c\/strong\u003e\u003cbr\u003eEverything from general video to professional productions that want a film look while staying practical to work with.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    Explore more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003e35 + 45 + 60 = every scene covered, with the most balanced anamorphic look for production work\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-1.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-2.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-3.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-4.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-5.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-6.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-7.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-8.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-45-Detail-9.png\" alt=\"SIRUI IronStar 1.5x Anamorphic 35mm + 45mm + 60mm 3-Lens Kit T1.9 · Full Frame MF – Product detail image 9\"\u003e","brand":"SIRUI","offers":[{"title":"Neutral Flare","offer_id":47214007353484,"sku":"SIRUI-IRON-3S-N+292A","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Blue Flare","offer_id":47214007386252,"sku":"SIRUI-IRON-3S-B+292A","price":99000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/SIRUI-IRON-3S-Product-1.png?v=1775117958"},{"product_id":"dzofilm-vespid-prime-t2-1-full-frame-cine-lens-pl-ef-mount","title":"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Prime T2.1 Full Frame Cinema Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA professionally designed Full Frame T2.1 cine prime lens covering Full Frame and Super35 sensors, with a mount interchangeable between PL and EF. Ideal for film and high-end video production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Coverage\u003c\/strong\u003e Covers Full Frame (46.5mm image circle) and Super35 sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for strong low-light performance and beautiful background blur with shallow DOF\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, natural bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine, precise focus control suited to cine work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e80mm Front Diameter\u003c\/strong\u003e Fits standard matte boxes right away\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact and Lightweight\u003c\/strong\u003e Ideal for gimbal, drone and handheld use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Short Film\u003c\/li\u003e\n  \u003cli\u003eCommercial Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Super35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Rotation\u003c\/td\u003e\n\u003ctd\u003e64°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e21mm \/ 25mm \/ 35mm \/ 40mm \/ 50mm \/ 75mm \/ 100mm \/ 125mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFocal Length: 21mm \/ 25mm \/ 35mm \/ 40mm \/ 50mm \/ 75mm \/ 100mm \/ 125mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eEF Mount\u003c\/li\u003e\n  \u003cli\u003eLens Cap\u003c\/li\u003e\n  \u003cli\u003eCarrying Case\u003c\/li\u003e\n  \u003cli\u003eWarranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes, via the EF mount with an additional adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it really cover Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. The 46.5mm image circle covers Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional cine primes at an accessible price, with a flexible mount\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-1.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-2.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-3.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-4.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-5.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-6.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-7.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-8.png\" alt=\"DZOFILM Vespid Prime Cinema 21\/25\/35\/40\/50\/75\/100\/125mm T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"21mm","offer_id":47707172667532,"sku":"DZF-VSP-21MM-T21","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"25mm","offer_id":47707172700300,"sku":"DZF-VSP-25MM-T21","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"35mm","offer_id":47707172733068,"sku":"DZF-VSP-35MM-T21","price":25900.0,"currency_code":"THB","in_stock":true},{"title":"40mm","offer_id":47707172765836,"sku":"DZF-VSP-40MM-T21","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"50mm","offer_id":47707172798604,"sku":"DZF-VSP-50MM-T21","price":25900.0,"currency_code":"THB","in_stock":true},{"title":"75mm","offer_id":47707172831372,"sku":"DZF-VSP-75MM-T21","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"100mm","offer_id":47707172864140,"sku":"DZF-VSP-100MM-T21","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"125mm","offer_id":47707172896908,"sku":"DZF-VSP-125MM-T21","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Product-1.png?v=1776395067"},{"product_id":"dzofilm-vespid-prime-t2-8-full-frame-cine-lens-pl-ef-mount","title":"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Prime T2.8 Full Frame Cinema Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA professionally designed Full Frame T2.8 cine prime lens covering Full Frame and Super35 sensors, with a mount interchangeable between PL and EF. Ideal for film and high-end video production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Coverage\u003c\/strong\u003e Covers Full Frame (46.5mm image circle) and Super35 sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8\u003c\/strong\u003e Wide aperture for strong low-light performance and beautiful background blur with shallow DOF\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, natural bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine, precise focus control suited to cine work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e80mm Front Diameter\u003c\/strong\u003e Fits standard matte boxes right away\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact and Lightweight\u003c\/strong\u003e Ideal for gimbal, drone and handheld use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Short Film\u003c\/li\u003e\n  \u003cli\u003eCommercial Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Super35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Rotation\u003c\/td\u003e\n\u003ctd\u003e64°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e12mm \/ 16mm \/ 90mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFocal Length: 12mm \/ 16mm \/ 90mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eEF Mount\u003c\/li\u003e\n  \u003cli\u003eLens Cap\u003c\/li\u003e\n  \u003cli\u003eCarrying Case\u003c\/li\u003e\n  \u003cli\u003eWarranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes, via the EF mount with an additional adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it really cover Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. The 46.5mm image circle covers Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional cine primes at an accessible price, with a flexible mount\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-1.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-2.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-3.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-4.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-5.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-6.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-7.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-8.png\" alt=\"DZOFILM Vespid Prime 12\/16\/90mm T2.8 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"12mm","offer_id":47707172929676,"sku":"DZF-VSP-12MM-T28","price":39900.0,"currency_code":"THB","in_stock":true},{"title":"16mm","offer_id":47707172962444,"sku":"DZF-VSP-16MM-T28","price":32900.0,"currency_code":"THB","in_stock":false},{"title":"90mm","offer_id":47707172995212,"sku":"DZF-VSP-90MM-T28","price":29900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-T28-Product-1.png?v=1776396370"},{"product_id":"dzofilm-vespid-prime-12-16-35-50-100mm-5-lens-kit-pl-ef","title":"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Prime Full Frame 5-Lens Kit (12mm, 16mm, 35mm, 50mm, 100mm) PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA 5-lens Full Frame cine prime kit covering every focal range from ultra-wide to telephoto, with PL and EF mount support. Ideal for film and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Focal Range\u003c\/strong\u003e 12mm, 16mm, 35mm, 50mm, 100mm for any type of production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e 46.5mm image circle with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, natural bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Precise focus that works smoothly with follow focus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniform 80mm Front Diameter\u003c\/strong\u003e Swap lenses without readjusting the matte box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightweight and Compact\u003c\/strong\u003e Ideal for gimbal, drone and handheld use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Short Film\u003c\/li\u003e\n  \u003cli\u003eCommercial Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e80mm (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e12mm \/ 16mm \/ 35mm \/ 50mm \/ 100mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e5 lenses: 12mm, 16mm, 35mm, 50mm, 100mm (with front and rear caps)\u003c\/li\u003e\n  \u003cli\u003eEF Mount Adapter (for every lens)\u003c\/li\u003e\n  \u003cli\u003eShockproof hard case with custom-cut foam\u003c\/li\u003e\n  \u003cli\u003eMount-swap tools\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes, via the EF mount with an additional adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDo all the lenses share the same front diameter?\u003c\/strong\u003e\u003cbr\u003eYes. Every lens is 80mm, so there is no need to readjust the matte box when changing lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvery focal range in one case, with a flexible mount\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-1.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-2.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-3.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-4.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-5.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-6.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-7.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-8.png\" alt=\"DZOFILM Vespid Prime 12\/16\/35\/50\/100mm 5-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707173027980,"sku":"DZF-VSP-5KITCASE","price":129000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-5KITCASE-Product-1.png?v=1776396773"},{"product_id":"dzofilm-vespid-prime-16-25-35-50-75-100-125mm-7-lens-kit-pl-ef","title":"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Prime Full Frame 7-Lens Kit (16mm, 25mm, 35mm, 50mm, 75mm, 100mm, 125mm) PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA 7-lens Full Frame cine prime kit covering every focal range from ultra-wide to telephoto, with PL and EF mount support and a shockproof hard case. Ideal for film and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Focal Range\u003c\/strong\u003e 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, 125mm for any type of production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e 46.5mm image circle with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, natural bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Precise focus that works smoothly with follow focus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniform 80mm Front Diameter\u003c\/strong\u003e Swap lenses without readjusting the matte box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightweight and Compact\u003c\/strong\u003e Ideal for gimbal, drone and handheld use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Short Film\u003c\/li\u003e\n  \u003cli\u003eCommercial Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e80mm (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm (T2.8) \/ 25mm \/ 35mm \/ 50mm \/ 75mm \/ 100mm \/ 125mm (T2.1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7 lenses: 16mm (T2.8), 25mm, 35mm, 50mm, 75mm, 100mm, 125mm (T2.1) with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eEF Mount Adapter for every lens\u003c\/li\u003e\n  \u003cli\u003eShockproof hard case with custom-cut foam\u003c\/li\u003e\n  \u003cli\u003eMount-swap tools\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes, via the EF mount with an additional adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDo all the lenses share the same front diameter?\u003c\/strong\u003e\u003cbr\u003eYes. Every lens is 80mm, so there is no need to readjust the matte box when changing lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvery focal range in 7 lenses, with a hard case and a flexible mount\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-1.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-2.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-3.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-4.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-5.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-6.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-7.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-8.png\" alt=\"DZOFILM Vespid Prime 16\/25\/35\/50\/75\/100\/125mm 7-Lens Kit · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707173060748,"sku":"DZF-VSP-7KITCASE","price":159000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-7KITCASE-Product-1.jpg?v=1776397852"},{"product_id":"dzofilm-vespid-prime-t2-1-full-frame-9-lens-kit-pl-ef","title":"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Prime Full Frame 9-Lens Kit (16mm, 25mm, 35mm, 40mm, 50mm, 75mm, 90mm, 100mm, 125mm) PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA 9-lens Full Frame cine prime kit, the most complete in the Vespid series, covering every focal range from ultra-wide to telephoto, with PL and EF mount support and a shockproof hard case. Ideal for film and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThe Most Complete Set in the Series\u003c\/strong\u003e 16mm, 25mm, 35mm, 40mm, 50mm, 75mm, 90mm, 100mm, 125mm to cover every situation\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e 46.5mm image circle with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, natural bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Precise focus that works smoothly with follow focus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniform 80mm Front Diameter\u003c\/strong\u003e Swap lenses without readjusting the matte box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightweight and Compact\u003c\/strong\u003e Ideal for gimbal, drone and handheld use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Short Film\u003c\/li\u003e\n  \u003cli\u003eCommercial Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e80mm (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm (T2.8) \/ 25mm \/ 35mm \/ 40mm \/ 50mm \/ 75mm \/ 90mm \/ 100mm \/ 125mm (T2.1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e9 lenses: 16mm (T2.8), 25mm, 35mm, 40mm, 50mm, 75mm, 90mm, 100mm, 125mm (T2.1) with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eEF Mount Adapter for every lens\u003c\/li\u003e\n  \u003cli\u003eShockproof hard case with custom-cut foam\u003c\/li\u003e\n  \u003cli\u003eMount-swap tools\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eYes, via the EF mount with an additional adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDo all the lenses share the same front diameter?\u003c\/strong\u003e\u003cbr\u003eYes. Every lens is 80mm, so there is no need to readjust the matte box when changing lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 7-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eIt adds the 40mm and 90mm for even more complete focal coverage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe most complete Vespid set: 9 lenses in one case, covering every focal range\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-1.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-2.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-3.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-4.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-5.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-6.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-7.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-Detail-8.png\" alt=\"DZOFILM Vespid Prime 9-Lens Kit T2.1 · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707173093516,"sku":"DZF-VSP-9KITCASE","price":199000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZF-VSP-9KITCASE-Product-1.jpg?v=1776397974"},{"product_id":"dzofilm-vespid-retro-t2-1-7-lens-kit-pl-ef-hard-case","title":"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Vespid Retro T2.1 Full Frame Cinema 7-Lens Kit (16mm, 25mm, 35mm, 50mm, 75mm, 100mm, 125mm) PL \u0026amp; EF Interchangeable Mount + Hard Case\u003c\/h2\u003e\n\u003cp\u003eA complete 7-lens Cine Prime Retro T2.1 kit with a 1970s-inspired design, delivering a cool tone with amber flares (Cool Blue Tone with Amber Flares) for a classic vintage look. Ideal for films, series, commercials, music videos and professional content.