{"title":"NiSi Cinema \u0026 Photo Lenses","description":"\u003cp\u003eNiSi lenses: Athena Prime and Athena Rewind full frame cine lenses, the 65mm Prime large format cine lens and the 16mm F2.8 ultra-wide for medium format.\u003c\/p\u003e","products":[{"product_id":"nisi-athena-prime-14mm-t24-full-frame-cinema-lens","title":"NiSi ATHENA Prime 14mm T2.4 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003eNiSi ATHENA Prime 14mm T2.4 Full Frame Cinema Lens — Full Frame Cinema Lens 14mm T2.4 – Ultra Wide for Establishing Shots\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 14mm T2.4 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 14mm focal length and a 113.9° angle of view covering Full Frame (Image Circle 46mm). Its T2.4 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eEstablishing Shots \/ Wide Landscapes in film work\u003c\/li\u003e\n\u003cli\u003eInterior \/ Architecture Cinematography\u003c\/li\u003e\n\u003cli\u003eAction Scenes \/ Vehicle Shots that call for an extra-wide angle\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e14mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e113.9°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 14mm T2.4 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 14mm T2.4 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 14mm T2.4 · Full Frame Cine MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 14mm T2.4 · Full Frame Cine MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 14mm T2.4 · Full Frame Cine MF · Wide Angle – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844498038924,"sku":"NS-ATH-14-T24-E","price":44000.0,"currency_code":"THB","in_stock":true},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844498071692,"sku":"NS-ATH-14-T24-E-ND","price":44000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Box","offer_id":57438068342924,"sku":"NS-ATH-14-T24-E-NOBOX","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844498104460,"sku":"NS-ATH-14-T24-RF","price":44000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844498137228,"sku":"NS-ATH-14-T24-L","price":44000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844498169996,"sku":"NS-ATH-14-T24-G-ND","price":44000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844498202764,"sku":"NS-ATH-14-T24-PL","price":44000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ Rewind","offer_id":57439270076556,"sku":"NS-ATH-14-T24-PL-RW","price":44000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-14-T24-Product-1.jpg?v=1778728870"},{"product_id":"nisi-athena-prime-18mm-t22-full-frame-cinema-lens","title":"NiSi ATHENA Prime 18mm T2.2 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003eNiSi ATHENA Prime 18mm T2.2 Full Frame Cinema Lens — Full Frame Cinema Lens 18mm T2.2 – Wide for Establishing \/ Wide Scenes\u003c\/h2\u003e\n\n\u003cp\u003eNiSi ATHENA Prime 18mm T2.2 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 18mm focal length and a 99.4° angle of view covering Full Frame (Image Circle 46mm). Its T2.2 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\t\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\t\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\t\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\t\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\t\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\t\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\t\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\t\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\t\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\t\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\t\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\t\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\t\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\t\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\t\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\t\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\t\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\t\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\t\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\t\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\t\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\t\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\t\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\t\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\t\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eEstablishing Shots that need a moderately wide angle\u003c\/li\u003e\n\t\u003cli\u003eInterior Photography without heavy line distortion\u003c\/li\u003e\n\t\u003cli\u003eWide scenes for storytelling (Setting the Scene)\u003c\/li\u003e\n\t\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\t\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\t\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\t\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\t\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\t\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\n\u003ctable class=\"product-specs\"\u003e\n\t\u003ctbody\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocal Length\u003c\/td\u003e\n\t\t\t\u003ctd\u003e18mm\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eAperture\u003c\/td\u003e\n\t\t\t\u003ctd\u003eT2.2 – T22\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eAngle of View\u003c\/td\u003e\n\t\t\t\u003ctd\u003e99.4°\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\t\t\t\u003ctd\u003e0.28m\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eWeight\u003c\/td\u003e\n\t\t\t\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFilter Size\u003c\/td\u003e\n\t\t\t\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eLens Construction\u003c\/td\u003e\n\t\t\t\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocus System\u003c\/td\u003e\n\t\t\t\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\t\t\t\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\t\t\t\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\t\t\t\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eImage Circle\u003c\/td\u003e\n\t\t\t\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\t\t\t\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\t\t\t\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\t\t\t\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\t\u003ctr\u003e\n\t\t\t\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\t\t\t\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\t\t\u003c\/tr\u003e\n\t\u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\t\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\t\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\t\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\t\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\t\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\t\u003cli\u003eFront Cap\u003c\/li\u003e\n\t\u003cli\u003eRear Cap\u003c\/li\u003e\n\t\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\n\u003cul\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003e\n\tA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003e\n\tA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003e\n\tA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 18mm T2.2 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 18mm T2.2 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 