{"title":"Zoom Lenses","description":"\u003cp\u003eZoom lenses led by DZOFILM Catta Zoom, Catta Ace and X-tract Probe Zoom, with CHIOPT XTREME ZOOM parfocal cine zooms and the Thypoch Voyager 24-50mm F2.8.\u003c\/p\u003e","products":[{"product_id":"dzofilm-catta-mf-18-35mm-t2-9-full-frame-cine-zoom-lens-sony-e-mount","title":"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 18-35mm T2.9 Full Frame Cine Zoom Lens for Sony E Mount\u003c\/h2\u003e\n\u003cp\u003eA Full Frame 18-35mm T2.9 cine zoom lens from the DZOFILM Catta MF series, made specifically for Sony E mount, with a parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Ideal for films, documentaries and commercials.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Zoom 18-35mm\u003c\/strong\u003e Wide angle, ideal for landscapes, films, documentaries and commercials\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp and focus holds as you zoom in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm Front Filter\u003c\/strong\u003e plus a rear filter slot for full filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 1.9X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSturdy, Lightweight Build\u003c\/strong\u003e Suited to every kind of production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Non-fiction\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Pictor series?\u003c\/strong\u003e\u003cbr\u003eThe Catta MF is\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · Sony E – product detail image 10\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428061324,"sku":"DZO-FF1835E","price":79000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428094092,"sku":"DZO-FF1835E-BLK","price":79000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Product-1.png?v=1776406384"},{"product_id":"dzofilm-catta-mf-35-80mm-t2-9-full-frame-cine-zoom-lens-sony-e-mount","title":"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 35-80mm T2.9 Full Frame Cine Zoom Lens for Sony E Mount\u003c\/h2\u003e\n\u003cp\u003eA Full Frame 35-80mm T2.9 cine zoom lens from the DZOFILM Catta MF series for Sony E mount, covering wide angle to medium telephoto, with a parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Ideal for film, portrait and travel work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Zoom 35-80mm\u003c\/strong\u003e Covers wide angle to medium telephoto, ideal for portrait, travel and general use\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp and focus holds as you zoom in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm Front Filter\u003c\/strong\u003e plus a rear filter slot for full filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 1.9X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSturdy, Lightweight Build\u003c\/strong\u003e Suited to every kind of production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eTravel \/ Street \/ Documentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n  \u003cli\u003eRun-and-Gun Filmmaking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta 18-35mm?\u003c\/strong\u003e\u003cbr\u003eThe 35-80mm offers a zoom range better suited to portrait and travel work, while the 18-35mm is more wide-angle focused.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. It has a 77mm front filter thread and a rear filter slot as well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Standard Zoom T2.9 Parfocal for Sony E — every situation covered in one lens\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm T2.9 · Full Frame MF · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428126860,"sku":"DZO-FF3580E","price":52000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428159628,"sku":"DZO-FF3580E-BLK","price":52000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF3580-product-1.png?v=1776411869"},{"product_id":"dzofilm-catta-mf-70-135mm-t2-9-full-frame-cine-zoom-lens-sony-e-mount","title":"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 70-135mm T2.9 Full Frame Cine Zoom Lens for Sony E Mount\u003c\/h2\u003e\n\u003cp\u003eA Full Frame 70-135mm T2.9 telephoto cine zoom lens from the DZOFILM Catta MF series for Sony E mount, with a parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Ideal for portrait, wildlife, sports and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame Telephoto Zoom 70-135mm\u003c\/strong\u003e Ideal for portrait, wildlife, sports and distant subjects\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Throughout the Zoom Range\u003c\/strong\u003e Consistent exposure, soft, beautiful bokeh and excellent background blur\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e The image stays sharp and focus holds as you zoom in and out, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Precise focus for professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Compatible with follow focus and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm Front Filter\u003c\/strong\u003e plus a rear filter slot for full filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with a maximum magnification of 1.9X\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color and gentle contrast that is easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSturdy, Lightweight Build\u003c\/strong\u003e Suited to every kind of production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ Beautiful background blur\u003c\/li\u003e\n  \u003cli\u003eWildlife \/ Sports \/ Event\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Film\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, so there is no need to refocus each time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta 35-80mm?\u003c\/strong\u003e\u003cbr\u003eThe 70-135mm is more telephoto focused, ideal for blurred-background portraits, wildlife and sports.