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e7 Focal Lengths\u003c\/strong\u003e 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, 125mm cover wide angle to telephoto\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRetro Vintage Look\u003c\/strong\u003e Cool Blue Tone with Amber Flares for a classic look like golden-age cinema lenses\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture, consistent across every focal length, for soft, beautiful bokeh and shallow DOF\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ VistaVision\u003c\/strong\u003e Covers large-format sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine, precise focus adjustment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, lens motors and lens control systems\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePremium Silver Aluminium Body\u003c\/strong\u003e Vintage design inspired by the 1970s\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePremium Hard Case\u003c\/strong\u003e Strong and durable, protecting every lens for safe transport\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilms and series\u003c\/li\u003e\n  \u003cli\u003eMusic Video \/ Advertising \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eVintage-style documentary\u003c\/li\u003e\n  \u003cli\u003eContent that calls for a classic aesthetic\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003ePremium Silver Aluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign Era\u003c\/td\u003e\n\u003ctd\u003e1970s Inspired\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Tone\u003c\/td\u003e\n\u003ctd\u003eCool Blue Tone with Amber Flares\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm \/ 25mm \/ 35mm \/ 50mm \/ 75mm \/ 100mm \/ 125mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e7 lenses: 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, 125mm T2.1 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003ePremium shockproof hard case with custom-cut foam\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the regular Vespid Prime?\u003c\/strong\u003e\u003cbr\u003eThe Vespid Retro delivers a vintage Cool Blue with Amber Flares tone and a 1970s-style silver body design, suited to work that calls for a classic aesthetic.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with follow focus?\u003c\/strong\u003e\u003cbr\u003eYes. Every lens has standard 0.8 MOD gears.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the hard case hold every lens in the kit?\u003c\/strong\u003e\u003cbr\u003eYes. The hard case is designed specifically for this 7-lens kit, with precisely cut foam.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll 7 focal lengths, a vintage Amber Flares look and a hard case — instant style for your film work\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-1.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-2.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-3.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-4.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-5.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-6.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-7.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-8.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-9.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Detail-10.png\" alt=\"DZOFILM Vespid Retro 7-Lens Kit T2.1 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707416854668,"sku":"DZO-VR21B7PLS","price":260000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-VR21B7PLS-Product-1.png?v=1776401278"},{"product_id":"dzofilm-pictor-12-25mm-t2-8-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pictor 12-25mm T2.8 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eAn ultra-wide 12-25mm T2.8 Super35 cine zoom lens from the DZOFILM Pictor series, with a parfocal design, reduced focus breathing, a constant T2.8 aperture throughout the zoom range and a mount interchangeable between PL and EF. Ideal for film and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUltra-Wide Zoom 12-25mm\u003c\/strong\u003e Ultra-wide angle, ideal for landscapes, architecture and action\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.8 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp as you zoom in and out, with no need to refocus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Stable, precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e 31.5mm image circle for professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, rigs and gimbals\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.4m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 2.08X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-1.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-2.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-3.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-4.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-5.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-6.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-7.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-8.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-9.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-10.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-11.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 11\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-12.png\" alt=\"DZOFILM Pictor 12-25mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707427799180,"sku":"DZO-7220004B","price":64000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707427831948,"sku":"DZO-7220004W","price":64000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220004-product-1.png?v=1776402819"},{"product_id":"dzofilm-pictor-14-30mm-t2-8-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pictor 14-30mm T2.8 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA wide 14-30mm T2.8 Super35 cine zoom lens from the DZOFILM Pictor series, with a parfocal design, reduced focus breathing, a constant T2.8 aperture throughout the zoom range and a mount interchangeable between PL and EF. Ideal for film and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Zoom 14-30mm\u003c\/strong\u003e Wide angle, ideal for landscape, architecture, interior and travel work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.8 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp as you zoom in and out, with no need to refocus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Stable, precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e 31.5mm image circle for professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, rigs and gimbals\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.4m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 2.08X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Interior\u003c\/li\u003e\n  \u003cli\u003eTravel \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e14-30mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003eØ31.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.4m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.08X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pictor 12-25mm?\u003c\/strong\u003e\u003cbr\u003eThe zoom range is different. The 14-30mm offers slightly more range at the tele end, but its widest setting is narrower than 12mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide Zoom T2.8 Parfocal — smooth zooming, focus that holds, and coverage for every wide-angle job\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-1.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-2.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-3.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-4.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-5.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-6.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-7.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-8.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-9.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-10.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-11.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 11\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-12.png\" alt=\"DZOFILM Pictor 14-30mm T2.8 · Super 35 MF · Wide Angle · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707427864716,"sku":"DZO-7220003B","price":64000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707427897484,"sku":"DZO-7220003W","price":64000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220003-Product-1.png?v=1776403245"},{"product_id":"dzofilm-pictor-20-55mm-t2-8-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pictor 20-55mm T2.8 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA versatile 20-55mm T2.8 Super35 cine zoom lens from the DZOFILM Pictor series, covering wide angle to normal focal lengths, with a parfocal design, reduced focus breathing and a constant T2.8 aperture throughout the zoom range. Ideal for beginners and professional production alike.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVersatile 20-55mm Zoom\u003c\/strong\u003e Covers wide angle to normal focal lengths, ideal for landscape, travel and portrait work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.8 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp as you zoom in and out, with no need to refocus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Stable, precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e 31.5mm image circle for professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, rigs and gimbals\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.4m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 2.08X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Travel Photography\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eCine beginners\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e20-55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003eØ31.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.4m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.08X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIs it suitable for beginners?\u003c\/strong\u003e\u003cbr\u003eVery much so. The 20-55mm zoom range is highly versatile, and one lens covers many situations.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pictor 14-30mm?\u003c\/strong\u003e\u003cbr\u003eThe 20-55mm offers more range at the tele end, which also makes it suitable for portrait work.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile T2.8 Parfocal Zoom — one lens from wide to portrait\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-1.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-2.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-3.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-4.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-5.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-6.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-7.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-8.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-9.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-10.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-11.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 11\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-12.png\" alt=\"DZOFILM Pictor 20-55mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707427930252,"sku":"DZO-7220002B","price":55000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707427963020,"sku":"DZO-7220002W","price":55000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220002-Product-1.png?v=1776403713"},{"product_id":"dzofilm-pictor-50-125mm-t2-8-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pictor 50-125mm T2.8 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eA 50-125mm T2.8 Super35 cine zoom lens from the DZOFILM Pictor series, covering standard to telephoto focal lengths, with a parfocal design, reduced focus breathing, a constant T2.8 aperture throughout the zoom range and a mount interchangeable between PL and EF. Ideal for portrait, street and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eZoom 50-125mm\u003c\/strong\u003e Covers standard to telephoto focal lengths, ideal for portrait, street and travel work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.8 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure, soft bokeh and beautiful background blur with shallow DOF\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp as you zoom in and out, with no need to refocus\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Stable, precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e 31.5mm image circle for professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swap between PL and EF for maximum flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus, rigs and gimbals\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.4m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 2.08X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eStreet \/ Travel Photography\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Drone \/ Handheld\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50-125mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003eØ31.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.4m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.08X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIs it suitable for portrait work?\u003c\/strong\u003e\u003cbr\u003eVery much so. The 85-125mm range gives beautiful background blur, ideal for portraits and close-ups.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on Full Frame?\u003c\/strong\u003e\u003cbr\u003eIt is designed for Super35\/APS-C. On Full Frame it will vignette.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTelephoto Zoom T2.8 Parfocal — blurred-background portraits and sharp telephoto in one lens\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-1.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-2.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-3.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-4.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-5.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-6.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-7.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-8.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-9.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-10.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 10\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-11.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 11\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-Pictor-Detail-12.png\" alt=\"DZOFILM Pictor 50-125mm T2.8 · Super 35 MF · Portrait · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707427995788,"sku":"DZO-7220001B","price":55000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707428028556,"sku":"DZO-7220001W","price":55000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001-product-1.png?v=1776405938"},{"product_id":"dzofilm-catta-ace-18-35mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 18-35mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 18-35mm T2.9 cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, reduced focus breathing, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Zoom 18-35mm\u003c\/strong\u003e Wide angle, great for scenery, people with background, groups and vlogs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003eGroup shots \/ wide backgrounds\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 18-35mm?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707446968460,"sku":"DZO-FFA1835-BLK","price":102000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA1835-BLK-Product-1.png?v=1776414842"},{"product_id":"dzofilm-catta-ace-35-80mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 35-80mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 35-80mm T2.9 cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for portrait, event and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard Zoom 35-80mm\u003c\/strong\u003e Covers standard wide to medium telephoto, great for portraits, people, events and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ People \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eEvents \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eClose-up \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Film\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 35-80mm?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Standard Zoom T2.9 Parfocal 16 Blades — professional-grade portraits and events\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 9\"\u003e\"","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447033996,"sku":"DZO-FFA3580-BLK","price":76000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA3580-BLK-Product-1.png?v=1776414947"},{"product_id":"dzofilm-catta-ace-18-35mm-35-80mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (18-35mm, 35-80mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 18-35mm and 35-80mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 18-35mm (Wide) and 35-80mm (Standard), covering wide angle to medium telephoto\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Event\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 18-35mm and 35-80mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 35-80mm\/70-135mm kit?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the wide-to-standard range, suited to landscape, architecture and documentary work, while the 35-80\/70-135mm kit leans more toward portrait and telephoto.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Wide + Standard — wide angle to mid-range in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447066764,"sku":"DZO-FFCATTAA1-BUNDLE","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA1-BUNDLE-Product-1.png?v=1776415083"},{"product_id":"dzofilm-catta-ace-35-80mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film, portrait and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 35-80mm (Standard) and 70-135mm (Telephoto), geared toward portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 2-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Standard + Telephoto — professional-grade portraits in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447099532,"sku":"FFCATTAA-BUNDLE","price":98000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/FFCATTAA-BUNDLE-1.png?v=1776415210"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 70-135mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 70-135mm T2.9 telephoto cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for portrait, event and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Zoom 70-135mm\u003c\/strong\u003e Great for portraits, people, events and candids, with beautifully blurred backgrounds\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eFo\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447132300,"sku":"DZO-FFA70135-BLK","price":76000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA70135-BLK-Product-1.png?v=1776415372"},{"product_id":"dzofilm-catta-ace-18-35mm-35-80mm-70-135mm-3-lens-kit-pl-ef","title":"DZOFILM Catta Ace Zoom 18-35\/35-80\/70-135mm 3-Lens Kit T2.9 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 3-Lens Kit (18-35mm, 35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eComplete set of 3 full-frame cine zooms, 18-35mm, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree zoom ranges\u003c\/strong\u003e 18-35mm (Wide), 35-80mm (Standard), 70-135mm (Telephoto), ready for every scene\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Event\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 18-35mm, 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy buy the 3-lens kit instead of buying separately?