18mm T2.2 · Full Frame Cine MF · Wide Angle – Product detail image 2\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 18mm T2.2 · Full Frame Cine MF · Wide Angle – Product detail image 3\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 18mm T2.2 · Full Frame Cine MF · Wide Angle – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844498235532,"sku":"NS-ATH-18-T22-E","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844498268300,"sku":"NS-ATH-18-T22-E-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844498301068,"sku":"NS-ATH-18-T22-RF","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844498333836,"sku":"NS-ATH-18-T22-L","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844498366604,"sku":"NS-ATH-18-T22-G-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844498399372,"sku":"NS-ATH-18-T22-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-18-T22-Product-1.jpg?v=1778731098"},{"product_id":"nisi-athena-prime-25mm-t19-full-frame-cinema-lens","title":"NiSi ATHENA Prime 25mm T1.9 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003eNiSi ATHENA Prime 25mm T1.9 Full Frame Cinema Lens — Full Frame Cinema Lens 25mm T1.9 – Easy-to-Use Wide-Standard Angle\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 25mm T1.9 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 25mm focal length and a 75.4° angle of view covering Full Frame (Image Circle 46mm). Its T1.9 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTwo-Shots \/ Group Shots in smaller rooms\u003c\/li\u003e\n\u003cli\u003eEstablishing-Standard, the most frequently used angle on set\u003c\/li\u003e\n\u003cli\u003eHandheld Documentary \/ Run-and-Gun\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e75.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 25mm T1.9 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 25mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 25mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 25mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 25mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844498432140,"sku":"NS-ATH-25-T19-E","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844498464908,"sku":"NS-ATH-25-T19-E-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844498497676,"sku":"NS-ATH-25-T19-RF","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844498530444,"sku":"NS-ATH-25-T19-L","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844498563212,"sku":"NS-ATH-25-T19-G-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844498595980,"sku":"NS-ATH-25-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-25-T19-Product-1.jpg?v=1778731334"},{"product_id":"nisi-athena-prime-35mm-t19-full-frame-cinema-lens","title":"NiSi ATHENA Prime 35mm T1.9 · Full Frame Cine MF · Wide Angle","description":"\u003ch2\u003eNiSi ATHENA Prime 35mm T1.9 Full Frame Cinema Lens — Full Frame Cinema Lens 35mm T1.9 – The Popular Cinematic Wide Angle\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 35mm T1.9 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 35mm focal length and a 59.7° angle of view covering Full Frame (Image Circle 46mm). Its T1.9 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Storytelling — the most frequently used angle in film\u003c\/li\u003e\n\u003cli\u003eDialogue Scene \/ Two-Shot \/ Master Shot\u003c\/li\u003e\n\u003cli\u003eDocumentary \/ Indie Film\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e59.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.35m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 35mm T1.9 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 35mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 35mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 35mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 35mm T1.9 · Full Frame Cine MF · Wide Angle – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844498628748,"sku":"NS-ATH-35-T19-E","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844498661516,"sku":"NS-ATH-35-T19-E-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844498694284,"sku":"NS-ATH-35-T19-RF","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844498727052,"sku":"NS-ATH-35-T19-L","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844498759820,"sku":"NS-ATH-35-T19-G-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844498792588,"sku":"NS-ATH-35-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-35-T19-Product-1.jpg?v=1778732610"},{"product_id":"nisi-athena-prime-40mm-t19-full-frame-cinema-lens","title":"NiSi ATHENA Prime 40mm T1.9 · Full Frame Cine MF","description":"\u003ch2\u003eNiSi ATHENA Prime 40mm T1.9 Full Frame Cinema Lens — Full Frame Cinema Lens 40mm T1.9 – Normal Wide, Closest to Human Vision\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 40mm T1.9 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 40mm focal length and a 53.4° angle of view covering Full Frame (Image Circle 46mm). Its T1.9 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAn angle close to human vision — realistic storytelling\u003c\/li\u003e\n\u003cli\u003eDialogue Scenes \/ Drama \/ Romance\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a natural feel\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e40mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e53.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.4m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 40mm T1.9 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 40mm T1.9 · Full Frame Cine MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 40mm T1.9 · Full Frame Cine MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 40mm T1.9 · Full Frame Cine MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 40mm T1.9 · Full Frame Cine MF – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844498825356,"sku":"NS-ATH-40-T19-E","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844498858124,"sku":"NS-ATH-40-T19-E-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844498890892,"sku":"NS-ATH-40-T19-RF","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844498923660,"sku":"NS-ATH-40-T19-L","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844498956428,"sku":"NS-ATH-40-T19-G-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844498989196,"sku":"NS-ATH-40-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-40-T19-Product-1.jpg?v=1778733532"},{"product_id":"nisi-athena-prime-50mm-t19-full-frame-cinema-lens","title":"NiSi ATHENA Prime 50mm T1.9 · Full Frame Cine MF","description":"\u003ch2\u003eNiSi ATHENA Prime 50mm T1.9 Full Frame Cinema Lens — Full Frame Cinema Lens 50mm T1.9 – The Standard Focal Length for Cinema Cameras\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 50mm T1.9 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 50mm focal length and a 43.7° angle of view covering Full Frame (Image Circle 46mm). Its T1.9 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eStandard Master Shots in film\u003c\/li\u003e\n\u003cli\u003ePortrait Scene \/ Close-up Dialogue\u003c\/li\u003e\n\u003cli\u003eCinematic Music Video \/ Commercial work\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e43.