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. It has a 77mm front filter thread and a rear filter slot as well.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used on Sony Full Frame cameras?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed specifically for Full Frame Sony E mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Telephoto Zoom T2.9 Parfocal for Sony E — blurred-background portraits and sharp telephoto\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 70-135mm T2.9 · Full Frame MF · Portrait · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428192396,"sku":"DZO-FF70135E","price":52000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428225164,"sku":"DZO-FF70135E-BLK","price":52000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF70135-product-1.png?v=1776412063"},{"product_id":"dzofilm-catta-18-35mm-70-135mm-t2-9-2-lens-kit-e-case","title":"DZOFILM Catta Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eDZOFILM Catta MF 2-Lens Kit (18-35mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n  \u003cp\u003e\n    A 2-lens Full Frame cine zoom kit, 18-35mm and 70-135mm T2.9, from the DZOFILM Catta MF series.\n    Covers both wide angle and tele in one set, ideal for documentary, interview and commercial work that needs both wide establishing shots and tight shots.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWide + Tele Coverage\u003c\/strong\u003e 18-35mm for establishing shots and 70-135mm for portrait \/ close-up\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Across the Zoom Range\u003c\/strong\u003e No exposure compensation needed when changing focal length\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds as you zoom, so you can keep working between takes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFull Frame Coverage\u003c\/strong\u003e Covers the entire Full Frame sensor\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLightweight for a Cine Zoom\u003c\/strong\u003e Genuinely usable on a gimbal and handheld\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e77mm Filter Thread + Rear Filter Slot\u003c\/strong\u003e Fit ND filters at the front or rear of the lens\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard 0.8 MOD\u003c\/strong\u003e Full compatibility with follow focus and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMatched Color\u003c\/strong\u003e Both lenses share the same color tone, so there is no color matching to do in the edit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Safe storage and transport\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDocumentary \/ Interview\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n    \u003cli\u003ePortrait Video \/ Close-up\u003c\/li\u003e\n    \u003cli\u003eEvent \/ Run \u0026amp; Gun\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLenses in Kit\u003c\/td\u003e\n\u003ctd\u003e18-35mm T2.9, 70-135mm T2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Focus \/ Zoom \/ Iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (+ Rear Filter Slot)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eColor: Black \/ White\u003c\/li\u003e\n    \u003cli\u003eMount: Sony E\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eCatta MF 18-35mm T2.9\u003c\/li\u003e\n    \u003cli\u003eCatta MF 70-135mm T2.9\u003c\/li\u003e\n    \u003cli\u003eHard Case\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWhy does this kit skip the 35-70mm range?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the two ends, wide and tele, for those who mainly shoot establishing shots and close shots. If you also need the mid range, we recommend the 3-lens kit.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCan it be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003eYes. It already covers full frame; on APS-C the angle of view narrows according to the crop factor.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    See more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003eWide + Tele T2.9 = the two ends that handle interviews and storytelling work in a single kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428257932,"sku":"DZO-FFCATTA2E1-WH","price":104000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428290700,"sku":"DZO-FFCATTA2E2-BLK","price":104000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E2-Product-1.png?v=1776412301"},{"product_id":"dzofilm-catta-18-35mm-35-80mm-t2-9-2-lens-kit-e-case","title":"DZOFILM Catta Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eDZOFILM Catta MF 2-Lens Kit (18-35mm, 35-80mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n  \u003cp\u003e\n    A 2-lens Full Frame cine zoom kit, 18-35mm and 35-80mm T2.9, from the DZOFILM Catta MF series.\n    Covers wide angle through standard focal lengths without a gap, ideal for documentary, commercial and narrative work where you need to change focal length quickly without swapping lenses.