\u003c\/strong\u003e\u003cbr\u003eYou get the case along with the lenses, and one kit covers every range needed for production work. Better value than buying separately.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 3-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447230604,"sku":"DZO-FFCATTAA3-BUNDLE","price":205000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA3-BUNDLE-Product-1.png?v=1776415504"},{"product_id":"dzofilm-catta-ace-18-35mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (18-35mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 18-35mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 18-35mm (Wide) and 70-135mm (Telephoto), covering wide angle and telephoto in one kit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Event \/ Candid\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 18-35mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy does this kit skip the 35-80mm?\u003c\/strong\u003e\u003cbr\u003eThis kit pairs the wide and telephoto zooms, covering the two most different ranges. It suits work that needs maximum versatility from the fewest lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Wide + Telephoto — covers every situation in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447328908,"sku":"DZO-FFCATTAA2-BUNDLE","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA2-BUNDLE-Product-1.png?v=1776416642"},{"product_id":"dzofilm-pavo-28mm-t2-1-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 28mm T2.1 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x anamorphic Super35 28mm T2.1 lens from DZOFILM's Pavo series for PL and EF mount. Wide angle, great for landscape, street and documentary work. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide 28mm Anamorphic\u003c\/strong\u003e Great for landscape, street, lifestyle, close shots and documentary work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Street\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eFilms with an anamorphic look\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, suited to work that calls for a pronounced anamorphic look, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2x squeeze different from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, longer oval bokeh and more pronounced flares, while 1.5x gives a gentler anamorphic look.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use it on Full Frame?\u003c\/strong\u003e\u003cbr\u003eIt is designed for Super35. On Full Frame there may be vignetting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Wide 28mm T2.1 — cinema-style landscape and street, with flares to match your style\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 28mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707451785356,"sku":"DZO-PA2821PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707451818124,"sku":"DZO-PA2821PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Product-1.png?v=1776418804"},{"product_id":"dzofilm-pavo-32mm-t2-1-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 32mm T2.1 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x anamorphic Super35 32mm T2.1 lens from DZOFILM's Pavo series for PL and EF mount. Wide angle, great for landscape, street and documentary work. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide 32mm Anamorphic\u003c\/strong\u003e Great for landscape, street, lifestyle, close shots and documentary work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Street\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eFilms with an anamorphic look\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e32mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, suited to work that calls for a pronounced anamorphic look, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pavo 28mm?\u003c\/strong\u003e\u003cbr\u003eThe 32mm is slightly less wide than the 28mm, but gives a more natural perspective for street and documentary work.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2x squeeze different from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, longer oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Wide 32mm T2.1 — cinema-style street and documentary, with flares to match your style\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 32mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\"","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452014732,"sku":"DZO-PA3221PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452047500,"sku":"DZO-PA3221PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA3221PLI-product-1.png?v=1776663005"},{"product_id":"dzofilm-pavo-40mm-t2-1-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 40mm T2.1 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x anamorphic Super35 40mm T2.1 lens from DZOFILM's Pavo series for PL and EF mount. A moderately wide angle, great for landscape, street and environmental portraits. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e40mm, a moderately wide angle\u003c\/strong\u003e Great for landscape, street and environmental portraits\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLandscape \/ Street \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n  \u003cli\u003eFilms with an anamorphic look\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e40mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, suited to work that calls for a pronounced anamorphic look, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pavo 32mm?\u003c\/strong\u003e\u003cbr\u003eThe 40mm gives a slightly narrower field of view and is better suited to environmental portraits.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2x squeeze different from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, longer oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic 40mm T2.1 — moderately wide, cinema-style landscape, street and portrait\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 40mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\"","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452080268,"sku":"DZO-PA4021PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452113036,"sku":"DZO-PA4021PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA4021PLI-Product-1.png?v=1776663377"},{"product_id":"dzofilm-pavo-55mm-t2-1-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 55mm T2.1 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x anamorphic Super35 55mm T2.1 lens from DZOFILM's Pavo series for PL and EF mount. A standard focal length with a natural field of view, great for portrait, street and lifestyle work. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e55mm standard focal length\u003c\/strong\u003e Natural field of view, great for portrait, street and lifestyle work with the surroundings in frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Street\u003c\/li\u003e\n  \u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n  \u003cli\u003eFilms with an anamorphic look\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, suited to work that calls for a pronounced anamorphic look, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pavo 40mm?\u003c\/strong\u003e\u003cbr\u003eThe 55mm gives a slightly narrower field of view. It is a standard focal length close to the human eye, better suited to portrait and lifestyle.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2x squeeze different from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, longer oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic 55mm T2.1 — natural standard focal length, cinema-style portrait and lifestyle\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 55mm T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452145804,"sku":"DZO-PA5521PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452178572,"sku":"DZO-PA5521PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA5521PLI-Product-1.png?v=1776663880"},{"product_id":"dzofilm-pavo-65mm-t2-8-2x-macro-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 65mm T2.8 2x Macro Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x macro anamorphic Super35 65mm T2.8 lens from DZOFILM's Pavo series for PL and EF mount. Supports macro shooting with an anamorphic look. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF. Great for close-ups, close shots and documentary work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMacro Anamorphic 65mm\u003c\/strong\u003e Shoot close-ups with an anamorphic look. Great for landscape, street, lifestyle and documentary work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAnamorphic-style macro \/ close-up\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Street \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eMacro Anamorphic\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is Macro Anamorphic different from a regular anamorphic?\u003c\/strong\u003e\u003cbr\u003eMacro Anamorphic focuses closer for close-ups than typical anamorphic lenses, making it suited to product shots and detail shots with an anamorphic look.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pavo 55mm?\u003c\/strong\u003e\u003cbr\u003eThe 65mm adds macro capability, making it better suited to close-ups and detail shots, and its aperture is T2.8 instead of T2.1.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Macro Anamorphic 65mm T2.8 — cinema-style close-ups and detail shots, with flares to match your style\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Macro Anamorphic 65mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452407948,"sku":"DZO-PAM6528PLIB","price":181000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452440716,"sku":"DZO-PAM6528PLIN","price":181000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PAM6528PLI-Product-1.png?v=1776664081"},{"product_id":"dzofilm-pavo-100mm-t2-4-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 100mm T2.4 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003e2x anamorphic Super35 100mm T2.4 lens from DZOFILM's Pavo series for PL and EF mount. A telephoto focal length, great for portrait, close-up and lifestyle work. Available in 2 coatings, Blue and Neutral, with a mount that swaps between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 100mm Anamorphic\u003c\/strong\u003e Great for portrait, close-up, lifestyle and long-distance documentary work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true wide-screen cinema look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.4\u003c\/strong\u003e Wide aperture for low light, beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for an unmistakable cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares with no color shift, suited to work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Close-up \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Wildlife \/ Event\u003c\/li\u003e\n  \u003cli\u003eFilms with an anamorphic look\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ Advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e100mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pavo 65mm?\u003c\/strong\u003e\u003cbr\u003eThe 100mm is a telephoto with more beautiful background blur, suited to portraits and close-ups from farther away, and it has no macro mode.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2x squeeze different from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, longer oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Telephoto 100mm T2.4 — portraits and close-ups, beautiful background blur, oval anamorphic bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 100mm T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452473484,"sku":"DZO-PA10021PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452506252,"sku":"DZO-PA10021PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA10021PLI-Product-1.png?v=1776664839"},{"product_id":"dzofilm-pavo-135mm-t2-5-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 135mm T2.5 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 135mm T2.5 lens from DZOFILM for PL and EF mounts. A long telephoto focal length suited to portraits with beautiful background blur, wildlife and close-ups from a distance. Available in 2 coatings, Blue and Neutral, with a mount interchangeable between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 135mm Anamorphic\u003c\/strong\u003e A long focal length suited to portraits with background blur, wildlife, events and close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.5\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortraits \/ cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ Event \/ Sport\u003c\/li\u003e\n  \u003cli\u003eTelephoto close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the Pavo 100mm?\u003c\/strong\u003e\u003cbr\u003eThe 135mm gives a longer telephoto reach and more beautiful background blur, suited to work that needs to be shot from farther away.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Telephoto 135mm T2.5 — portraits with background blur, wildlife and gorgeous oval anamorphic bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 135mm T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452539020,"sku":"DZO-PA13525PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452571788,"sku":"DZO-PA13525PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA13525PLI-Product-1.png?v=1776664709"},{"product_id":"dzofilm-pavo-180mm-t2-8-2x-anamorphic-cine-lens-pl-ef-mount","title":"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 180mm T2.8 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 180mm T2.8 lens from DZOFILM for PL and EF mounts. The longest telephoto focal length in the series, suited to wildlife, sports, portraits with maximum background blur and close-ups from a distance. Available in 2 coatings, Blue and Neutral, with a mount interchangeable between PL and EF.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto 180mm Anamorphic\u003c\/strong\u003e The longest focal length in the series, suited to wildlife, sports, portraits with maximum background blur and close-ups from a distance\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eWildlife \/ sports \/ events from a distance\u003c\/li\u003e\n  \u003cli\u003ePortraits with maximum cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eHighly detailed telephoto close-ups\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the Pavo 135mm?\u003c\/strong\u003e\u003cbr\u003eThe 180mm gives a longer telephoto reach, suited to wildlife and sports that need to be shot from farther away, with more beautiful background blur.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x Anamorphic Telephoto 180mm T2.8 — wildlife, sports and portraits at the longest reach, with oval anamorphic bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 180mm T2.8 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452801164,"sku":"DZO-PA18028PLIB","price":145000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452833932,"sku":"DZO-PA18028PLIN","price":145000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA18028PLI-Product-1.png?v=1776674715"},{"product_id":"dzofilm-pavo-a-28-40-75mm-t2-1-2x-anamorphic-3-lens-kit-pl-ef","title":"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo A Set 3-Lens Kit (28mm, 40mm, 75mm) T2.1 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 3-lens set from DZOFILM, 28mm, 40mm and 75mm T2.1, for PL and EF mounts. Covers wide-angle, standard and medium telephoto focal lengths. Available in 2 coatings, Blue and Neutral, and ideal for filmmaking and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3 Anamorphic Focal Lengths\u003c\/strong\u003e 28mm (Wide), 40mm (Standard), 75mm (Telephoto) to cover every scene in filmmaking\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAnamorphic-look filmmaking for every scene\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Street \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eCinema-style portraits \/ close-ups\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e28mm \/ 40mm \/ 75mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 28mm, 40mm and 75mm T2.1 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy choose the A Set?\u003c\/strong\u003e\u003cbr\u003e28mm, 40mm and 75mm are popular focal lengths that cover every scene: wide, standard and portrait in one set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePavo A Set 2x Anamorphic, 3 focal lengths at T2.1 — wide, standard and portrait for every scene, cinema style\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo A 2x Anamorphic 28mm + 40mm + 75mm 3-Lens Kit T2.1 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452899468,"sku":"DZO-PAA3PLIB","price":369000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452932236,"sku":"DZO-PAA3PLIN","price":369000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PAA3PLIB.png?v=1776675238"},{"product_id":"dzofilm-pavo-b-32-55-100mm-2x-anamorphic-3-lens-kit-pl-ef","title":"DZOFILM Pavo B 2x Anamorphic 32\/55\/100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo B Set 3-Lens Kit (32mm, 55mm, 100mm) T2.1-T2.4 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 3-lens set from DZOFILM, 32mm, 55mm and 100mm T2.1-T2.4, for PL and EF mounts. Covers wide-angle, standard and medium telephoto focal lengths. Available in 2 coatings, Blue and Neutral, and ideal for filmmaking and professional production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3 Anamorphic Focal Lengths\u003c\/strong\u003e 32mm (Wide), 55mm (Standard), 100mm (Telephoto) to cover every scene in filmmaking\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1-T2.4\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAnamorphic-look filmmaking for every scene\u003c\/li\u003e\n  \u003cli\u003eStreet \/ Lifestyle \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eCinema-style portraits \/ close-ups\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e32mm \/ 55mm \/ 100mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (32mm, 55mm) \/ T2.4 (100mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 32mm, 55mm and 100mm with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the Pavo A Set?