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.45m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 50mm T1.9 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 50mm T1.9 · Full Frame Cine MF – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 50mm T1.9 · Full Frame Cine MF – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 50mm T1.9 · Full Frame Cine MF – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 50mm T1.9 · Full Frame Cine MF – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844499021964,"sku":"NS-ATH-50-T19-E","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844499054732,"sku":"NS-ATH-50-T19-E-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844499087500,"sku":"NS-ATH-50-T19-RF","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844499120268,"sku":"NS-ATH-50-T19-L","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844499153036,"sku":"NS-ATH-50-T19-G-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844499185804,"sku":"NS-ATH-50-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-50-T19-Product-1.jpg?v=1778734995"},{"product_id":"nisi-athena-prime-85mm-t19-full-frame-cinema-lens","title":"NiSi ATHENA Prime 85mm T1.9 · Full Frame Cine MF · Portrait","description":"\u003ch2\u003eNiSi ATHENA Prime 85mm T1.9 Full Frame Cinema Lens — Full Frame Cinema Lens 85mm T1.9 – Portrait Telephoto for Close-up Drama\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 85mm T1.9 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 85mm focal length and a 27.4° angle of view covering Full Frame (Image Circle 46mm). Its T1.9 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eClose-up Portrait \/ Emotional Scene\u003c\/li\u003e\n\u003cli\u003eRomance \/ Drama Scenes that need beautiful Bokeh\u003c\/li\u003e\n\u003cli\u003eBeauty Shots in commercials \/ MVs\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e27.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.7m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.2kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e77mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 85mm T1.9 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 85mm T1.9 · Full Frame Cine MF · Portrait – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 85mm T1.9 · Full Frame Cine MF · Portrait – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 85mm T1.9 · Full Frame Cine MF · Portrait – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 85mm T1.9 · Full Frame Cine MF · Portrait – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844499218572,"sku":"NS-ATH-85-T19-E","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844499251340,"sku":"NS-ATH-85-T19-E-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844499284108,"sku":"NS-ATH-85-T19-RF","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844499316876,"sku":"NS-ATH-85-T19-L","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844499349644,"sku":"NS-ATH-85-T19-G-NODP","price":39000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844499382412,"sku":"NS-ATH-85-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-85-T19-Product-1.jpg?v=1778735388"},{"product_id":"nisi-athena-prime-135mm-t22-full-frame-cinema-lens","title":"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait","description":"\u003ch2\u003eNiSi ATHENA Prime 135mm T2.2 Full Frame Cinema Lens — Full Frame Cinema Lens 135mm T2.2 – Long Telephoto for Compression + Deep Bokeh\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA Prime 135mm T2.2 Full Frame Cinema Lens is a professional full-frame cinema lens in the ATHENA Prime series, with a 135mm focal length and a 17.6° angle of view covering Full Frame (Image Circle 46mm). Its T2.2 aperture delivers beautiful, smooth cinematic bokeh — with 300° Focus Rotation, 10 aperture blades and standard Cinema 0.8 MOD gears compatible with any Follow Focus system. The lightweight yet sturdy Aluminum Alloy body features glow-in-the-dark scales and very low Focus Breathing. Available in Sony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL mounts, with 2 options for Sony E: With Drop-in Filter \/ No Drop-in Filter\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFast apertures of T1.9 (25mm, 35mm, 40mm, 50mm, 85mm), T2.2 (18mm and 135mm) and T2.4 (14mm) deliver beautiful bokeh, smooth background blur and a soft cinematic look, with easy low-light shooting\u003c\/li\u003e\n\u003cli\u003eLong 300° Focus Rotation for fine control, ideal for filmmaking\u003c\/li\u003e\n\u003cli\u003eNo Focus Breathing; the frame stays steady even when changing focus\u003c\/li\u003e\n\u003cli\u003eAccurate color and excellent CA control for sharp, highly detailed, pro-level images\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears, compatible with any Follow Focus \/ Motor system\u003c\/li\u003e\n\u003cli\u003eManual Focus for precise control of focus distance\u003c\/li\u003e\n\u003cli\u003eGlow-in-the-dark scales stay readable on dark sets, so low light is no obstacle\u003c\/li\u003e\n\u003cli\u003eOptical glass for applications that demand high precision\u003c\/li\u003e\n\u003cli\u003eFine contrast rendering at the Micro Contrast level\u003c\/li\u003e\n\u003cli\u003eNo CA or purple fringing when shooting against the light\u003c\/li\u003e\n\u003cli\u003eAccepts circular filters and 100mm square filters via the 77mm front thread\u003c\/li\u003e\n\u003cli\u003eAluminum construction: lightweight yet strong and durable\u003c\/li\u003e\n\u003cli\u003eThe No Drop-in Filter version has no rear filter slot and works fully with a Matte Box and front filters (77mm), ideal for crew shoots \/ large rigs; the Drop-in Filter version is fast, convenient and nimble, ideal for solo \/ mobile shooting\u003c\/li\u003e\n\u003cli\u003e2 versions: Drop-in \/ No Drop-in\u003c\/li\u003e\n\u003cli\u003eFocal lengths: 14mm (T2.4), 18 \/ 25 \/ 35 \/ 40 \/ 50 \/ 85 \/ 135 mm (T1.9) (covering Wide → Tele)\u003c\/li\u003e\n\u003cli\u003eAperture: T1.9 – T22 (14mm = T2.4)\u003c\/li\u003e\n\u003cli\u003eAperture Blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus Rotation: 300° (cinema-grade precision)\u003c\/li\u003e\n\u003cli\u003eGear: 0.8 MOD (Follow Focus compatible)\u003c\/li\u003e\n\u003cli\u003eClose Focus: 0.25 – 0.8m (depending on focal length)\u003c\/li\u003e\n\u003cli\u003eAngle of view: up to ~113.9° (at 14mm)\u003c\/li\u003e\n\u003cli\u003eImage: accurate color \/ low CA \/ high Micro Contrast\u003c\/li\u003e\n\u003cli\u003eFocus Breathing: virtually none\u003c\/li\u003e\n\u003cli\u003eFilter: 77mm front (except 14mm) and Drop-in Filter (select E Mount versions only)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 – 900g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLong Lens Close-up Portraits — the deepest Bokeh in the series\u003c\/li\u003e\n\u003cli\u003eLong-distance Documentary work (Wildlife \/ Sport)\u003c\/li\u003e\n\u003cli\u003eCompression Shots for MVs \/ Commercials\u003c\/li\u003e\n\u003cli\u003eProfessional film work \/ Cinematography\u003c\/li\u003e\n\u003cli\u003eAdvertising \/ Commercial Production\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs that need a Cinematic Look\u003c\/li\u003e\n\u003cli\u003eDocumentaries that need a consistent tone throughout\u003c\/li\u003e\n\u003cli\u003eShort Film \/ Indie Cinema\u003c\/li\u003e\n\u003cli\u003eStudio Live Streaming \/ Talkshow work using Cine Lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.2 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e17.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.8m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.3kg (approx.