\n  \u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eContinuous 18-80mm Coverage\u003c\/strong\u003e Handles both wide angle and standard focal lengths in one kit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 Across the Zoom Range\u003c\/strong\u003e No exposure compensation needed when changing focal length\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds as you zoom, so you can keep working between takes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFull Frame Coverage\u003c\/strong\u003e Covers the entire Full Frame sensor\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLightweight for a Cine Zoom\u003c\/strong\u003e Genuinely usable on a gimbal and handheld\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e77mm Filter Thread + Rear Filter Slot\u003c\/strong\u003e Fit ND filters at the front or rear of the lens\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCine Standard 0.8 MOD\u003c\/strong\u003e Full compatibility with follow focus and cine rigs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMatched Color\u003c\/strong\u003e Both lenses share the same color tone, so there is no color matching to do in the edit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Safe storage and transport\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eBest For\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDocumentary \/ Interview\u003c\/li\u003e\n    \u003cli\u003eCommercial \/ MV\u003c\/li\u003e\n    \u003cli\u003eNarrative \/ Short Film\u003c\/li\u003e\n    \u003cli\u003eEvent \/ Run \u0026amp; Gun\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSpecifications\u003c\/h3\u003e\n  \u003ctable class=\"product-specs\"\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLenses in Kit\u003c\/td\u003e\n\u003ctd\u003e18-35mm T2.9, 35-80mm T2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eGear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (Focus \/ Zoom \/ Iris)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (+ Rear Filter Slot)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/table\u003e\n\n  \u003ch3\u003eOptions\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eColor: Black \/ White\u003c\/li\u003e\n    \u003cli\u003eMount: Sony E\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eCatta MF 18-35mm T2.9\u003c\/li\u003e\n    \u003cli\u003eCatta MF 35-80mm T2.9\u003c\/li\u003e\n    \u003cli\u003eHard Case\u003c\/li\u003e\n    \u003cli\u003eLens Cap\u003c\/li\u003e\n    \u003cli\u003eWarranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFAQ\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWhich kit should I choose?\u003c\/strong\u003e\u003cbr\u003eThe 18-35 + 35-80 kit suits work centered on wide to standard focal lengths. If you also need tele reach, look at the 35-80 + 70-135 kit or the 3-lens kit.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCan it be used on APS-C cameras?\u003c\/strong\u003e\u003cbr\u003eYes. It already covers full frame; on APS-C the angle of view narrows according to the crop factor.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003cp\u003e\n    See more cine lenses → \n    \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\n  \u003c\/p\u003e\n\n  \u003cp\u003e\u003cstrong\u003eContinuous 18-80mm T2.9 = a zoom kit that handles most jobs from a single case\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"White","offer_id":47707428323468,"sku":"DZO-FFCATTA2E2-WH","price":104000.0,"currency_code":"THB","in_stock":false},{"title":"Black","offer_id":47707428356236,"sku":"DZO-FFCATTA2E1-BLK","price":104000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E1-Product-1.png?v=1776412491"},{"product_id":"dzofilm-catta-35-80mm-70-135mm-t2-9-2-lens-kit-e-case","title":"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 2-Lens Kit (35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 35-80mm and 70-135mm T2.9, for Sony E Mount, covering standard to telephoto. Parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Case included. Ideal for film, portrait and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 35-80mm (Standard) and 70-135mm (Telephoto), geared toward portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers full-frame sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 throughout the zoom range\u003c\/strong\u003e Consistent exposure, soft bokeh and beautiful background blur\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm front filter\u003c\/strong\u003e plus a rear filter slot for complete filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color, gentle contrast, easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 18-35mm\/35-80mm kit?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the standard-to-telephoto range, making it better suited to portraits and close-ups, while the 18-35mm kit leans wider.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. Both lenses have a 77mm front filter thread and a rear filter slot.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, Standard + Telephoto — professional-grade portraits and close-ups\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707428389004,"sku":"DZO-FFCATTA2E-BLK","price":78000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707428421772,"sku":"DZO-FFCATTA2E-WH","price":78000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E-Product-1.png?v=1776412879"},{"product_id":"dzofilm-catta-18-35mm-35-80mm-70-135mm-t2-9-3-lens-kit-e-case","title":"DZOFILM Catta Zoom 18-35\/35-80\/70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta MF 3-Lens Kit (18-35mm, 35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom for Sony E Mount + Case\u003c\/h2\u003e\n\u003cp\u003eComplete set of 3 full-frame cine zooms, 18-35mm, 35-80mm and 70-135mm T2.9, for Sony E Mount, covering every range from wide angle to telephoto. Parfocal design, reduced focus breathing and a constant T2.9 aperture throughout the zoom range. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree zoom ranges\u003c\/strong\u003e 18-35mm (Wide), 35-80mm (Standard), 70-135mm (Telephoto), ready for every scene\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers full-frame sensors with no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConstant T2.9 throughout the zoom range\u003c\/strong\u003e Consistent exposure and soft bokeh, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift, ideal for continuous takes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e77mm front filter\u003c\/strong\u003e plus a rear filter slot for complete filter support\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCine Color Character\u003c\/strong\u003e Natural color, gentle contrast, easy to grade\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Medium Shot \/ Close-up \/ Telephoto\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Travel\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9 (Constant)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e77mm (Front) + Rear Filter Slot\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 18-35mm, 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy buy the 3-lens kit instead of buying separately?