\u003c\/strong\u003e\u003cbr\u003eThe B Set uses 32mm, 55mm and 100mm, giving a different perspective from the A Set (28mm, 40mm, 75mm) and suiting street and documentary work better.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePavo B Set 2x Anamorphic, 3 focal lengths at T2.1-T2.4 — wide, standard and telephoto for every scene, cinema style\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo B 2x Anamorphic 32mm + 55mm + 100mm 3-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707452965004,"sku":"DZO-PAB3PLIB","price":369000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707452997772,"sku":"DZO-PAB3PLIN","price":369000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PAB3PLIB.png?v=1776675380"},{"product_id":"dzofilm-pavo-2x-anamorphic-6-lens-kit-pl-ef","title":"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 6-Lens Kit (28mm, 32mm, 40mm, 55mm, 75mm, 100mm) T2.1-T2.4 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 complete 6-lens set from DZOFILM, 28mm, 32mm, 40mm, 55mm, 75mm and 100mm T2.1-T2.4, for PL and EF mounts. Covers every focal range from wide-angle to medium telephoto. Available in 2 coatings, Blue and Neutral, and ideal for filmmaking and professional-grade production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 Anamorphic Focal Lengths\u003c\/strong\u003e 28mm, 32mm, 40mm, 55mm, 75mm, 100mm to cover every scene in filmmaking\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1-T2.4\u003c\/strong\u003e Wide aperture for low light, with high sharpness even in dim conditions\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAnamorphic-look filmmaking for every scene\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Street \/ Lifestyle \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eCinema-style portraits \/ close-ups\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e28mm \/ 32mm \/ 40mm \/ 55mm \/ 75mm \/ 100mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (28mm, 32mm, 40mm, 55mm, 75mm) \/ T2.4 (100mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e6 lenses: 28mm, 32mm, 40mm, 55mm, 75mm and 100mm with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does it differ from the A Set and B Set?\u003c\/strong\u003e\u003cbr\u003eThis 6-lens set combines the A Set (28, 40, 75mm) and the B Set (32, 55, 100mm), giving every focal length in one set. Ideal for large productions that need maximum flexibility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does 2x squeeze differ from 1.5x?\u003c\/strong\u003e\u003cbr\u003e2x squeezes the image more, giving a wider image, more elongated oval bokeh and more pronounced flares.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePavo 6-Lens Kit 2x Anamorphic, every focal length at T2.1-T2.4 — a complete cinema-grade production set\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 6-Lens Kit T2.1-T2.4 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707453030540,"sku":"DZO-PA6PLIB","price":716000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707453063308,"sku":"DZO-PA6PLIN","price":716000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA6PLI-product-1.png?v=1776675604"},{"product_id":"dzofilm-pavo-65-135-180mm-2x-anamorphic-3-lens-kit-pl-ef","title":"DZOFILM Pavo 2x Anamorphic 65\/135\/180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Pavo 3-Lens Kit (65mm, 135mm, 180mm) T2.8-T2.5 2x Anamorphic Cine Lens PL \u0026amp; EF Interchangeable Mount (Feet)\u003c\/h2\u003e\n\u003cp\u003ePavo 2x anamorphic Super35 3-lens set from DZOFILM, 65mm (Macro), 135mm and 180mm, for PL and EF mounts. Focused on telephoto and macro close-up work. Available in 2 coatings, Blue and Neutral, and ideal for filmmaking and professional-grade production.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3 Telephoto Focal Lengths\u003c\/strong\u003e 65mm (Macro), 135mm and 180mm, focused on close-ups, portraits with background blur and wildlife\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e65mm Macro Anamorphic\u003c\/strong\u003e Shoot highly detailed close-ups in anamorphic style\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2x Anamorphic Squeeze\u003c\/strong\u003e Delivers a 2.39:1 widescreen image with a true cinematic widescreen look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.8-T2.5\u003c\/strong\u003e Wide aperture for low light, with beautiful background blur and oval anamorphic bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBlue Coating\u003c\/strong\u003e Classic blue anamorphic flares for a distinctly cinematic look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeutral Coating\u003c\/strong\u003e Natural flares and accurate color, ideal for work that needs precise color control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Supports professional cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFeet Scale\u003c\/strong\u003e Suited to American \/ Hollywood-style crews\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHighly detailed macro \/ close-ups\u003c\/li\u003e\n  \u003cli\u003ePortraits with cinema-grade background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ sports from a distance\u003c\/li\u003e\n  \u003cli\u003eCommercials \/ music videos \/ advertising\u003c\/li\u003e\n  \u003cli\u003eAnamorphic-look filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65mm \/ 135mm \/ 180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 (65mm, 180mm) \/ T2.5 (135mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAnamorphic Ratio\u003c\/td\u003e\n\u003ctd\u003e2x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAspect Ratio\u003c\/td\u003e\n\u003ctd\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Type\u003c\/td\u003e\n\u003ctd\u003eMacro (65mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating Options\u003c\/td\u003e\n\u003ctd\u003eBlue Coating \/ Neutral Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eFeet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCoating: Blue Coating \/ Neutral Coating\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 65mm, 135mm and 180mm with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy does this set start at 65mm?\u003c\/strong\u003e\u003cbr\u003eThis set is designed specifically for telephoto and macro. The 65mm Macro suits close-ups, while the 135mm and 180mm suit portraits and wildlife from a distance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the difference between Blue Coating and Neutral Coating?\u003c\/strong\u003e\u003cbr\u003eBlue Coating gives classic blue anamorphic flares, while Neutral Coating gives natural flares, suited to work that needs precise color control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used together with the A Set or B Set?\u003c\/strong\u003e\u003cbr\u003eYes. The coating and image character match well within the same series.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed to be easily swapped between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more anamorphic lenses → \u003ca href=\"\/en-th\/collections\/anamorphic-lenses\"\u003eAnamorphic Lenses\u003c\/a\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-1.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-2.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-3.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-4.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-5.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-6.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PA2821PLI-Detail-7.png\" alt=\"DZOFILM Pavo 2x Anamorphic 65mm + 135mm + 180mm 3-Lens Kit T2.8-T2.5 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Blue Coating","offer_id":47707453096076,"sku":"DZO-PAVO-65135180-PLIB","price":424000.0,"currency_code":"THB","in_stock":false},{"title":"Neutral Coating","offer_id":47707453128844,"sku":"DZO-PAVO-65135180-PLIN","price":424000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-PAVO-65135180-PLIB.png?v=1776676475"},{"product_id":"dzofilm-tango-18-90mm-t2-9-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Tango 18-90mm T2.9 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount (Imperial\/Metric)\u003c\/h2\u003e\n\u003cp\u003eSuper35 18-90mm T2.9 Cine Zoom lens from the DZOFILM Tango series for PL and EF Mount. Covers wide angle to Telephoto in a single lens, with Parfocal Design, Minimal Focus Breathing, 16 Iris Blades, Dual-Sided luminous scales and MOVCAM Servo Unit support. Ideal for professional filmmaking and Production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide-to-Telephoto Zoom 18-90mm\u003c\/strong\u003e Covers wide, standard and Telephoto in a single lens, so you can reframe quickly without swapping lenses\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Compatible with S35 Cine cameras and EF Mount DSLR \/ Mirrorless cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 throughout the zoom range\u003c\/strong\u003e Consistent exposure with brightness control at every focal length\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, cinema-grade bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds while zooming in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimal Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLuminous + Dual-Sided scales\u003c\/strong\u003e Easy to read even in low light and convenient from either side\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Standard Focus \/ Iris \/ Zoom gears\u003c\/strong\u003e Works with Follow Focus and Rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMOVCAM Servo Unit support\u003c\/strong\u003e Can be used ENG-style\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Switches between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eImperial \/ Metric scale\u003c\/strong\u003e Usable by any crew worldwide\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm work that needs Wide-to-Telephoto in a single lens\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ non-fiction \/ ENG\u003c\/li\u003e\n  \u003cli\u003eCommercial \/ MV \/ advertising\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n  \u003cli\u003eBroadcast \/ TV programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-90mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal \/ Minimal Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminous \/ Dual-Sided \/ Imperial \/ Metric\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear\u003c\/td\u003e\n\u003ctd\u003eFocus \/ Iris \/ Zoom Cine Standard\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eServo Support\u003c\/td\u003e\n\u003ctd\u003eMOVCAM Servo Unit (optional accessory)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFocus Scale: Imperial (Feet) \/ Metric (Meters)\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Tango 65-280mm?\u003c\/strong\u003e\u003cbr\u003eThe 18-90mm covers wide angle to Standard, suited to Documentary and Run-and-Gun work that needs Wide Shots. The 65-280mm focuses on Telephoto, suited to Wildlife and Sport.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it support the MOVCAM Servo Unit?\u003c\/strong\u003e\u003cbr\u003eYes. A MOVCAM Servo Unit can be mounted for convenient ENG-style use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the Mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy switching between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTango Wide-to-Telephoto 18-90mm T2.9 Parfocal — covers every angle for Documentary, ENG and professional cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-1.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-2.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-3.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-4.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-5.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-6.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-7.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-8.png\" alt=\"DZOFILM Tango 18-90mm T2.9 · Super 35 MF · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"Metric","offer_id":47707460632716,"sku":"DZO-T189029M","price":283000.0,"currency_code":"THB","in_stock":false},{"title":"Imperial","offer_id":47707460665484,"sku":"DZO-T189029I","price":283000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Product-1.png?v=1776749825"},{"product_id":"dzofilm-tango-65-280mm-t2-9-s35-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Tango 65-280mm T2.9 Super35 Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount (Imperial\/Metric)\u003c\/h2\u003e\n\u003cp\u003eSuper35 65-280mm T2.9 Telephoto Cine Zoom lens from the DZOFILM Tango series for PL and EF Mount. Covers medium to long Telephoto, with Parfocal Design, Minimal Focus Breathing, 16 Iris Blades, Dual-Sided luminous scales and MOVCAM Servo Unit support. Ideal for professional filmmaking and Production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Zoom 65-280mm\u003c\/strong\u003e Covers medium to long Telephoto, ideal for Portrait, sports, wildlife, TV programs, documentaries and commercials\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper35\u003c\/strong\u003e Compatible with S35 Cine cameras and EF Mount DSLR \/ Mirrorless cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Fast aperture with beautiful bokeh and good Depth of Field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth, cinema-grade bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds while zooming in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimal Focus Breathing\u003c\/strong\u003e Precise focus, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLuminous + Dual-Sided scales\u003c\/strong\u003e Easy to read even in low light and convenient from either side\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Works with Follow Focus and Rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMOVCAM Servo Unit support\u003c\/strong\u003e Can be used ENG-style\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Switches between PL and EF for high flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eImperial \/ Metric scale\u003c\/strong\u003e Usable by any crew worldwide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium Alloy body\u003c\/strong\u003e Strong and durable, suited to heavy Production use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Fashion \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eSports \/ Wildlife \/ Events from a distance\u003c\/li\u003e\n  \u003cli\u003eTV programs \/ non-fiction \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eENG \/ Broadcast Production\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65-280mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 – T4\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eSuper35\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal \/ Minimal Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminous \/ Dual-Sided \/ Imperial \/ Metric\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eServo Support\u003c\/td\u003e\n\u003ctd\u003eMOVCAM Servo Unit (optional accessory)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFocus Scale: Imperial (Feet) \/ Metric (Meters)\u003c\/li\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is the Tango different from the Pictor or Catta?\u003c\/strong\u003e\u003cbr\u003eThe Tango focuses on long Telephoto. The 65-280mm suits work that needs reach, such as sports, Wildlife and ENG, while the Pictor and Catta focus on the Wide to Standard range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it support the MOVCAM Servo Unit?\u003c\/strong\u003e\u003cbr\u003eYes. A MOVCAM Servo Unit can be mounted for convenient ENG-style use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the Mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy switching between PL and EF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTango Telephoto Zoom 65-280mm T2.9 Parfocal — Portrait, sports, Wildlife and ENG at a professional cinema level\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-1.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-2.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-3.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-4.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-5.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-6.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-7.