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e95mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy Body — lightweight yet strong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus System\u003c\/td\u003e\n\u003ctd\u003eManual Focus (MF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° (cinema-grade precision)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema Gear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades (smooth, round Bokeh)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (full Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low (ideal for Pull Focus)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupported Mounts\u003c\/td\u003e\n\u003ctd\u003eSony E \/ Canon RF \/ Leica L \/ Fuji GFX \/ PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDrop-in Filter Options\u003c\/td\u003e\n\u003ctd\u003e2 versions — With Drop-in Filter \/ No Drop-in Filter (Sony E)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSony E + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eSony E + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eCanon RF + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eLeica L + With Drop-in Filter\u003c\/li\u003e\n\u003cli\u003eFuji GFX + No Drop-in Filter\u003c\/li\u003e\n\u003cli\u003ePL + With Drop-in Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA Prime lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is a Drop-in Filter?\u003c\/strong\u003e\u003cbr\u003eA: A Drop-in Filter is a filter slot at the rear of the lens that lets you swap ND \/ CPL filters quickly without removing the Matte Box — for solo work or when you need maximum mobility. The With Drop-in Filter version has this slot, while the No Drop-in Filter (NODP) version does not and suits crews that mainly use a Matte Box + front filters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with a Follow Focus?\u003c\/strong\u003e\u003cbr\u003eA: Yes — it has standard 0.8 MOD gears and works with any Follow Focus \/ Motor \/ Gimbal system on the market, with no Adapter Gear needed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which sensors does the 46mm Image Circle cover?\u003c\/strong\u003e\u003cbr\u003eA: 46mm covers Full Frame on Sony FX (Sony E), Canon EOS (RF), Leica SL\/Panasonic S (L Mount), Fuji GFX (Crop Mode), and ARRI \/ RED via PL — with no vignetting on Full Frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA Prime 135mm T2.2 — Cinema-grade Full Frame Lens at an accessible price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-1.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-2.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-3.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-Detail-4.jpg\" alt=\"NiSi ATHENA Prime 135mm T2.2 · Full Frame Cine MF · Portrait – Product detail image 4\"\u003e","brand":"NiSi","offers":[{"title":"Sony E \/ With Drop-in Filter","offer_id":49844499415180,"sku":"NS-ATH-135-T22-E","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Sony E \/ No Drop-in Filter","offer_id":49844499447948,"sku":"NS-ATH-135-T22-E-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Canon RF \/ With Drop-in Filter","offer_id":49844499480716,"sku":"NS-ATH-135-T22-RF","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Leica L \/ With Drop-in Filter","offer_id":49844499513484,"sku":"NS-ATH-135-T22-L","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX \/ No Drop-in Filter","offer_id":49844499546252,"sku":"NS-ATH-135-T22-G-NODP","price":41000.0,"currency_code":"THB","in_stock":false},{"title":"PL \/ With Drop-in Filter","offer_id":49844499579020,"sku":"NS-ATH-135-T22-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-ATH-135-T22-Product-1.jpg?v=1778735614"},{"product_id":"nisi-athena-rewind-14mm-t24-pl-mount","title":"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 14mm T2.4 Full Frame Cinema Lens for PL-Mount — Vintage Cinema Lens 14mm T2.4 — Bubble Bokeh + Filmic Look\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 14mm T2.4 is a Full Frame PL-Mount cinema lens in the REWIND series that combines Vintage Cinema + Modern character in one lens — with signature Bubble Bokeh, a 14mm focal length and a 113.9° angle of view. Its Rear Filter Slot takes filters at the back without removing the Matte Box, alongside 300° Focus Rotation, standard Cinema 0.8 MOD gears and Full Frame coverage (Image Circle 46mm) — a choice for filmmakers who want a vintage Filmic Look\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eEstablishing Shots \/ Wide Scenes with a Filmic feel\u003c\/li\u003e\n\u003cli\u003eVehicle \/ Action Scenes that need a Vintage Look\u003c\/li\u003e\n\u003cli\u003eCinematic work that needs Vintage Character\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs with a Cinematic Mood\u003c\/li\u003e\n\u003cli\u003eShort Films \/ Indie projects that need a Filmic look\u003c\/li\u003e\n\u003cli\u003eStorytelling Documentaries that need Texture\u003c\/li\u003e\n\u003cli\u003eLifestyle Commercial Production\u003c\/li\u003e\n\u003cli\u003eDrama \/ Romance work that needs Bubble Bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e14mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e113.9°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter\u003c\/td\u003e\n\u003ctd\u003eNo front filter thread (Rear Filter supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2 in 1) — signature Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is \"2 in 1 Character\"?\u003c\/strong\u003e\u003cbr\u003eA: ATHENA REWIND lenses give 2 image characters in one — a Vintage tone (soft, glowing, with Filmic depth) and a Modern tone (sharp, clean, easy to grade) — depending on how you shoot and the aperture you choose. Wide open gives the Vintage Look; stopped down a little gives the Modern Look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Bubble Bokeh?\u003c\/strong\u003e\u003cbr\u003eA: Bubble Bokeh refers to bokeh circles with dark edges and bright centers, like soap bubbles — a hallmark of pro-grade Vintage lenses such as Petzval \/ Trioplan — and ATHENA REWIND delivers this Look at an accessible price\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which cameras can it be used with?\u003c\/strong\u003e\u003cbr\u003eA: This lens is PL Mount — it works with pro Cinema cameras such as ARRI ALEXA, RED, Sony VENICE, Z CAM, Kinefinity and more, or on other Mirrorless cameras via a PL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND 14mm T2.4 — Vintage Cinema Look in a Modern Build lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 14mm T2.4 · Full Frame Cine MF · Wide Angle · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499611788,"sku":"NS-RW-14-T24-PL","price":44000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Product-1.jpg?v=1778736949"},{"product_id":"nisi-athena-rewind-25mm-t19-pl-mount","title":"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 25mm T1.9 Full Frame Cinema Lens for PL-Mount — Vintage Cinema Lens 25mm T1.9 — Bubble Bokeh + Filmic Look\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 25mm T1.9 is a Full Frame PL-Mount cinema lens in the REWIND series that combines Vintage Cinema + Modern character in one lens — with signature Bubble Bokeh, a 25mm focal length and a 75.4° angle of view. Its Rear Filter Slot takes filters at the back without removing the Matte Box, alongside 300° Focus Rotation, standard Cinema 0.8 MOD gears and Full Frame coverage (Image Circle 46mm) — a choice for filmmakers who want a vintage Filmic Look\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFilmic Two-Shots \/ Group Shots\u003c\/li\u003e\n\u003cli\u003eRun-and-Gun Documentary\u003c\/li\u003e\n\u003cli\u003eCinematic work that needs Vintage Character\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs with a Cinematic Mood\u003c\/li\u003e\n\u003cli\u003eShort Films \/ Indie projects that need a Filmic look\u003c\/li\u003e\n\u003cli\u003eStorytelling Documentaries that need Texture\u003c\/li\u003e\n\u003cli\u003eLifestyle Commercial Production\u003c\/li\u003e\n\u003cli\u003eDrama \/ Romance work that needs Bubble Bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e75.