\u003c\/strong\u003e\u003cbr\u003eYou get the case along with the lenses, and one kit covers every range needed for production work.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I use filters?\u003c\/strong\u003e\u003cbr\u003eYes. All 3 lenses have a 77mm front filter thread and a rear filter slot.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold all 3 lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 3-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 Full Frame T2.9 Parfocal Zooms covering every range — production-ready for every shot in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-1.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-2.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-3.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-4.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-5.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-6.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-7.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-8.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-9.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FF1835E-Detail-10.jpg\" alt=\"DZOFILM Catta Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · Sony E – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Black","offer_id":47707428454540,"sku":"DZO-FFCATTA2E3-BLK","price":138000.0,"currency_code":"THB","in_stock":false},{"title":"White","offer_id":47707428487308,"sku":"DZO-FFCATTA2E3-WH","price":138000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTA2E3-Product-1.png?v=1776413112"},{"product_id":"dzofilm-catta-ace-18-35mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 18-35mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 18-35mm T2.9 cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, reduced focus breathing, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWide Zoom 18-35mm\u003c\/strong\u003e Wide angle, great for scenery, people with background, groups and vlogs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003eGroup shots \/ wide backgrounds\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 18-35mm?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm T2.9 · Full Frame MF · Wide Angle · PL \u0026amp; EF – product detail image 9\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707446968460,"sku":"DZO-FFA1835-BLK","price":102000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA1835-BLK-Product-1.png?v=1776414842"},{"product_id":"dzofilm-catta-ace-35-80mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 35-80mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 35-80mm T2.9 cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for portrait, event and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard Zoom 35-80mm\u003c\/strong\u003e Covers standard wide to medium telephoto, great for portraits, people, events and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortrait \/ People \/ Lifestyle\u003c\/li\u003e\n  \u003cli\u003eEvents \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eClose-up \/ Commercial\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Film\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eOptions\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMount: PL \/ EF\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 35-80mm?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Frame Standard Zoom T2.9 Parfocal 16 Blades — professional-grade portraits and events\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 1\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 2\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 3\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 4\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 5\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 6\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 7\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 8\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm T2.9 · Full Frame MF · PL \u0026amp; EF – product detail image 9\"\u003e\"","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447033996,"sku":"DZO-FFA3580-BLK","price":76000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA3580-BLK-Product-1.png?v=1776414947"},{"product_id":"dzofilm-catta-ace-18-35mm-35-80mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (18-35mm, 35-80mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 18-35mm and 35-80mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 18-35mm (Wide) and 35-80mm (Standard), covering wide angle to medium telephoto\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Event\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 18-35mm and 35-80mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 35-80mm\/70-135mm kit?\u003c\/strong\u003e\u003cbr\u003eThis kit focuses on the wide-to-standard range, suited to landscape, architecture and documentary work, while the 35-80\/70-135mm kit leans more toward portrait and telephoto.