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T189029-Detail-8.png\" alt=\"DZOFILM Tango 65-280mm T2.9 · Super 35 MF · Telephoto · PL \u0026amp; EF – product detail image 8\"\u003e","brand":"DZOFILM","offers":[{"title":"Metric","offer_id":47707460698252,"sku":"DZO-T6528029M","price":362000.0,"currency_code":"THB","in_stock":false},{"title":"Imperial","offer_id":47707460731020,"sku":"DZO-T6528029I","price":362000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-T6528029-Product-1.png?v=1776750245"},{"product_id":"ttartisan-11mm-f2-8-full-frame-fisheye-manual-focus-lens","title":"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eTTArtisan 11mm F2.8 Full Frame Fisheye Manual Focus Lens (Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Nikon F \/ Canon EF Mount)\u003c\/h2\u003e\n\u003cp\u003eThe TTArtisan 11mm F2.8 is a full-frame fisheye lens with an ultra-wide 180° view, a bright F2.8 aperture, manual focus and an all-metal body. Available in both mirrorless and SLR mounts, weighing 439-600g. Ideal for landscapes, astrophotography and creative work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFisheye Full Frame 11mm 180°\u003c\/strong\u003e An extreme wide view, great for landscape, architecture, interior and creative work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBright F2.8\u003c\/strong\u003e Performs well in low light, ideal for astrophotography, starry skies and the Milky Way\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus\u003c\/strong\u003e Full control over focus, precise for astrophotography\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptical Design (Mirrorless\/M)\u003c\/strong\u003e 11 Elements \/ 7 Groups, 7 Iris Blades, Min Focus 0.17m\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptical Design (SLR Mount)\u003c\/strong\u003e 12 Elements \/ 10 Groups, 10 Iris Blades, Min Focus 0.25m\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll-Metal Body\u003c\/strong\u003e Strong, durable, with a premium feel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight 439-600g\u003c\/strong\u003e Depending on mount\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 6 Mounts\u003c\/strong\u003e Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Nikon F \/ Canon EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eAstrophotography \/ Star Photography \/ Milky Way\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Interior\u003c\/li\u003e\n  \u003cli\u003eNightscape \/ Night Photography\u003c\/li\u003e\n  \u003cli\u003eCreative Projects \/ Creative Photography\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e11mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Aperture\u003c\/td\u003e\n\u003ctd\u003eF2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eFisheye\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eField of View\u003c\/td\u003e\n\u003ctd\u003e180°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design (Mirrorless\/M)\u003c\/td\u003e\n\u003ctd\u003e11 Elements \/ 7 Groups \/ 7 Iris Blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design (SLR)\u003c\/td\u003e\n\u003ctd\u003e12 Elements \/ 10 Groups \/ 10 Iris Blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus (Mirrorless\/M)\u003c\/td\u003e\n\u003ctd\u003e0.17m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus (SLR)\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~439-600g\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAll-Metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Nikon F \/ Canon EF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Nikon F \/ Canon EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eLens cleaning cloth\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Silver version?\u003c\/strong\u003e\u003cbr\u003eThis is the standard black body. The Silver version has a retro silver design and supports the same mounts.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow do the mirrorless and SLR mount versions differ optically?\u003c\/strong\u003e\u003cbr\u003eMirrorless mounts (Sony E, Nikon Z, Canon RF, Leica L) use 11 Elements 7 Groups with 0.17m Min Focus, while SLR mounts (Nikon F, Canon EF) use 12 Elements 10 Groups with 0.25m Min Focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIs it good for astrophotography?\u003c\/strong\u003e\u003cbr\u003eVery much so. The bright F2.8 aperture and 180° view capture a wide swath of sky, ideal for the Milky Way and stars.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with full-frame cameras?\u003c\/strong\u003e\u003cbr\u003eYes, it is designed specifically for full frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Special lenses → \u003ca href=\"\/en-th\/collections\/ttartisan\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e11mm F2.8 Full Frame Fisheye 180° — Astrophotography Nightscape Landscape in 6 Mounts for Mirrorless and SLR\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-1.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-2.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-3.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-4.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-5.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-6.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Detail-7.jpg\" alt=\"TTArtisan Fisheye 11mm F2.8 · Full Frame MF · 6 Mounts – Product detail image 7\"\u003e","brand":"TTArtisan","offers":[{"title":"Sony E","offer_id":47784632909964,"sku":"TTMF11MM-F2.8E","price":7690.0,"currency_code":"THB","in_stock":true},{"title":"Nikon Z","offer_id":47784632942732,"sku":"TTMF11MM-F2.8Z","price":7690.0,"currency_code":"THB","in_stock":true},{"title":"Canon RF","offer_id":47784632975500,"sku":"TTMF11MM-F2.8RF","price":7690.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":47784633008268,"sku":"TTMF11MM-F2.8L","price":7690.0,"currency_code":"THB","in_stock":true},{"title":"Nikon F","offer_id":47784633041036,"sku":"TTMF11MM-F2.8F","price":7690.0,"currency_code":"THB","in_stock":true},{"title":"Canon EF","offer_id":47784633073804,"sku":"TTMF11MM-F2.8EF","price":7690.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TTMF11MM-F2.8-Product-1.jpg?v=1788790006"},{"product_id":"ttartisan-100mm-f2-8-macro-2x-manual-focus-lens","title":"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eTTArtisan 100mm F2.8 Macro 2X Manual Focus Lens (Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Fuji GFX Mount)\u003c\/h2\u003e\n\u003cp\u003eThe TTArtisan 100mm F2.8 Macro 2X is a manual focus lens with up to 2x magnification, getting closer than typical 1:1 macro lenses. It features a 14-element, 11-group multi-coated design, a sturdy metal body and 8 mount options. Ideal for macro close-ups with maximum detail.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMacro 2X Magnification\u003c\/strong\u003e Up to 2x magnification gets closer than typical 1:1 macro lenses, ideal for small creatures and fine object detail\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Macro 100mm F2.8\u003c\/strong\u003e A telephoto focal length for macro work from a safe distance without disturbing the subject\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBright F2.8\u003c\/strong\u003e Good in low light, with soft, beautiful bokeh that makes the subject stand out\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e14 Elements \/ 11 Groups\u003c\/strong\u003e Multi-coated to reduce reflections and flare for sharp images with true-to-life color\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus\u003c\/strong\u003e Smooth, precise focus ring for detailed macro work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-Quality Metal Body\u003c\/strong\u003e Strong and durable for real-world use\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 8 Mounts\u003c\/strong\u003e Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Fuji GFX\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMacro \/ Close-up — Insects, Flowers, Small Objects, Textures\u003c\/li\u003e\n  \u003cli\u003eProduct Shot \/ Food Photography\u003c\/li\u003e\n  \u003cli\u003eScientific \/ Nature Photography\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Telephoto Shot\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e100mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Aperture\u003c\/td\u003e\n\u003ctd\u003eF2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eMacro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design\u003c\/td\u003e\n\u003ctd\u003e14 Elements \/ 11 Groups (Multi-Coated)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAll-Metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Fuji GFX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: Sony E \/ Nikon Z \/ Canon RF \/ Leica L \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Fuji GFX\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer's warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 2X magnification different from 1:1?\u003c\/strong\u003e\u003cbr\u003e2X means the subject is projected onto the sensor at twice its actual size, closer than typical 1:1 macro lenses, ideal when you need maximum detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy 100mm for macro?\u003c\/strong\u003e\u003cbr\u003e100mm lets you shoot macro from a safe working distance without getting too close to the subject, ideal for insects and other easily disturbed creatures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. It supports Full Frame, APS-C and Medium Format (Fuji GFX), depending on the mount you choose.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDo I need a macro flash?\u003c\/strong\u003e\u003cbr\u003eNot required, but recommended for very close macro work where light may be insufficient. A ring flash or twin flash helps a lot.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eExplore more Macro lenses → \u003ca href=\"\/en-th\/collections\/ttartisan\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100mm F2.8 Macro 2X — 2x magnification, maximum close-up detail, available in 8 mounts across all major systems\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Detail-1.jpg\" alt=\"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Detail-2.jpg\" alt=\"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Detail-3.jpg\" alt=\"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Detail-4.jpg\" alt=\"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Detail-5.jpg\" alt=\"TTArtisan Macro 2X 100mm F2.8 · Full Frame MF – Product detail image 5\"\u003e","brand":"TTArtisan","offers":[{"title":"Sony E","offer_id":47836055896204,"sku":"TT-MC2X-MF100MM-F28E","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":47836055928972,"sku":"TT-MC2X-MF100MM-F28Z","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":47836055961740,"sku":"TT-MC2X-MF100MM-F28R","price":11090.0,"currency_code":"THB","in_stock":true},{"title":"Leica L","offer_id":47836055994508,"sku":"TT-MC2X-MF100MM-F28L","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":47836056027276,"sku":"TT-MC2X-MF100MM-F28X","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Nikon F","offer_id":47836056060044,"sku":"TT-MC2X-MF100MM-F28F","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":47836056092812,"sku":"TT-MC2X-MF100MM-F28EF","price":11090.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX","offer_id":47836056125580,"sku":"TT-MC2X-MF100MM-F28GFX","price":11090.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MC2X-MF100MM-F28-Product-1.png?v=1777089787"},{"product_id":"ttartisan-500mm-f6-3-super-telephoto-manual-focus-lens","title":"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eTTArtisan 500mm F6.3 Super Telephoto Manual Focus Lens (Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F Mount)\u003c\/h2\u003e\n\u003cp\u003eThe TTArtisan 500mm F6.3 is a manual focus super telephoto lens with an 8-element, 5-group optical design, multi-layer coating and 12 iris blades. It comes with a tripod collar, supports follow focus and has an all-metal body, available in 8 mounts. Ideal for wildlife, birds, sports and moon photography.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSuper Telephoto 500mm F6.3\u003c\/strong\u003e Extra-long reach for wildlife, bird watching, sports and moon photography\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8 Elements \/ 5 Groups\u003c\/strong\u003e Optical design for sharp images and reduced chromatic aberration\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Layer Coating\u003c\/strong\u003e Reduces reflections, flare and ghosting for clearer images\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e12 Iris Blades\u003c\/strong\u003e Smooth, beautifully rounded bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTripod Collar\u003c\/strong\u003e Balances the lens weight when used on a tripod\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFollow Focus Compatible\u003c\/strong\u003e Works with follow focus systems for video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus\u003c\/strong\u003e Large, smooth focus ring for fine, precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll-Metal Body\u003c\/strong\u003e Strong and durable for heavy use\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 8 Mounts\u003c\/strong\u003e Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eWildlife \/ Bird Watching \/ Long-distance wildlife photography\u003c\/li\u003e\n  \u003cli\u003eSports \/ Event Telephoto\u003c\/li\u003e\n  \u003cli\u003eAstrophotography \/ Moon photography\u003c\/li\u003e\n  \u003cli\u003eVideo Production \/ Follow Focus\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e500mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eF6.3 – F22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical Design\u003c\/td\u003e\n\u003ctd\u003e8 Elements \/ 5 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Layer Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eTripod Collar\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFollow Focus\u003c\/td\u003e\n\u003ctd\u003eCompatible\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAll-Metal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: Sony E \/ Canon RF \/ Nikon Z \/ Leica L \/ Fujifilm X \/ Fuji GFX \/ Canon EF \/ Nikon F\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eTripod Collar\u003c\/li\u003e\n  \u003cli\u003eManufacturer's warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is 500mm best for?\u003c\/strong\u003e\u003cbr\u003eWildlife, bird watching, sports and moon photography. The 500mm reach lets you shoot from far away without disturbing the subject.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIs the tripod collar necessary?\u003c\/strong\u003e\u003cbr\u003eRecommended. Long telephoto lenses are heavy, and the tripod collar balances the weight and reduces stress on the camera mount.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Fuji GFX medium format?\u003c\/strong\u003e\u003cbr\u003eYes. A Fuji GFX mount version is available for Fujifilm GFX Series medium format cameras.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it support follow focus?\u003c\/strong\u003e\u003cbr\u003eYes. It works with follow focus systems for video.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eExplore more Telephoto lenses → \u003ca href=\"\/en-th\/collections\/ttartisan\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e500mm F6.3 Super Telephoto — Wildlife, birds, sports, the moon; 8 mounts, tripod collar, follow focus\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Detail-1.jpg\" alt=\"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Detail-2.jpg\" alt=\"TTArtisan Super Telephoto 500mm F6.3 · Full Frame MF – Product detail image 2\"\u003e","brand":"TTArtisan","offers":[{"title":"Sony E","offer_id":47836921462924,"sku":"TT-MF500MM-F6.3E","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":47836921495692,"sku":"TT-MF500MM-F6.3Z","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":47836921528460,"sku":"TT-MF500MM-F6.3RF","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":47836921561228,"sku":"TT-MF500MM-F6.3L","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":47836921593996,"sku":"TT-MF500MM-F6.3X","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon F","offer_id":47836921626764,"sku":"TT-MF500MM-F6.3F","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":47836921659532,"sku":"TT-MF500MM-F6.3EF","price":11990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX","offer_id":47836921692300,"sku":"TT-MF500MM-F6.3GFX","price":11990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TT-MF500MM-F6.3-Product-1.jpg?v=1777090873"},{"product_id":"meike-16mm-t2-5-fullframe-prime-cinema-lens","title":"Meike Prime 16mm T2.5 · Full Frame MF · Wide Angle","description":"\u003ch2\u003eMeike 16mm T2.5 Full Frame Prime Cinema Lens — Cinematic Wide Angle in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 16mm T2.5 is a premium Full Frame cinema lens designed for serious filmmaking and video production. \n  With 8K-level image quality, a T2.5 aperture and all-metal construction, this lens delivers professional performance \n  at an accessible price. Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality, sharp and clear for every type of shoot\u003c\/li\u003e\n  \u003cli\u003e16mm wide field of view, ideal for landscapes, architecture and film\u003c\/li\u003e\n  \u003cli\u003eT2.5–T22 aperture, bright even in low light with soft, dimensional bokeh\u003c\/li\u003e\n  \u003cli\u003eNano Multi-Coating effectively reduces ghosting and flare\u003c\/li\u003e\n  \u003cli\u003eMinimal to no breathing effect, ideal for focus pulls on set\u003c\/li\u003e\n  \u003cli\u003eNear-zero distortion, preventing warped images and soft edges\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise focus control\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eDual Metric\/Imperial focus scales with luminous markings for low light\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who need a cinema-grade wide angle\u003c\/li\u003e\n  \u003cli\u003eDocumentary, short film and commercial production\u003c\/li\u003e\n  \u003cli\u003eInterviews that call for shallow depth of field and a soft look\u003c\/li\u003e\n  \u003cli\u003eLandscape and architecture shooters who want 8K-level sharpness\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e16 elements in 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e25 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ86mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e812–890g (depending on mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 16mm T2.5 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 24mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 86mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How minimal is the breathing?