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter\u003c\/td\u003e\n\u003ctd\u003eNo front filter thread (Rear Filter supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2 in 1) — signature Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is \"2 in 1 Character\"?\u003c\/strong\u003e\u003cbr\u003eA: ATHENA REWIND lenses give 2 image characters in one — a Vintage tone (soft, glowing, with Filmic depth) and a Modern tone (sharp, clean, easy to grade) — depending on how you shoot and the aperture you choose. Wide open gives the Vintage Look; stopped down a little gives the Modern Look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Bubble Bokeh?\u003c\/strong\u003e\u003cbr\u003eA: Bubble Bokeh refers to bokeh circles with dark edges and bright centers, like soap bubbles — a hallmark of pro-grade Vintage lenses such as Petzval \/ Trioplan — and ATHENA REWIND delivers this Look at an accessible price\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which cameras can it be used with?\u003c\/strong\u003e\u003cbr\u003eA: This lens is PL Mount — it works with pro Cinema cameras such as ARRI ALEXA, RED, Sony VENICE, Z CAM, Kinefinity and more, or on other Mirrorless cameras via a PL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND 25mm T1.9 — Vintage Cinema Look in a Modern Build lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 25mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499644556,"sku":"NS-RW-25-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-25-T19-PL.jpg?v=1778737161"},{"product_id":"nisi-athena-rewind-35mm-t19-pl-mount","title":"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 35mm T1.9 Full Frame Cinema Lens for PL-Mount — Vintage Cinema Lens 35mm T1.9 — Bubble Bokeh + Filmic Look\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 35mm T1.9 is a Full Frame PL-Mount cinema lens in the REWIND series that combines Vintage Cinema + Modern character in one lens — with signature Bubble Bokeh, a 35mm focal length and a 59.7° angle of view. Its Rear Filter Slot takes filters at the back without removing the Matte Box, alongside 300° Focus Rotation, standard Cinema 0.8 MOD gears and Full Frame coverage (Image Circle 46mm) — a choice for filmmakers who want a vintage Filmic Look\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCinematic Storytelling, the most popular focal length in film\u003c\/li\u003e\n\u003cli\u003eFilmic Dialogue \/ Master Shots\u003c\/li\u003e\n\u003cli\u003eCinematic work that needs Vintage Character\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs with a Cinematic Mood\u003c\/li\u003e\n\u003cli\u003eShort Films \/ Indie projects that need a Filmic look\u003c\/li\u003e\n\u003cli\u003eStorytelling Documentaries that need Texture\u003c\/li\u003e\n\u003cli\u003eLifestyle Commercial Production\u003c\/li\u003e\n\u003cli\u003eDrama \/ Romance work that needs Bubble Bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e59.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter\u003c\/td\u003e\n\u003ctd\u003eNo front filter thread (Rear Filter supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2 in 1) — signature Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is \"2 in 1 Character\"?\u003c\/strong\u003e\u003cbr\u003eA: ATHENA REWIND lenses give 2 image characters in one — a Vintage tone (soft, glowing, with Filmic depth) and a Modern tone (sharp, clean, easy to grade) — depending on how you shoot and the aperture you choose. Wide open gives the Vintage Look; stopped down a little gives the Modern Look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Bubble Bokeh?\u003c\/strong\u003e\u003cbr\u003eA: Bubble Bokeh refers to bokeh circles with dark edges and bright centers, like soap bubbles — a hallmark of pro-grade Vintage lenses such as Petzval \/ Trioplan — and ATHENA REWIND delivers this Look at an accessible price\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which cameras can it be used with?\u003c\/strong\u003e\u003cbr\u003eA: This lens is PL Mount — it works with pro Cinema cameras such as ARRI ALEXA, RED, Sony VENICE, Z CAM, Kinefinity and more, or on other Mirrorless cameras via a PL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND 35mm T1.9 — Vintage Cinema Look in a Modern Build lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 35mm T1.9 · Full Frame Cine MF · Wide Angle · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499677324,"sku":"NS-RW-35-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-35-T19-PL.jpg?v=1778737162"},{"product_id":"nisi-athena-rewind-50mm-t19-pl-mount","title":"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 50mm T1.9 Full Frame Cinema Lens for PL-Mount — Vintage Cinema Lens 50mm T1.9 — Bubble Bokeh + Filmic Look\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 50mm T1.9 is a Full Frame PL-Mount cinema lens in the REWIND series that combines Vintage Cinema + Modern character in one lens — with signature Bubble Bokeh, a 50mm focal length and a 43.7° angle of view. Its Rear Filter Slot takes filters at the back without removing the Matte Box, alongside 300° Focus Rotation, standard Cinema 0.8 MOD gears and Full Frame coverage (Image Circle 46mm) — a choice for filmmakers who want a vintage Filmic Look\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eStandard Master Shots — the human-eye angle\u003c\/li\u003e\n\u003cli\u003eDialogue \/ Close-ups that need Bubble Bokeh\u003c\/li\u003e\n\u003cli\u003eCinematic work that needs Vintage Character\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs with a Cinematic Mood\u003c\/li\u003e\n\u003cli\u003eShort Films \/ Indie projects that need a Filmic look\u003c\/li\u003e\n\u003cli\u003eStorytelling Documentaries that need Texture\u003c\/li\u003e\n\u003cli\u003eLifestyle Commercial Production\u003c\/li\u003e\n\u003cli\u003eDrama \/ Romance work that needs Bubble Bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e43.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter\u003c\/td\u003e\n\u003ctd\u003eNo front filter thread (Rear Filter supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2 in 1) — signature Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is \"2 in 1 Character\"?\u003c\/strong\u003e\u003cbr\u003eA: ATHENA REWIND lenses give 2 image characters in one — a Vintage tone (soft, glowing, with Filmic depth) and a Modern tone (sharp, clean, easy to grade) — depending on how you shoot and the aperture you choose. Wide open gives the Vintage Look; stopped down a little gives the Modern Look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Bubble Bokeh?