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Wide + Standard — wide angle to mid-range in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447066764,"sku":"DZO-FFCATTAA1-BUNDLE","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA1-BUNDLE-Product-1.png?v=1776415083"},{"product_id":"dzofilm-catta-ace-35-80mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film, portrait and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 35-80mm (Standard) and 70-135mm (Telephoto), geared toward portraits and close-ups\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Wedding\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eDocumentary \/ Event\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 2-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Standard + Telephoto — professional-grade portraits in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 35-80mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447099532,"sku":"FFCATTAA-BUNDLE","price":98000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/FFCATTAA-BUNDLE-1.png?v=1776415210"},{"product_id":"dzofilm-catta-ace-70-135mm-t2-9-ff-cine-zoom-lens-pl-ef-mount","title":"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 70-135mm T2.9 Full Frame Cine Zoom Lens PL \u0026amp; EF Interchangeable Mount\u003c\/h2\u003e\n\u003cp\u003eFull-frame 70-135mm T2.9 telephoto cine zoom from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Ideal for portrait, event and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTelephoto Zoom 70-135mm\u003c\/strong\u003e Great for portraits, people, events and candids, with beautifully blurred backgrounds\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003eFo\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 70-135mm T2.9 · Full Frame MF · Portrait · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447132300,"sku":"DZO-FFA70135-BLK","price":76000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA70135-BLK-Product-1.png?v=1776415372"},{"product_id":"dzofilm-catta-ace-18-35mm-35-80mm-70-135mm-3-lens-kit-pl-ef","title":"DZOFILM Catta Ace Zoom 18-35\/35-80\/70-135mm 3-Lens Kit T2.9 · Full Frame MF · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 3-Lens Kit (18-35mm, 35-80mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eComplete set of 3 full-frame cine zooms, 18-35mm, 35-80mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree zoom ranges\u003c\/strong\u003e 18-35mm (Wide), 35-80mm (Standard), 70-135mm (Telephoto), ready for every scene\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Lifestyle \/ Event\u003c\/li\u003e\n  \u003cli\u003eTelephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 35-80mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 lenses: 18-35mm, 35-80mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy buy the 3-lens kit instead of buying separately?\u003c\/strong\u003e\u003cbr\u003eYou get the case along with the lenses, and one kit covers every range needed for production work. Better value than buying separately.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the Catta MF 3-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eCatta Ace covers Full Frame and Vista Vision and has an interchangeable mount that swaps between PL and EF, while Catta MF is Sony E Mount only.\u003c\/li\u003e\n  \u003cli\u003e\u003cstrong\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 35-80mm + 70-135mm 3-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447230604,"sku":"DZO-FFCATTAA3-BUNDLE","price":205000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA3-BUNDLE-Product-1.png?v=1776415504"},{"product_id":"dzofilm-catta-ace-18-35mm-70-135mm-t2-9-2-lens-kit-pl-ef-case","title":"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026 EF","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM Catta Ace 2-Lens Kit (18-35mm, 70-135mm) T2.9 Full Frame Cine Zoom PL \u0026amp; EF Interchangeable Mount + Case\u003c\/h2\u003e\n\u003cp\u003eSet of 2 full-frame cine zooms, 18-35mm and 70-135mm T2.9, from DZOFILM's Catta Ace series, covering Full Frame and Vista Vision. Parfocal design, 16 iris blades for smooth, pleasing bokeh, and an interchangeable mount that swaps between PL and EF. Case included. Ideal for film and professional production work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo zoom ranges\u003c\/strong\u003e 18-35mm (Wide) and 70-135mm (Telephoto), covering wide angle and telephoto in one kit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame \/ Vista Vision\u003c\/strong\u003e Covers large sensors with a wide image circle and no vignetting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT2.9\u003c\/strong\u003e Wide aperture, smooth and pleasing bokeh, shallow DOF, well suited to low-light work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16 Iris Blades\u003c\/strong\u003e Round, smooth bokeh with natural skin tones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Stays sharp as you zoom in and out with no focus shift\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eReduced Focus Breathing\u003c\/strong\u003e Accurate focus, suited to professional video work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 270°\u003c\/strong\u003e Fine focus adjustment with precise control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Compatible with follow focus systems and rigs\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e Swaps between PL and EF for great flexibility\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMin Focus 0.51m\u003c\/strong\u003e Get close to your subject, with up to 1.9X magnification\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminium body\u003c\/strong\u003e Strong, durable and lightweight, comfortable to handle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCase included\u003c\/strong\u003e Safe storage and transport, ideal for on-location work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work\u003c\/li\u003e\n  \u003cli\u003eLandscape \/ Architecture \/ Vlog\u003c\/li\u003e\n  \u003cli\u003ePortrait \/ Event \/ Candid\u003c\/li\u003e\n  \u003cli\u003eDocumentary\u003c\/li\u003e\n  \u003cli\u003eGimbal \/ Handheld \/ Rig\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-35mm \/ 70-135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.9\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame \/ Vista Vision\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e0.51m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e1.9X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody\u003c\/td\u003e\n\u003ctd\u003eAluminium Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF (Interchangeable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 lenses: 18-35mm and 70-135mm T2.9 with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eCase for storage and transport\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhy does this kit skip the 35-80mm?