\u003c\/strong\u003e\u003cbr\u003e\n      A: Breathing is minimal to virtually nonexistent, ideal for professional focus pulling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 16mm T2.5 — Full Frame Wide Angle in 8K Quality for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-16MM-T2.5-Detail-1.png\" alt=\"Meike Prime 16mm T2.5 · Full Frame MF · Wide Angle – product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256751173772,"sku":"MK-FFPCM-16MM-T2.5-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256751206540,"sku":"MK-FFPCM-16MM-T2.5-PRF","price":29900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256751239308,"sku":"MK-FFPCM-16MM-T2.5-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399553540236,"sku":"MK-FFPCM-16MM-T2.5-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399553573004,"sku":"MK-FFPCM-16MM-T2.5-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-16MM-T2.5-Product-1.jpg?v=1777436193"},{"product_id":"meike-35mm-t2-1-fullframe-prime-cinema-lens","title":"Meike Prime 35mm T2.1 · Full Frame MF · Wide Angle","description":"\u003ch2\u003eMeike 35mm T2.1 Full Frame Prime Cinema Lens — Cinematic Standard in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 35mm T2.1 is a premium Full Frame cinema lens designed for serious filmmaking and video production. \n  The 35mm focal length is the closest to human vision, making it ideal for people, commercials and film. \n  It offers 8K-level image quality, a T2.1 aperture and all-metal construction. Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality, sharp and clear for every type of shoot\u003c\/li\u003e\n  \u003cli\u003e35mm standard field of view, ideal for people, film, commercials and production\u003c\/li\u003e\n  \u003cli\u003eT2.1–T22 aperture, bright even in low light with soft, dimensional bokeh\u003c\/li\u003e\n  \u003cli\u003eNano Multi-Coating effectively reduces ghosting and flare\u003c\/li\u003e\n  \u003cli\u003eMinimal to no breathing effect, ideal for focus pulls on set\u003c\/li\u003e\n  \u003cli\u003eNear-zero distortion, preventing warped images and soft edges\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise focus control\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eDual Metric\/Imperial focus scales with luminous markings for low light\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who need a cinema-grade 35mm standard focal length\u003c\/li\u003e\n  \u003cli\u003eCommercial, short film and narrative production\u003c\/li\u003e\n  \u003cli\u003ePeople and portrait work that calls for soft bokeh\u003c\/li\u003e\n  \u003cli\u003eDocumentary and street films that need a natural perspective\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e14 elements in 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e33 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1108–1182g (depending on mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 35mm T2.1 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 52mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 82mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How minimal is the breathing?\u003c\/strong\u003e\u003cbr\u003e\n      A: Breathing is minimal to virtually nonexistent, ideal for professional focus pulling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 35mm T2.1 — Full Frame Standard in 8K Quality for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-35MM-T2.1-Detail-1.png\" alt=\"Meike Prime 35mm T2.1 · Full Frame MF · Wide Angle – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-35MM-T2.1-Detail-2.png\" alt=\"Meike Prime 35mm T2.1 · Full Frame MF · Wide Angle – product detail image 2\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256755728524,"sku":"MK-FFPCM-35MM-T2.1-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256755761292,"sku":"MK-FFPCM-35MM-T2.1-RF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256755794060,"sku":"MK-FFPCM-35MM-T2.1-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554162828,"sku":"MK-FFPCM-35MM-T2.1-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554195596,"sku":"MK-FFPCM-35MM-T2.1-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-35MM-T2.1-Product-1.jpg?v=1777436885"},{"product_id":"meike-50mm-t2-1-fullframe-prime-cinema-lens","title":"Meike Prime 50mm T2.1 · Full Frame MF","description":"\u003ch2\u003eMeike 50mm T2.1 Full Frame Prime Cinema Lens — Cinematic Portrait in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 50mm T2.1 is a premium Full Frame cinema lens designed for serious filmmaking and video production. \n  50mm is the classic focal length closest to human vision, giving natural-looking portraits, soft bokeh \n  and APO-level color accuracy, with 8K-level image quality. Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality, sharp and clear for every type of shoot\u003c\/li\u003e\n  \u003cli\u003e50mm standard field of view, ideal for people, film, commercials and production\u003c\/li\u003e\n  \u003cli\u003eT2.1–T22 aperture, bright even in low light with soft, dimensional bokeh\u003c\/li\u003e\n  \u003cli\u003eNano Multi-Coating effectively reduces ghosting and flare\u003c\/li\u003e\n  \u003cli\u003eMinimal to no breathing effect, ideal for focus pulls on set\u003c\/li\u003e\n  \u003cli\u003eNear-zero distortion, preventing warped images and soft edges\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise focus control\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eDual Metric\/Imperial focus scales with luminous markings for low light\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who want a classic cinema-grade 50mm\u003c\/li\u003e\n  \u003cli\u003eCommercial, short film and narrative production\u003c\/li\u003e\n  \u003cli\u003ePeople and portrait work that calls for soft bokeh and accurate color\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interviews that need a natural perspective\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e60 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1099–1172g (depending on mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 50mm T2.1 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 75mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 82mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How minimal is the breathing?\u003c\/strong\u003e\u003cbr\u003e\n      A: Breathing is minimal to virtually nonexistent, ideal for professional focus pulling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 50mm T2.1 — Classic Full Frame Portrait in 8K Quality for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256760119436,"sku":"MK-FFPCM-50MM-T2.1-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256760152204,"sku":"MK-FFPCM-50MM-T2.1-RF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256760184972,"sku":"MK-FFPCM-50MM-T2.1-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554228364,"sku":"MK-FFPCM-50MM-T2.1-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554261132,"sku":"MK-FFPCM-50MM-T2.1-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-50MM-T2.1-Product-1.jpg?v=1777437176"},{"product_id":"meike-105mm-t2-1-fullframe-prime-cinema-lens","title":"Meike Prime 105mm T2.1 · Full Frame MF · Portrait","description":"\u003ch2\u003eMeike 105mm T2.1 Full Frame Prime Cinema Lens — Cinematic Telephoto Portrait in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 105mm T2.1 is a premium Full Frame cinema lens for professional filmmaking and video production. \n  The 105mm focal length delivers soft bokeh and excellent subject-background separation, ideal for portraits, \n  close-ups and cinematic scenes, with 8K-level image quality. Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality captures every detail in the frame\u003c\/li\u003e\n  \u003cli\u003e105mm focal length, ideal for portraits, close-ups and cinematic scenes\u003c\/li\u003e\n  \u003cli\u003eT2.1–T22 aperture, beautiful in low light with soft bokeh and excellent subject-background separation\u003c\/li\u003e\n  \u003cli\u003eMulti-layer Coating reduces flare and ghosting for greater sharpness and contrast\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise control when pulling focus\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eLens surface resists smudges and dust and is easy to wipe clean\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who need a cinema-grade 105mm telephoto\u003c\/li\u003e\n  \u003cli\u003ePortrait films, close-up shots and cinematic scenes\u003c\/li\u003e\n  \u003cli\u003eCommercial and fashion films that need beautiful bokeh and clear subject separation\u003c\/li\u003e\n  \u003cli\u003eDocumentary and long-distance interviews that need 8K-level sharpness\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 elements in 7 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 105mm T2.1 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 157mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 82mm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it good for portraits?\u003c\/strong\u003e\u003cbr\u003e\n      A: Very much so. The 105mm focal length gives soft bokeh and excellent subject-background separation, ideal for portraits and close-up shots.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 105mm T2.1 — Full Frame Telephoto Portrait in 8K Quality for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-105MM-T2.1-Detail-1.png\" alt=\"Meike Prime 105mm T2.1 · Full Frame MF · Portrait – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-105MM-T2.1-Detail-2.png\" alt=\"Meike Prime 105mm T2.1 · Full Frame MF · Portrait – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-105MM-T2.1-Detail-3.png\" alt=\"Meike Prime 105mm T2.1 · Full Frame MF · Portrait – product detail image 3\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256761692300,"sku":"MK-FFPCM-105MM-T2.1-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256761725068,"sku":"MK-FFPCM-105MM-T2.1-RF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256761757836,"sku":"MK-FFPCM-105MM-T2.1-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554457740,"sku":"MK-FFPCM-105MM-T2.1-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554490508,"sku":"MK-FFPCM-105MM-T2.1-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-105MM-T2.1-Product-1.jpg?v=1777437607"},{"product_id":"meike-135mm-t2-4-fullframe-prime-cinema-lens","title":"Meike Prime 135mm T2.4 · Full Frame MF · Portrait","description":"\u003ch2\u003eMeike 135mm T2.4 Full Frame Prime Cinema Lens — Cinematic Telephoto Portrait in 8K Quality\u003c\/h2\u003e\n\n\u003cp\u003e\n  Meike 135mm T2.4 is a premium Full Frame cinema lens for professional filmmaking and video production. \n  The 135mm focal length is known for the softest bokeh among telephoto lenses, with excellent subject-background separation. \n  It is ideal for portraits, wildlife, sports and cinematic scenes, with 8K-level image quality. \n  Available in Sony E-Mount, Canon RF, Canon EF, PL Mount and L-Mount.\n\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e8K-level image quality captures every detail in the frame\u003c\/li\u003e\n  \u003cli\u003e135mm focal length, popular for portraits, wildlife, sports, cars and racing\u003c\/li\u003e\n  \u003cli\u003eT2.4–T22 aperture with beautiful background blur, ideal for portraits and medium-to-tight framing\u003c\/li\u003e\n  \u003cli\u003eMulti-layer Coating reduces flare and ghosting for greater sharpness and contrast\u003c\/li\u003e\n  \u003cli\u003eAPO Chromatic Aberration Control for accurate, true-to-life color\u003c\/li\u003e\n  \u003cli\u003e17 aperture blades for premium round, soft bokeh\u003c\/li\u003e\n  \u003cli\u003e330° focus rotation for fine, precise control when pulling focus\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD follow focus gear, compatible with all follow focus systems\u003c\/li\u003e\n  \u003cli\u003eCinematic matte black design with all-metal construction, strong and durable\u003c\/li\u003e\n  \u003cli\u003eDesigned for Full Frame, also works with APS-C cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDirectors and cinematographers who need a cinema-grade 135mm telephoto\u003c\/li\u003e\n  \u003cli\u003ePortrait films and close-up shots that call for premium soft bokeh\u003c\/li\u003e\n  \u003cli\u003eWildlife, sports, cars and racing, where getting close is difficult\u003c\/li\u003e\n  \u003cli\u003eCommercial and fashion films that need clear subject-background separation\u003c\/li\u003e\n  \u003cli\u003eSony, Canon, Leica and Sigma\/Panasonic\/Lumix users looking for a high-quality cinema lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e12 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e17 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e100 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eΦ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Module\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Follow Focus Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e~1.2 kg (depending on mount)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ L-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSony E-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eCanon EF-Mount\u003c\/li\u003e\n  \u003cli\u003ePL Mount\u003c\/li\u003e\n  \u003cli\u003eL-Mount (Leica \/ Sigma \/ Panasonic)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 135mm T2.4 Cinema Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Lens Cap × 1\u003c\/li\u003e\n  \u003cli\u003eCarrying Pouch \/ Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can this lens be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003e\n      A: Yes. Although it is designed for Full Frame, it works on APS-C cameras, with an equivalent focal length of approximately 202mm\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003e\n      A: No. It is fully manual focus, designed for video and cinema work with follow focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the advantage of 17 blades?\u003c\/strong\u003e\u003cbr\u003e\n      A: More blades make the aperture rounder, resulting in softer, rounder bokeh than typical lenses with fewer blades.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the filter size?\u003c\/strong\u003e\u003cbr\u003e\n      A: 82mm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee all cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 135mm T2.4 — Full Frame Telephoto Portrait in 8K Quality with Premium 17-Blade Bokeh for True Cinema Work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF6.5MM-F2-Detail-1.png\" alt=\"Meike Prime 135mm T2.4 · Full Frame MF · Portrait – product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256763986060,"sku":"MK-FFPCM-135MM-T2.4-E","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48256764018828,"sku":"MK-FFPCM-135MM-T2.4-RF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256764051596,"sku":"MK-FFPCM-135MM-T2.4-EF","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554523276,"sku":"MK-FFPCM-135MM-T2.4-PL","price":25900.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554556044,"sku":"MK-FFPCM-135MM-T2.4-L","price":25900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-135MM-T2.4-Product-1.jpg?v=1777439438"},{"product_id":"meike-7-5mm-f2-8-diagonal-fisheye","title":"Meike Diagonal Fisheye 7.5mm F2.8 · APS-C MF","description":"\u003ch2\u003eMeike 7.5mm F2.8 Diagonal Fisheye — Full Frame Coverage, Full 180° View\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike 7.5mm F2.8 is a diagonal fisheye lens designed specifically for APS-C mirrorless and DSLR cameras. It is available in 4 mounts: Sony E-Mount, Nikon Z-Mount, Fujifilm X-Mount and Canon EF-Mount. With a 180-degree diagonal angle of view, it fills the entire frame edge to edge and delivers its own distinctive curved look. Ideal for landscapes, architecture, creative work and shooting in tight spaces.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDiagonal Fisheye 180°\u003c\/strong\u003e — Full-frame image with gently curved edges, capturing every detail in an extremely wide view\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBright F2.8 Aperture\u003c\/strong\u003e — Shoot even in low light; well suited to astrophotography and indoor shooting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e11 Elements in 9 Groups\u003c\/strong\u003e — Multi-coated to reduce reflections and flare for sharp images and true-to-life colors\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus \u0026amp; Manual Aperture\u003c\/strong\u003e — Full hands-on control for photographers who want genuine creative control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact, Lightweight Metal Body\u003c\/strong\u003e — Durable build that is easy to carry anywhere\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 4 Mounts\u003c\/strong\u003e — Sony E \/ Nikon Z \/ Fujifilm X \/ Canon EF to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhotographers looking for a fresh, full-frame diagonal fisheye perspective\u003c\/li\u003e\n  \u003cli\u003eAstrophotography, such as the Milky Way and night skies\u003c\/li\u003e\n  \u003cli\u003eArchitecture and interior photography that calls for the widest possible view\u003c\/li\u003e\n  \u003cli\u003eCreative photography and experimental art\u003c\/li\u003e\n  \u003cli\u003eVloggers and content creators who want a distinctive perspective\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e7.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF2.8 – F16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e180° (Diagonal)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 Elements in 9 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Coated\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Type\u003c\/td\u003e\n\u003ctd\u003eManual Aperture\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eAPS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Fujifilm X \/ Canon EF\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eNot supported (Fisheye)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 7.5mm F2.8 — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 7.5mm F2.8 — Nikon Z-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 7.5mm F2.8 — Fujifilm X-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 7.5mm F2.8 — Canon EF-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 7.5mm F2.8 Diagonal Fisheye Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Cap × 1\u003c\/li\u003e\n  \u003cli\u003eLens Pouch × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is it different from a circular fisheye?\u003c\/strong\u003e\u003cbr\u003eA: A diagonal fisheye fills the entire frame. The edges curve but the image is not a circle, which makes it more practical for general use than a circular fisheye.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use filters?\u003c\/strong\u003e\u003cbr\u003eA: No. The fisheye's front element bulges outward, so it does not accept standard screw-in filters.