\u003c\/strong\u003e\u003cbr\u003eA: Bubble Bokeh refers to bokeh circles with dark edges and bright centers, like soap bubbles — a hallmark of pro-grade Vintage lenses such as Petzval \/ Trioplan — and ATHENA REWIND delivers this Look at an accessible price\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which cameras can it be used with?\u003c\/strong\u003e\u003cbr\u003eA: This lens is PL Mount — it works with pro Cinema cameras such as ARRI ALEXA, RED, Sony VENICE, Z CAM, Kinefinity and more, or on other Mirrorless cameras via a PL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND 50mm T1.9 — Vintage Cinema Look in a Modern Build lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 50mm T1.9 · Full Frame Cine MF · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499710092,"sku":"NS-RW-50-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-50-T19-PL.jpg?v=1778737161"},{"product_id":"nisi-athena-rewind-85mm-t19-pl-mount","title":"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 85mm T1.9 Full Frame Cinema Lens for PL-Mount — Vintage Cinema Lens 85mm T1.9 — Bubble Bokeh + Filmic Look\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 85mm T1.9 is a Full Frame PL-Mount cinema lens in the REWIND series that combines Vintage Cinema + Modern character in one lens — with signature Bubble Bokeh, a 85mm focal length and a 27.4° angle of view. Its Rear Filter Slot takes filters at the back without removing the Matte Box, alongside 300° Focus Rotation, standard Cinema 0.8 MOD gears and Full Frame coverage (Image Circle 46mm) — a choice for filmmakers who want a vintage Filmic Look\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePortrait \/ Close-up Drama that needs beautiful Bokeh\u003c\/li\u003e\n\u003cli\u003eBeauty Shot \/ Romance Scene\u003c\/li\u003e\n\u003cli\u003eCinematic Music Video \/ Commercial work\u003c\/li\u003e\n\u003cli\u003eCinematic work that needs Vintage Character\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ MVs with a Cinematic Mood\u003c\/li\u003e\n\u003cli\u003eShort Films \/ Indie projects that need a Filmic look\u003c\/li\u003e\n\u003cli\u003eStorytelling Documentaries that need Texture\u003c\/li\u003e\n\u003cli\u003eLifestyle Commercial Production\u003c\/li\u003e\n\u003cli\u003eDrama \/ Romance work that needs Bubble Bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e27.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame coverage)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter\u003c\/td\u003e\n\u003ctd\u003eNo front filter thread (Rear Filter supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2 in 1) — signature Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND lens (per selected version)\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is \"2 in 1 Character\"?\u003c\/strong\u003e\u003cbr\u003eA: ATHENA REWIND lenses give 2 image characters in one — a Vintage tone (soft, glowing, with Filmic depth) and a Modern tone (sharp, clean, easy to grade) — depending on how you shoot and the aperture you choose. Wide open gives the Vintage Look; stopped down a little gives the Modern Look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is Bubble Bokeh?\u003c\/strong\u003e\u003cbr\u003eA: Bubble Bokeh refers to bokeh circles with dark edges and bright centers, like soap bubbles — a hallmark of pro-grade Vintage lenses such as Petzval \/ Trioplan — and ATHENA REWIND delivers this Look at an accessible price\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Which cameras can it be used with?\u003c\/strong\u003e\u003cbr\u003eA: This lens is PL Mount — it works with pro Cinema cameras such as ARRI ALEXA, RED, Sony VENICE, Z CAM, Kinefinity and more, or on other Mirrorless cameras via a PL Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND 85mm T1.9 — Vintage Cinema Look in a Modern Build lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 85mm T1.9 · Full Frame Cine MF · Portrait · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499742860,"sku":"NS-RW-85-T19-PL","price":39000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-85-T19-PL.jpg?v=1778737161"},{"product_id":"nisi-athena-rewind-5-lens-kit-set-pl-mount","title":"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL","description":"\u003ch2\u003eNiSi ATHENA REWIND 5-Lens Kit Set (14mm T2.4 + 25\/35\/50\/85mm T1.9) for PL-Mount — Complete 5-Focal-Length Cinema Lens Kit — Vintage Bubble Bokeh PL-Mount\u003c\/h2\u003e\n\u003cp\u003eNiSi ATHENA REWIND 5-Lens Kit Set is a complete PL-Mount cinema lens set covering 5 focal lengths (14mm T2.4 + 25mm T1.9 + 35mm T1.9 + 50mm T1.9 + 85mm T1.9) for productions that need a full lens set at a Bundle price — a selection of the 5 focal lengths most often used on film sets. Every lens in the Kit shares closely matched color and character, so colors match on set without extra grading, with signature Bubble Bokeh and 0.8 MOD gears on every lens — ideal for DOPs \/ Filmmakers who want a complete lens set in one package\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAvailable in the following focal lengths\u003c\/li\u003e\n\u003cli\u003eOne lens, 2 image characters: a vintage tone that is soft, glowing and dimensional, and a modern tone that is sharp, clean and easy to grade\u003c\/li\u003e\n\u003cli\u003eDistinctive Bubble Bokeh makes backgrounds stand out with cinematic depth\u003c\/li\u003e\n\u003cli\u003eImage Circle 46mm coverage for Full Frame Cinema cameras\u003c\/li\u003e\n\u003cli\u003eWarm-toned Flare with attractive flaring that adds mood, especially in Backlight scenes\u003c\/li\u003e\n\u003cli\u003eClosely matched color tones, so lenses can be mixed on set without extra color correction in Post\u003c\/li\u003e\n\u003cli\u003eVery low Focus Breathing: a steady frame with no shift in angle of view, ideal for Pull Focus\u003c\/li\u003e\n\u003cli\u003eRear Filter Slot for easy rear-mounted filters without removing the Matte Box\u003c\/li\u003e\n\u003cli\u003eRetains natural Barrel Distortion for an Organic character that is not overly clinical\u003c\/li\u003e\n\u003cli\u003eNo added Chromatic Aberration: a vintage look with color quality still well controlled\u003c\/li\u003e\n\u003cli\u003e300° focus ring with luminous scales – fine, precise focusing that stays clearly visible in low light\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD gears — ready for precise, smooth use with Follow Focus \/ Rig \/ Gimbal systems\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount\u003c\/li\u003e\n\u003cli\u003eAperture: T2.4 (14mm) T1.9 (25mm,35mm,50mm,85mm)\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eCoverage: Full Frame (Image Circle 46mm)\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eFocus gear: 0.8 MOD\u003c\/li\u003e\n\u003cli\u003eFilter: no front filter thread (Rear Filter supported)\u003c\/li\u003e\n\u003cli\u003eWeight: 800 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDOPs \/ Cinematographers who want a complete Cinema lens set on a tight budget\u003c\/li\u003e\n\u003cli\u003eIndependent Films \/ Short Films that need a full lens lineup\u003c\/li\u003e\n\u003cli\u003eProduction Houses investing in their first Inventory\u003c\/li\u003e\n\u003cli\u003eMusic Videos \/ Commercials with frequent Focal length changes\u003c\/li\u003e\n\u003cli\u003eStudio work that needs Color Match between