{"title":"DZOFlim Arles Zoom","description":"\u003cp\u003eDZOFILM Arles Zoom parfocal cine zooms for Full Frame at T2.6 in PL mount: the 25-75mm, the 65-180mm telephoto and a 2-lens kit with case.\u003c\/p\u003e","products":[{"product_id":"dzofilm-arles-zoom-25-75mm-t2-6-pl","title":"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 25-75mm cine zoom lens, constant T2.6 throughout the zoom range, Parfocal, 7 ED + 5 HRI elements, 16 iris blades, lightweight at 1,767 g\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 25-75mm T2.6 is a cine zoom lens covering Full Frame sensors. The 25-75mm range spans wide, normal and short telephoto views, covering most on-set needs in a single lens. 3x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 22 elements in 8 groups, including 7 ED and 5 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that gives a modern color tone and reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation give enough throw for fine, professional focus pulls. Gear positions and front diameter match all 11 Arles Prime lenses, so they can be swapped within the same set. Aluminum alloy body, approx. 1,767 g, suited to handheld, gimbal and drone work\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e25-75mm focal range on full frame spans wide–normal–short telephoto views, covering most on-set needs in a single lens (3X zoom ratio)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1767g with an aluminum alloy body, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work that needs to cover multiple focal lengths\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interview work with no time to swap lenses\u003c\/li\u003e\n  \u003cli\u003eGimbal and drone shooting where weight matters\u003c\/li\u003e\n  \u003cli\u003eTeams already using Arles Prime that want a matching zoom lens\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25-75mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e3X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e22 elements in 8 groups (7 ED + 5 HRI elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.51 m (from the sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e178.1mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,767 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles Zoom 25-75mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with the Marlin 1.4x Extender?\u003c\/strong\u003e\u003cbr\u003eA: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143887397004,"sku":"DZO-AZ2575I","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143887429772,"sku":"DZO-AZ2575M","price":99900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Product-1_2db4081c-c4e6-4cfa-99bb-7ab6d19f6391.jpg?v=1788941061"},{"product_id":"dzofilm-arles-zoom-65-180mm-t2-6-pl","title":"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 65-180mm telephoto cine zoom lens, constant T2.6, Parfocal, 7 ED + 2 HRI elements, 16 iris blades, lightweight at 1,782 g\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 65-180mm T2.6 is a telephoto cine zoom lens for Full Frame. The 65-180mm range runs from short telephoto to long telephoto, letting you move from a portrait or Medium Shot to a more distant Close-up without changing lenses. 2.8x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 20 elements in 8 groups, including 7 ED and 2 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation. This lens's 65mm end overlaps the 75mm end of the 25-75mm model, so the two pair as a two-lens set with no gap in focal range. Aluminum alloy body, approx. 1,782 g\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e65-180mm focal range runs from short telephoto to long telephoto, letting the operator move from a portrait or medium shot to a more distant close-up without changing lenses; 2.8X zoom ratio\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1782g with an aluminum alloy body, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortraits and long-distance Close-ups\u003c\/li\u003e\n  \u003cli\u003eTelephoto film and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary where you cannot get close to the subject\u003c\/li\u003e\n  \u003cli\u003ePairing with the Arles Zoom 25-75mm as a two-lens set\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65-180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.8X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 8 groups (7 ED + 2 HRI elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.89 m (from the sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,782 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with the Marlin 1.4x Extender?\u003c\/strong\u003e\u003cbr\u003eA: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143887462540,"sku":"DZO-AZ65180I","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143887495308,"sku":"DZO-AZ65180M","price":99900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ65180-Product-1_bfc0e4fb-ee33-4c91-bbda-b990d3a7416b.jpg?v=1788941071"},{"product_id":"dzofilm-arles-zoom-2-lens-kit-25-180mm-pl","title":"DZOFILM Arles Zoom Parfocal 25-75\/65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — Full Frame cine zoom 2-lens kit covering 25-180mm with no gap in focal range, constant T2.6 across the kit, Parfocal, with Hard Case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 2-Lens Kit is a set of 2 professional Full Frame cine zoom lenses, the Arles Zoom 25-75mm T2.6 and 65-180mm T2.6, covering wide-angle through long telephoto for a combined 25-180mm range. The key point is that the telephoto's 65mm end overlaps the wide zoom's 75mm end, so there is No Gap in focal range between the two lenses, and the overlap falls in the mid range used most often in documentary and interview work. Both lenses hold a constant T2.6 aperture throughout the zoom range, so you can swap lenses without compensating exposure. Both are Parfocal, holding focus while zooming, with very low Focus Breathing. The Four-Group Linkage optical system uses ED and HRI elements for Prime-level quality. Both cover a Ø43.5mm Image Circle and share a 16-blade iris, Ø95mm front diameter, M86 filter thread and matching M0.8 gear positions, so lenses can be changed quickly without moving the Matte Box or resetting the Follow Focus, even with lens motors attached. Weights are similar at around 1.77 and 1.78 kg, so the gimbal barely needs rebalancing. Supplied with a Hard Case for storage and transport\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional full-frame cine lens kit of 2 lenses, 25-75\/65-180mm, covering wide-angle through telephoto\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1767g \/ ~1782g with aluminum alloy bodies, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction Houses and Rental Services\u003c\/li\u003e\n  \u003cli\u003eFilm and commercial work that needs to cover every focal length\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interview work with no time to swap lenses\u003c\/li\u003e\n  \u003cli\u003eTeams using Follow Focus and Matte Box\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cinema cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eArles Zoom 25-75mm T2.6 + Arles Zoom 65-180mm T2.6\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCombined Range\u003c\/td\u003e\n\u003ctd\u003e25-180mm (no gap in focal range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e3X (25-75mm) \/ 2.8X (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e25-75mm: 22 elements in 8 groups (ED 7 + HRI 5) · 65-180mm: 20 elements in 8 groups (ED 7 + HRI 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.51 m (25-75mm) \/ 0.89 m (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e178.1mm \/ 190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1.77 kg \/ 1.78 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Zoom 25-75mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eArles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront and rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eHard Case for storage and transport\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why do you say there is no gap in focal range?\u003c\/strong\u003e\u003cbr\u003eA: Because the telephoto's 65mm end overlaps the wide zoom's 75mm end, the pair covers 25-180mm continuously with no focal length missing, and the overlap is the mid range used most often in documentary and interview work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The kit costs less than buying the two lenses separately, and the Hard Case is included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143890346124,"sku":"DZO-AZ25180I","price":199900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143890378892,"sku":"DZO-AZ25180M","price":199900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ25180-Product-1_3ab2691b-c587-428d-9fe9-3ba54852c4ac.jpg?v=1788941080"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/dzofilm-arleszoom.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}