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003eA: No, it is manual focus only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a full-frame camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, but the angle of view will be narrower according to the crop factor, and vignetting may appear at the edges. We recommend using it on APS-C for the best results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more creative and special lenses in our \u003ca href=\"\/en-th\/collections\/special-lenses-tilt-ultra-wide\"\u003eSpecial Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 7.5mm F2.8 — A diagonal fisheye that fills the frame, edge to edge, without limits\u003c\/strong\u003e\u003c\/p\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256767230092,"sku":"MK-MF7.5MM-F2.8E","price":4690.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":48256767262860,"sku":"MK-MF7.5MM-F2.8Z","price":4690.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":48256767295628,"sku":"MK-MF7.5MM-F2.8X","price":4690.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256767328396,"sku":"MK-MF7.5MM-F2.8EF","price":4690.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF7.5MM-F2.8-Product-1.png?v=1777441002"},{"product_id":"meike-8mm-f3-5-ultra-wide-fisheye","title":"Meike Ultra Wide Fisheye 8mm F3.5 · APS-C MF","description":"\u003ch2\u003eMeike 8mm F3.5 Ultra Wide Fisheye — 180° View, Full Frame on APS-C\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike 8mm F3.5 is an ultra-wide-angle fisheye lens designed specifically for APS-C mirrorless cameras. It is available in 4 mounts: Sony E-Mount, Nikon Z-Mount, Canon RF-Mount and Fujifilm X-Mount. With a 180-degree full-frame angle of view and its distinctive curved look, it is ideal for landscapes, architecture, creative work and shooting in tight spaces.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull-Frame 180° Fisheye\u003c\/strong\u003e — Fills the entire sensor with distinctive curved edges, capturing every detail in an extremely wide view\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eF3.5 Aperture\u003c\/strong\u003e — Shoot in low light with outstanding depth of field\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e11 Elements in 8 Groups\u003c\/strong\u003e — Multi-coated to reduce reflections and flare for sharp images and true-to-life colors\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus \u0026amp; Manual Aperture\u003c\/strong\u003e — Full hands-on control for photographers who want genuine creative control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact, Lightweight Metal Body\u003c\/strong\u003e — Durable build that is easy to carry anywhere\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 4 Mounts\u003c\/strong\u003e — Sony E \/ Nikon Z \/ Canon RF \/ Fujifilm X to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhotographers looking for a fresh, full-frame fisheye perspective\u003c\/li\u003e\n  \u003cli\u003eAstrophotography, such as the Milky Way and night skies\u003c\/li\u003e\n  \u003cli\u003eArchitecture and interior photography that calls for the widest possible view\u003c\/li\u003e\n  \u003cli\u003eCreative photography and experimental art\u003c\/li\u003e\n  \u003cli\u003eVloggers and content creators who want a distinctive perspective\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e8mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF3.5 – F22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e180°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 Elements in 8 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Coated\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Type\u003c\/td\u003e\n\u003ctd\u003eManual Aperture\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eAPS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Fujifilm X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eNot supported (Fisheye)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 8mm F3.5 — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 8mm F3.5 — Nikon Z-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 8mm F3.5 — Canon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 8mm F3.5 — Fujifilm X-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 8mm F3.5 Ultra Wide Angle Fisheye Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Cap × 1\u003c\/li\u003e\n  \u003cli\u003eLens Pouch × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is it different from a circular fisheye?\u003c\/strong\u003e\u003cbr\u003eA: The Meike 8mm F3.5 is a diagonal fisheye. It fills the entire frame with curved edges rather than a circular image, making it more practical for general use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use filters?\u003c\/strong\u003e\u003cbr\u003eA: No. The fisheye's front element bulges outward, so it does not accept standard screw-in filters.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003eA: No, it is manual focus only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a full-frame camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, but the angle of view will be narrower according to the crop factor, and vignetting may appear at the edges. We recommend using it on APS-C for the best results.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more creative and special lenses in our \u003ca href=\"\/en-th\/collections\/special-lenses-tilt-ultra-wide\"\u003eSpecial Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 8mm F3.5 — A 180° fisheye that fills the frame in every shot\u003c\/strong\u003e\u003c\/p\u003e\n\n","brand":"Meike","offers":[{"title":"Nikon Z","offer_id":48256772407436,"sku":"MK-MF8MM-F3.5Z","price":4690.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256772440204,"sku":"MK-MF8MM-F3.5EF","price":4690.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF8MM-F3.5-Product-1.jpg?v=1777447513"},{"product_id":"meike-35mm-f1-7-aps-c-manual-focus","title":"Meike 35mm F1.7 · APS-C MF","description":"\u003ch2\u003eMeike 35mm F1.7 APS-C Manual Prime — The Right Standard Lens, Beautiful Bokeh, Accessible Price\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike 35mm F1.7 is a manual-focus standard prime lens for APS-C mirrorless cameras, available in 4 mounts: Sony E-Mount, Nikon Z-Mount, Canon RF-Mount and Fujifilm X-Mount. With a focal length equivalent to 52.5mm on full frame and a bright F1.7 aperture, it suits portrait, street and low-light shooting that calls for a natural perspective and smooth bokeh.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard 35mm View (52.5mm FF equivalent)\u003c\/strong\u003e — A perspective close to human vision, suited to every style of photography with a natural look\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBright F1.7 Aperture\u003c\/strong\u003e — Performs well in low light, with smooth bokeh that makes your subject stand out from the background\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 Elements in 5 Groups\u003c\/strong\u003e — Multi-coated to reduce reflections and flare for sharp images and true-to-life colors\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManual Focus \u0026amp; Manual Aperture\u003c\/strong\u003e — Full control for photographers who want to practice and create images their own way\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompact, Lightweight Metal Body\u003c\/strong\u003e — Durable build that is easy to carry anywhere\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAvailable in 4 Mounts\u003c\/strong\u003e — Sony E \/ Nikon Z \/ Canon RF \/ Fujifilm X to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eBeginners who want to practice with a standard manual lens\u003c\/li\u003e\n  \u003cli\u003ePortrait and street photography with a natural perspective\u003c\/li\u003e\n  \u003cli\u003eLow-light shooting such as restaurants, events or at night\u003c\/li\u003e\n  \u003cli\u003eVloggers and content creators who want an affordable manual lens\u003c\/li\u003e\n  \u003cli\u003ePhotographers who want a compact, portable prime lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm (52.5mm equivalent on Full Frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF1.7 – F16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e6 Elements in 5 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMulti-Coated\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Type\u003c\/td\u003e\n\u003ctd\u003eManual Aperture\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eAPS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Canon RF \/ Fujifilm X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull Metal Construction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 35mm F1.7 — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm F1.7 — Nikon Z-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm F1.7 — Canon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm F1.7 — Fujifilm X-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 35mm F1.7 Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Cap × 1\u003c\/li\u003e\n  \u003cli\u003eLens Pouch × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it suitable for beginners?\u003c\/strong\u003e\u003cbr\u003eA: Very much so. It is an affordable manual lens with a versatile standard focal length, ideal for practicing manual focus.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support autofocus?\u003c\/strong\u003e\u003cbr\u003eA: No, it is manual focus only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on a full-frame camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, but vignetting may appear at the edges, as it is designed specifically for APS-C sensors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more standard prime and manual lenses in our \u003ca href=\"\/en-th\/collections\/manual-lenses\"\u003eManual Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 35mm F1.7 — The right standard prime, beautiful bokeh, friendly price. Get started today\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF35MM-F1.7-Detail-1.png\" alt=\"Meike 35mm F1.7 · APS-C MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF35MM-F1.7-Detail-2.png\" alt=\"Meike 35mm F1.7 · APS-C MF – Product detail image 2\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48256790691980,"sku":"MK-MF35MM-F1.7E","price":1990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":48256790724748,"sku":"MK-MF35MM-F1.7X","price":1990.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48256790757516,"sku":"MK-MF35MM-F1.7EF","price":1990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-MF35MM-F1.7-Product-1.jpg?v=1777450602"},{"product_id":"meike-85mm-f1-8-ff-autofocus-stm","title":"Meike STM 85mm F1.8 · Full Frame AF · Portrait","description":"\u003ch2\u003eMeike 85mm F1.8 STM AF Full Frame — Portrait lens for every major mount, 9-blade bokeh, quiet and smooth AF\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike 85mm F1.8 is a full-frame portrait lens with fast, quiet STM autofocus, available in 6 mounts: Sony E-Mount, Nikon Z-Mount, Fujifilm X-Mount, Nikon F-Mount, Canon EF-Mount and Leica L-Mount. The 85mm focal length suits portrait, architecture and landscape work, and with an F1.8 aperture and 9 aperture blades it produces soft, round bokeh. Firmware can be upgraded via Micro USB.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e85mm full-frame portrait focal length\u003c\/strong\u003e — Suited to portraits, objects, architecture and landscapes, with flattering compression and no facial distortion\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBright F1.8 aperture with 9 aperture blades\u003c\/strong\u003e — Exceptionally soft, round bokeh that makes your subject stand out clearly from the background\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQuiet, smooth STM autofocus\u003c\/strong\u003e — The stepping motor focuses smoothly and quietly, suitable for both stills and video\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSupports AF, electronic aperture and EXIF\u003c\/strong\u003e — Works fully with your camera system and records complete EXIF data\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFirmware upgrades via Micro USB\u003c\/strong\u003e — Easy online updates for improved performance in the future\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMultilayer coating on both sides\u003c\/strong\u003e — True-to-life color with effective reduction of reflections and flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e67mm filter thread\u003c\/strong\u003e — Mount ND, CPL or Black Mist filters directly\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 mount options\u003c\/strong\u003e — Sony E \/ Nikon Z \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Leica L to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFull-frame portrait photographers who want fast AF and soft bokeh\u003c\/li\u003e\n  \u003cli\u003eWedding, fashion and lifestyle work that calls for high sharpness\u003c\/li\u003e\n  \u003cli\u003eArchitecture and landscape photography at 85mm\u003c\/li\u003e\n  \u003cli\u003eVideographers who need quiet STM AF for video\u003c\/li\u003e\n  \u003cli\u003eNikon F or Canon EF DSLR shooters looking for an AF portrait lens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eF1.8 – F16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e9 Blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eAutofocus (STM) \/ Manual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eElectronic Features\u003c\/td\u003e\n\u003ctd\u003eAF, Electronic Aperture, EXIF\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFirmware Upgrade\u003c\/td\u003e\n\u003ctd\u003eMicro USB\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eMultilayer Coating (Both Sides)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Nikon Z \/ Fujifilm X \/ Nikon F \/ Canon EF \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Nikon Z-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Fujifilm X-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Nikon F-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Canon EF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM — Leica L-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 85mm F1.8 STM Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront Cap × 1\u003c\/li\u003e\n  \u003cli\u003eRear Cap × 1\u003c\/li\u003e\n  \u003cli\u003eLens Hood × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How does it differ from the Meike 85mm F1.4?\u003c\/strong\u003e\u003cbr\u003eA: The F1.4 has a wider aperture and more background blur, while the F1.8 is lighter and more affordable. Both use the same STM AF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I upgrade the firmware?\u003c\/strong\u003e\u003cbr\u003eA: Connect the lens to your computer with a Micro USB cable and download the latest firmware from the Meike website.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can I use it on an APS-C camera?\u003c\/strong\u003e\u003cbr\u003eA: Yes, but the field of view narrows by the crop factor; on a Sony APS-C body it is roughly 127mm equivalent.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What filter size does it take?\u003c\/strong\u003e\u003cbr\u003eA: It uses a 67mm filter thread.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrowse more full-frame portrait and autofocus lenses in our \u003ca href=\"\/en-th\/collections\/autofocus-lenses\"\u003eAutofocus Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike 85mm F1.8 STM — a full-frame portrait lens for every major mount with quiet AF and smooth 9-blade bokeh in every shot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-AF85MM-F1.8-Detail-1.png\" alt=\"Meike STM 85mm F1.8 · Full Frame AF · Portrait – Product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48257316159628,"sku":"MK-AF85MM-F1.8E","price":5990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon Z","offer_id":48257316192396,"sku":"MK-AF85MM-F1.8Z","price":5990.0,"currency_code":"THB","in_stock":false},{"title":"Fuji X","offer_id":48257316225164,"sku":"MK-AF85MM-F1.8X","price":5990.0,"currency_code":"THB","in_stock":false},{"title":"Nikon F","offer_id":48257316257932,"sku":"MK-AF85MM-F1.8F","price":5990.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48257316290700,"sku":"MK-AF85MM-F1.8EF","price":5990.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554752652,"sku":"MK-AF85MM-F1.8L","price":6990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-AF85MM-F1.8-Product-1.png?v=1777515397"},{"product_id":"meike-ff-prime-cinema-6-lens-kit","title":"Meike Prime 6-Lens Kit · Full Frame MF · Case","description":"\u003ch2\u003eMeike Full Frame Prime Cinema 6-Lens Kit — 6 focal lengths, 8K ready for professional filmmaking\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike Full Frame Prime Cinema 6-Lens Kit is a professional cine lens set covering 6 focal lengths: 16mm, 24mm, 35mm, 50mm, 85mm and 105mm. It is available in 5 mounts: Sony E-Mount, Canon RF-Mount, Canon EF-Mount, PL-Mount and Leica L-Mount. With 8K image quality, T2.1-T2.5 apertures, 330° focus rotation, 0.8 MOD gears and APO color control, it is designed for high-end film and production work that demands the highest standards. Comes with a sturdy hard case that protects all 6 lenses.