lenses\u003c\/li\u003e\n\u003cli\u003eStart-up Camera Rental Services\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eLenses in the Kit\u003c\/td\u003e\n\u003ctd\u003e5 lenses: 14mm T2.4 + 25mm T1.9 + 35mm T1.9 + 50mm T1.9 + 85mm T1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount (ARRI Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e46mm (Full Frame)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCharacter\u003c\/td\u003e\n\u003ctd\u003eVintage + Modern (2-in-1) — Bubble Bokeh\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor Matching\u003c\/td\u003e\n\u003ctd\u003eCross-Lens Color Matched — mix lenses without extra grading\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300° + luminous scales on every lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Standard Cinema) on every lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades on every lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter System\u003c\/td\u003e\n\u003ctd\u003eRear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi ATHENA REWIND 14mm T2.4 lens\u003c\/li\u003e\n\u003cli\u003eNiSi ATHENA REWIND 25mm T1.9 lens\u003c\/li\u003e\n\u003cli\u003eNiSi ATHENA REWIND 35mm T1.9 lens\u003c\/li\u003e\n\u003cli\u003eNiSi ATHENA REWIND 50mm T1.9 lens\u003c\/li\u003e\n\u003cli\u003eNiSi ATHENA REWIND 85mm T1.9 lens\u003c\/li\u003e\n\u003cli\u003eFront\/rear caps for every lens\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How much better value is the Kit than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: The Kit Set has a Bundle price that is better value than buying the 5 lenses separately — for Filmmakers who want a complete lens set, the Kit is more economical and more convenient\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What do the 5 chosen focal lengths cover?\u003c\/strong\u003e\u003cbr\u003eA: 14mm = Establishing Wide, 25mm = Group Shot, 35mm = Cinematic Wide, 50mm = Standard, 85mm = Portrait\/Close-up — covering every scene in storytelling work\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How good is the Color Match between lenses?\u003c\/strong\u003e\u003cbr\u003eA: The manufacturer controls the Coating and Glass for closely matched color — lenses can be mixed within the same scene without extra grading — a fit for shoots that use multiple lenses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-athena-prime-cine-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi ATHENA REWIND Kit Set — A complete 5-focal-length Cinema lens set, ready for Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-1.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-2.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-3.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-4.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-5.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-6.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-7.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-8.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-9.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RW-14-T24-PL-Detail-10.jpg\" alt=\"NiSi ATHENA REWIND 14\/25\/35\/50\/85mm 5-Lens Kit T1.9-2.4 · Full Frame Cine MF · PL – Product detail image 10\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499775628,"sku":"NS-RWK-PL-SET5","price":191000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-RWK-PL-SET5.jpg?v=1778737162"},{"product_id":"nisi-65mm-prime-16mm-t29-large-format-pl-mount","title":"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL","description":"\u003ch2\u003eNiSi 65mm Prime 16mm T2.9 Large Format Cinema Lens for PL-Mount — Ultra-Wide Large Format Cine Lens 16mm T2.9 (Image Circle 65mm)\u003c\/h2\u003e\n\u003cp\u003eNiSi 65mm Prime 16mm T2.9 is an ultra-wide cinema lens for Large Format sensors (Image Circle 65mm) — it covers pro cameras such as the ARRI ALEXA 65 with an angle of view beyond 122°. The bright T2.9 aperture handles low-light work — 3 advanced Aspherical elements deliver edge-to-edge sharpness with APO-level Chromatic Aberration control. A minimum focus distance of just 0.25m lets you go wide and still get close to the subject — at only 846g for a Large Format lens, it works comfortably on a Gimbal \/ Handheld\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eUltra-wide lens covering Large Format (65mm Image Circle) for cinema cameras such as the ARRI ALEXA 65, with an angle of view of more than 122° — ideal for Establishing Shots\u003c\/li\u003e\n\u003cli\u003eBright T2.9 aperture performs well in low light, with image depth and smooth background blur\u003c\/li\u003e\n\u003cli\u003eAPO-level chromatic aberration control reduces purple\/color fringing for accurate color and professional-grade sharpness\u003c\/li\u003e\n\u003cli\u003eAdvanced Aspherical elements deliver high sharpness across the frame (Edge-to-Edge) for high-resolution work, sharp from center to edge\u003c\/li\u003e\n\u003cli\u003eLow Distortion keeps straight lines straight — suited to Architecture \/ Commercial work with a true-to-life look\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance of 0.25 m lets you shoot wide while getting close to the subject, for more creative framing\u003c\/li\u003e\n\u003cli\u003eLuminescent Markings are visible in the dark for easy use on set\u003c\/li\u003e\n\u003cli\u003eStandard 0.8 MOD \/ 32 Pitch gears with 300° focus rotation, fully compatible with Follow Focus systems\u003c\/li\u003e\n\u003cli\u003eCinema-standard PL mount, compatible with PL (ARRI) Mount\u003c\/li\u003e\n\u003cli\u003eLightweight at only 846g for a Large Format lens — comfortable on a Gimbal \/ Handheld\u003c\/li\u003e\n\u003cli\u003eLens mount: PL Mount (ARRI Standard)\u003c\/li\u003e\n\u003cli\u003eOptical construction: 16 elements in 12 groups (including 3 Aspherical elements)\u003c\/li\u003e\n\u003cli\u003eFocus system: Manual Focus\u003c\/li\u003e\n\u003cli\u003eMinimum focus distance: 0.25 m\u003c\/li\u003e\n\u003cli\u003eFocus rotation: 300°\u003c\/li\u003e\n\u003cli\u003eAperture blades: 10\u003c\/li\u003e\n\u003cli\u003eAperture: T2.9 – T22\u003c\/li\u003e\n\u003cli\u003eFilter size: 92mm\u003c\/li\u003e\n\u003cli\u003eFront diameter: 95mm\u003c\/li\u003e\n\u003cli\u003eWeight: 846 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eProfessional cinema work with Large Format cameras (ARRI ALEXA 65)\u003c\/li\u003e\n\u003cli\u003eEstablishing Shots that need an angle of view beyond 120°\u003c\/li\u003e\n\u003cli\u003eArchitecture \/ Commercial Cinematography\u003c\/li\u003e\n\u003cli\u003eMusic Video \/ Commercial work that needs a pro-grade Ultra-Wide\u003c\/li\u003e\n\u003cli\u003eDocumentary work that needs the widest possible view\u003c\/li\u003e\n\u003cli\u003eHigh-End Camera Rental Services\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 – T22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 122° (on Large Format)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImage Circle\u003c\/td\u003e\n\u003ctd\u003e65mm (Large Format — ARRI ALEXA 65, etc.