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 cinema focal lengths: 16 \/ 24 \/ 35 \/ 50 \/ 85 \/ 105mm\u003c\/strong\u003e — Covers everything from ultra-wide to telephoto in one set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8K image quality\u003c\/strong\u003e — Sharp and clear, suited to a wide range of cameras and scenes in high-end production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.5 (16mm) and T2.1 (24\/35\/50\/85\/105mm) apertures\u003c\/strong\u003e — Excellent low-light performance with soft, beautiful bokeh\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e330° focus ring with smooth damping\u003c\/strong\u003e — Maximum focus precision, ideal for professional focus pulling\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard 0.8 MOD gears\u003c\/strong\u003e — Compatible with standard follow focus systems and rigs on set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAPO Color Control\u003c\/strong\u003e — APO-level control of color aberration for accurate, consistent color across every lens in the set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimal to no focus breathing\u003c\/strong\u003e — The frame stays steady while focusing, with no jumps or field-of-view shifts during focus pulls\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNear-zero distortion\u003c\/strong\u003e — Prevents image distortion and soft edges, ideal for work that demands high precision\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNano Multi-Coating\u003c\/strong\u003e — Effectively reduces flare and ghosting for sharp images with vivid color\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll-metal construction\u003c\/strong\u003e — Strong and durable, ready for real-world shoots in any environment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIncludes hard case\u003c\/strong\u003e — Protects all 6 lenses and makes them easy and safe to carry\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5 mount options\u003c\/strong\u003e — Sony E \/ Canon RF \/ Canon EF \/ PL \/ Leica L to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematographers and directors of photography who want a complete 6-lens cine set\u003c\/li\u003e\n  \u003cli\u003eFilm, commercial and high-end production work requiring 8K quality\u003c\/li\u003e\n  \u003cli\u003eFilm sets using standard follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003eVideographers upgrading to a professional full-frame cine lens set\u003c\/li\u003e\n  \u003cli\u003eContent production studios that need consistent color from every lens in the set\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm \/ 24mm \/ 35mm \/ 50mm \/ 85mm \/ 105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.5 (16mm) \/ T2.1 (24\/35\/50\/85\/105mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Ring Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Standard\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eNano Multi-Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Control\u003c\/td\u003e\n\u003ctd\u003eAPO Level\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBreathing Effect\u003c\/td\u003e\n\u003ctd\u003eMinimal to None\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull Metal Construction\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike FF Prime Cinema 6-Lens Kit — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 6-Lens Kit — Canon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 6-Lens Kit — Canon EF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 6-Lens Kit — PL-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 6-Lens Kit — Leica L-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 16mm T2.5 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 24mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 50mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 105mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap (for every lens)\u003c\/li\u003e\n  \u003cli\u003eHard Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between a T-stop and an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the actual light transmitted through the lens, so it is more accurate than an F-stop for video and film. Every lens in the set gives consistent exposure, so you don't need to adjust exposure each time you change lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is focus breathing and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: Breathing is when the field of view changes as you pull focus. This set is designed to have minimal to no breathing, so your footage looks smooth and professional.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is APO Color Control?\u003c\/strong\u003e\u003cbr\u003eA: It is apochromatic-level control of color aberration, which keeps color consistent across every lens in the set and reduces the color grading needed in post-production.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support follow focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes, every lens has standard 0.8 MOD gears, compatible with standard follow focus systems and rigs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrowse more cine and cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike Full Frame Prime Cinema 6-Lens Kit — 6 focal lengths, 8K ready, with a hard case for professional filmmaking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-6KITCASE-Detail-1.png\" alt=\"Meike Prime 6-Lens Kit · Full Frame MF · Case – Product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48257316782220,"sku":"MK-FFPCM-6KITCASE-E","price":159000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48257316814988,"sku":"MK-FFPCM-6KITCASE-RF","price":159000.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48257316847756,"sku":"MK-FFPCM-6KITCASE-EF","price":159000.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554785420,"sku":"MK-FFPCM-6KITCASE-PL","price":159000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554818188,"sku":"MK-FFPCM-6KITCASE-L","price":159000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-6KITCASE-Product-1.jpg?v=1777516123"},{"product_id":"meike-ff-prime-cinema-4-lens-kit","title":"Meike Prime 24\/35\/50\/85mm 4-Lens Kit T2.1 · Full Frame MF · Case","description":"\u003ch2\u003eMeike Full Frame Prime Cinema 4-Lens Kit — 4 core focal lengths at T2.1 for professional filmmaking\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike Full Frame Prime Cinema 4-Lens Kit is a professional cine lens set covering 4 core focal lengths: 24mm, 35mm, 50mm and 85mm. It is available in 5 mounts: Sony E-Mount, Canon RF-Mount, Canon EF-Mount, PL-Mount and Leica L-Mount. With T2.1 on every lens, 330° focus rotation, 0.8 MOD gears and focus scales in both meters and feet, it is designed for film and production work that demands high precision. Comes with a sturdy hard case that protects all 4 lenses.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4 core cinema focal lengths: 24 \/ 35 \/ 50 \/ 85mm\u003c\/strong\u003e — Covers wide-angle through portrait telephoto for every type of project\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1 on every lens\u003c\/strong\u003e — Consistent exposure across the set, good low-light performance and precise depth-of-field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e330° focus ring\u003c\/strong\u003e — Maximum focus precision, ideal for professional focus pulling\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard 0.8 MOD gears\u003c\/strong\u003e — Compatible with standard follow focus systems and rigs on set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus scales in meters and feet\u003c\/strong\u003e — Added convenience for crews of any nationality\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDesigned specifically for filmmaking\u003c\/strong\u003e — High quality and sharpness for professional production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIncludes hard case\u003c\/strong\u003e — Protects all 4 lenses and makes them easy and safe to carry\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5 mount options\u003c\/strong\u003e — Sony E \/ Canon RF \/ Canon EF \/ PL \/ Leica L to match your camera system\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematographers and directors of photography who want a cine set with the 4 core focal lengths\u003c\/li\u003e\n  \u003cli\u003eFilm, commercial and high-end production work that requires consistent exposure\u003c\/li\u003e\n  \u003cli\u003eFilm sets using standard follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003eVideographers upgrading to a full-frame cine lens set at great value\u003c\/li\u003e\n  \u003cli\u003eContent production studios that need consistent color and exposure from every lens in the set\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e24mm \/ 35mm \/ 50mm \/ 85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Ring Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Standard\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eMeters and feet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Canon EF \/ PL \/ Leica L\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull Metal Construction\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit — Sony E-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit — Canon RF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit — Canon EF-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit — PL-Mount\u003c\/li\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit — Leica L-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 24mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 50mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 85mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap (for every lens)\u003c\/li\u003e\n  \u003cli\u003eHard Case × 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How does it differ from the 6-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eA: The 4-Lens Kit includes 24\/35\/50\/85mm, the 4 focal lengths used most often in filmmaking. The 6-Lens Kit adds 16mm and 105mm for productions that need a more complete range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the benefit of T2.1 on every lens?\u003c\/strong\u003e\u003cbr\u003eA: Because every lens has the same T-stop, exposure stays consistent each time you change lenses, so there is no need to re-adjust exposure. This saves time on set and in post-production.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support follow focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes, every lens has standard 0.8 MOD gears, compatible with standard follow focus systems and rigs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why are meter and feet scales useful?\u003c\/strong\u003e\u003cbr\u003eA: They let focus pullers set focus distances precisely without guessing, and make it easier to work with international crews who use different units.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrowse more cine and cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike Full Frame Prime Cinema 4-Lens Kit — 4 core focal lengths at T2.1 with a hard case for professional filmmaking\u003c\/strong\u003e\u003c\/p\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-6KITCASE-Detail-1.png\" alt=\"Meike Prime 24\/35\/50\/85mm 4-Lens Kit T2.1 · Full Frame MF · Case – Product detail image 1\"\u003e","brand":"Meike","offers":[{"title":"Sony E","offer_id":48257316978828,"sku":"MK-FFPCM-4KITCASE-E","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48257317011596,"sku":"MK-FFPCM-4KITCASE-RF","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48257317044364,"sku":"MK-FFPCM-4KITCASE-EF","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554850956,"sku":"MK-FFPCM-4KITCASE-PL","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554883724,"sku":"MK-FFPCM-4KITCASE-L","price":99000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-4KITCASE-Product-1.jpg?v=1777516564"},{"product_id":"meike-ff-prime-cinema-4-lens-kit-pl-mount","title":"Meike Prime 16\/24\/35\/50mm 4-Lens Kit · Full Frame MF · PL","description":"\u003ch2\u003eMeike FF Prime Cinema 4-Lens Kit PL-Mount — 16\/24\/35\/50mm, 8K ready for professional film sets\u003c\/h2\u003e\n\n\u003cp\u003eThe Meike Full Frame Prime Cinema 4-Lens Kit for PL-Mount is a professional cine lens set made specifically for PL-Mount, covering 4 focal lengths: 16mm, 24mm, 35mm and 50mm. With 8K image quality, a T2.1 aperture, 11 aperture blades, 330° focus rotation, consistent gear positions across all lenses and luminous focus scales in meters and feet, it is designed for high-end film and production work on standard PL-Mount cameras.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e4 focal lengths from wide to standard: 16 \/ 24 \/ 35 \/ 50mm\u003c\/strong\u003e — Covers ultra-wide through standard focal lengths for filmmaking\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8K image quality\u003c\/strong\u003e — Sharp and clear, suited to a wide range of cameras and scenes in high-end production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.1 aperture\u003c\/strong\u003e — High light transmission, excellent low-light performance and consistent exposure across the set\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e11 aperture blades\u003c\/strong\u003e — Soft, round, natural bokeh and attractive starburst effects\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e330° focus ring with smooth damping\u003c\/strong\u003e — Maximum focus precision, ideal for professional focus pulling\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConsistent gear position on every lens\u003c\/strong\u003e — Saves time re-adjusting follow focus accessories each time you change lenses\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAPO Color Control and consistent color balance\u003c\/strong\u003e — Accurate, matched color across the whole set, reducing color grading in post-production\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinimal to no focus breathing\u003c\/strong\u003e — The frame stays steady while focusing, with no jumps during focus pulls\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNear-zero distortion\u003c\/strong\u003e — Prevents image distortion and soft edges, ideal for work that demands high precision\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNano Multi-Coating\u003c\/strong\u003e — Effectively reduces flare and ghosting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLuminous focus scales in meters and feet\u003c\/strong\u003e — Visible in low light or at night for easier operation\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll-metal construction\u003c\/strong\u003e — Strong and durable, ready for real-world shoots in any environment\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCinematographers and directors of photography using standard PL-Mount cameras\u003c\/li\u003e\n  \u003cli\u003eFilm, commercial and high-end production work requiring 8K quality\u003c\/li\u003e\n  \u003cli\u003eFilm sets that need consistent gear positions for fast lens changes\u003c\/li\u003e\n  \u003cli\u003eFocus pullers who need luminous scales for dark or night shoots\u003c\/li\u003e\n  \u003cli\u003eFilm production studios that need consistent color from every lens in the set\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm \/ 24mm \/ 35mm \/ 50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.1 (all lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImage Quality\u003c\/td\u003e\n\u003ctd\u003e8K\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e11 Blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Type\u003c\/td\u003e\n\u003ctd\u003eManual Focus (Cine)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Ring Rotation\u003c\/td\u003e\n\u003ctd\u003e330°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Position\u003c\/td\u003e\n\u003ctd\u003eConsistent across all lenses\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eMeters and feet (luminous)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eNano Multi-Coating\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor Control\u003c\/td\u003e\n\u003ctd\u003eAPO Level\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBreathing Effect\u003c\/td\u003e\n\u003ctd\u003eMinimal to None\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor Coverage\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL-Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eFull Metal Construction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike FF Prime Cinema 4-Lens Kit 16\/24\/35\/50mm — PL-Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMeike 16mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 24mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 35mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eMeike 50mm T2.1 Cine Lens × 1\u003c\/li\u003e\n  \u003cli\u003eFront \u0026amp; Rear Cap (for every lens)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How does it differ from the 4-Lens Kit (24\/35\/50\/85mm)?\u003c\/strong\u003e\u003cbr\u003eA: This kit includes 16mm instead of 85mm, focusing on wide to standard focal lengths for work that is mainly wide-angle. The 24-85mm kit is better suited to portrait and drama work.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why do consistent gear positions matter?\u003c\/strong\u003e\u003cbr\u003eA: You don't need to reposition the follow focus every time you change lenses, which saves a lot of time on set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do the luminous scales work?\u003c\/strong\u003e\u003cbr\u003eA: The focus scales glow in the dark, so focus pullers can see and set focus distances accurately even in low light.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support follow focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes, every lens has standard 0.8 MOD gears and the same gear position across the set.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBrowse more cine and cinema lenses in our \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses Collection\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMeike FF Prime Cinema 4-Lens Kit PL-Mount — 16\/24\/35\/50mm, 8K ready, with luminous scales for professional film sets\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"Meike","offers":[{"title":"Sony E","offer_id":48257317535884,"sku":"MK-FFPCM-4KIT-E","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF","offer_id":48257317568652,"sku":"MK-FFPCM-4KIT-RF","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Canon EF","offer_id":48257317601420,"sku":"MK-FFPCM-4KIT-EF","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"PL","offer_id":53399554916492,"sku":"MK-FFPCM-4KIT-PL","price":99000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L","offer_id":53399554949260,"sku":"MK-FFPCM-4KIT-L","price":99000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/MK-FFPCM-4KIT-Product-1.jpg?v=1777517399"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/canon-ef-mount-lenses.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}