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOptical Construction\u003c\/td\u003e\n\u003ctd\u003e16 elements in 12 groups (3 Aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChromatic Aberration Control\u003c\/td\u003e\n\u003ctd\u003eAPO Level (reduces CA \/ Color Fringing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance (MFD)\u003c\/td\u003e\n\u003ctd\u003e0.25m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD \/ 32 Pitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e92mm (front thread)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFront Diameter\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e846g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eLuminescent Markings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount (ARRI Standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eOptions\u003c\/h3\u003e\u003cul\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNiSi 65mm Prime 16mm T2.9 lens\u003c\/li\u003e\n\u003cli\u003eFront Cap\u003c\/li\u003e\n\u003cli\u003eRear Cap\u003c\/li\u003e\n\u003cli\u003ePackaging box + user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: How is Large Format different from Full Frame?\u003c\/strong\u003e\u003cbr\u003eA: Large Format has a larger Image Circle (65mm vs 46mm) — it covers the sensors of pro cameras such as the ARRI ALEXA 65, which are several times larger than Full Frame — ordinary Full Frame lenses cannot be used on the ALEXA 65 (they vignette)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: What is APO Level?\u003c\/strong\u003e\u003cbr\u003eA: APO (Apochromatic) is the highest level of chromatic aberration control — it reduces Chromatic Aberration (purple\/color fringing) to almost 0 — delivering Cinema-Grade color and sharpness\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ: Is 846g heavy for a Large Format Lens?\u003c\/strong\u003e\u003cbr\u003eA: It is very light for Large Format — comparable lenses from other brands usually weigh 1.5-3kg — at 846g it is easy to use on a Gimbal \/ Handheld\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cinema lenses → \u003ca href=\"\/en-th\/collections\/nisi-cinema-photo-lenses\"\u003eCinema Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi 65mm Prime 16mm T2.9 — Ultra-Wide Cine Lens for Large Format Sensors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-1.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-2.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-3.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-4.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-5.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-6.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-7.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-8.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Detail-9.jpg\" alt=\"NiSi 65mm Prime 16mm T2.9 · Large Format Cine MF · Wide Angle · PL – product detail image 9\"\u003e","brand":"NiSi","offers":[{"title":"Default Title","offer_id":49844499808396,"sku":"NS-65P-16-T29-PL","price":85000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-65P-16-T29-PL-Product-1.jpg?v=1778737558"},{"product_id":"nisi-mf-16mm-f2-8-asph-ultra-wide-medium-format-lens-for-xcd-gfx-mount","title":"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026 Fuji GFX","description":"\u003ch2\u003eNiSi MF 16mm F2.8 ASPH. Ultra-Wide Medium Format Lens for XCD \/ GFX Mount\u003c\/h2\u003e\n\u003cp\u003eNiSi MF 16mm F2.8 ASPH. Ultra-Wide Medium Format Lens for XCD \/ GFX Mount is a lens from NiSi, the professional filter and accessory brand. Built for photo and video work that demands high quality, it delivers precise results and stands up to heavy use in the field. Ultra-wide 16mm (~12.6mm FF equivalent) — An angle of view over 118° captures sweeping vistas, architecture and skies across the full frame\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eUltra-wide 16mm (~12.6mm FF equivalent) — An angle of view over 118° captures sweeping vistas, architecture and skies across the full frame\u003c\/li\u003e\n  \u003cli\u003eBright f\/2.8 aperture — Shoot at low ISO for clean night images, ideal for stars, the Milky Way and dim interiors\u003c\/li\u003e\n  \u003cli\u003eSupports 100MP sensors — Sharp from center to edge, resolving detail at the full resolution of Medium Format cameras\u003c\/li\u003e\n  \u003cli\u003eDirect Hasselblad XCD mount — Mounts directly with no adapter required\u003c\/li\u003e\n  \u003cli\u003e16 elements in 12 groups — 3 Aspherical + 4 ED elements for precise control of sharpness and color\u003c\/li\u003e\n  \u003cli\u003eAPO-level chromatic aberration control — Clean edges with no purple fringing, even wide open at f\/2.8\u003c\/li\u003e\n  \u003cli\u003eCrisp, attractive 8-point sunstars — From f\/4–f\/22, ideal for city scenes at night\u003c\/li\u003e\n  \u003cli\u003e0.25m close focus — Work with near foregrounds for a strong wide-angle sense of perspective\u003c\/li\u003e\n  \u003cli\u003eWeather-Sealed metal body — Sealed against spray\/dust and lightweight at ~835g\u003c\/li\u003e\n  \u003cli\u003e82mm filter thread with SA+ coating — Accepts screw-in filters and resists flare and fingerprints\u003c\/li\u003e\n  \u003cli\u003ePrecise manual focus — Smooth 180° focus ring rotation + a clicked aperture ring give accurate control for work that has to be exact\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eUltra-wide landscapes\u003c\/li\u003e\n  \u003cli\u003eArchitecture and interiors\u003c\/li\u003e\n  \u003cli\u003eAstrophotography\u003c\/li\u003e\n  \u003cli\u003eProfessional Medium Format work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMount Type\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eXCD Mount\u003c\/li\u003e\n  \u003cli\u003eGFX Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eNiSi MF 16mm F2.8 ASPH. Ultra-Wide Medium Format Lens for XCD \/ GFX Mount × 1\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Which Medium Format cameras are supported?\u003c\/strong\u003e\u003cbr\u003eA: It supports Hasselblad X System (XCD) and Fujifilm GFX. Choose the mount that matches your camera when ordering\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is this a manual lens?\u003c\/strong\u003e\u003cbr\u003eA: Yes, it is Manual Focus. We recommend using Focus Peaking or Focus Magnify, which is normal for ultra-wide lenses that already have very deep depth of field\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/nisi\"\u003eLenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiSi MF 16mm F2.8 ASPH. Ultra-Wide Medium Format Lens for XCD \/ GFX Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-1.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-2.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-3.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-4.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-5.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-6.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-7.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-8.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Detail-9.jpg\" alt=\"NiSi 16mm F2.8 ASPH. Ultra-Wide · Medium Format MF · Hasselblad XCD \u0026amp; Fuji GFX – product detail image 9\"\u003e","brand":"NiSi","offers":[{"title":"Hasselblad X1D","offer_id":54248290320524,"sku":"NS-MF-16-F28-XCD","price":43900.0,"currency_code":"THB","in_stock":false},{"title":"Fuji GFX","offer_id":54248290353292,"sku":"NS-MF-16-F28-GFX","price":43900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/NS-MF-16-F28-Product-1.jpg?v=1787628948"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/nisi-cinema-photo-lenses.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}