\u003c\/strong\u003e\u003cbr\u003eThis kit pairs the wide and telephoto zooms, covering the two most different ranges. It suits work that needs maximum versatility from the fewest lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan I change the mount myself?\u003c\/strong\u003e\u003cbr\u003eYes. It is designed for easy swapping between PL and EF.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus every time.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes the case hold both lenses?\u003c\/strong\u003e\u003cbr\u003eYes. The case is designed specifically for this 2-lens kit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more cine zoom lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 Full Frame T2.9 Parfocal Zooms, 16 Blades, Wide + Telephoto — covers every situation in one kit\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-1.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-2.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-3.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-4.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-5.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-6.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-7.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-8.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFA-Detail-9.png\" alt=\"DZOFILM Catta Ace Zoom 18-35mm + 70-135mm 2-Lens Kit T2.9 · Full Frame MF · Case · PL \u0026amp; EF – product detail image 9\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707447328908,"sku":"DZO-FFCATTAA2-BUNDLE","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-FFCATTAA2-BUNDLE-Product-1.png?v=1776416642"},{"product_id":"dzofilm-x-tract-18-28mm-t8-probe-zoom-macro-90-lens-pl","title":"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom Macro 90° Cine Lens for PL Mount (Metric)\u003c\/h2\u003e\n\u003cp\u003e18-28mm T8 Probe Zoom Macro lens from the DZOFILM X-tract series for PL Mount. Covers Full Frame with a 90° view, minimum focus of ~6mm, up to 2.1x magnification, Parfocal Design, 6 ED + 7 HRI elements and IP57 water and dust resistance. Ideal for Macro Close-up and professional Cinema work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e A Probe lens that zooms, ideal for Macro Close-up, street, architecture, documentary and special wide-angle work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e90° Right-angle View\u003c\/strong\u003e Shoot from the side, from above or in tight spaces without moving the camera\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus of ~6mm, up to 2.1x magnification, Magnification 0.47x, ideal for high-detail work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e Good Depth of Field control for images with real depth\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 ED + 7 HRI elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focus with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Works with Follow Focus, Rigs and Matte Boxes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIP57 water and dust resistance\u003c\/strong\u003e Withstands water deeper than 28cm, with Anti-fog, ready for any situation\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard PL Mount\u003c\/strong\u003e Compatible with professional Cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMetric scale\u003c\/strong\u003e Focus distance shown in meters\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eShots from tight angles \/ the side \/ above\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angle\u003c\/td\u003e\n\u003ctd\u003e90° (Right-angle)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x (0.47x)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED x6 \/ HRI x7\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eIP57 (Water \u0026gt;28cm \/ Dust \/ Anti-fog)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eMetric\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is a Probe Lens?\u003c\/strong\u003e\u003cbr\u003eA long, narrow lens that can be inserted into tight spaces or shoot from angles a normal camera cannot reach. Ideal for work that needs a special perspective.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow does the 90° View work?\u003c\/strong\u003e\u003cbr\u003eIt lets the lens look out to the side, so there is no need to reposition the whole camera. Ideal for low angles \/ side views \/ tight spaces.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat does IP57 mean?\u003c\/strong\u003e\u003cbr\u003eIt is waterproof to deeper than 28cm and fully dustproof, with Anti-fog as well. Ideal for shooting outdoors or in harsh environments.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. It is made to cover Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom 18-28mm T8 90° Macro — reaches into every angle for extreme Close-up, with IP57 for professional cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 90° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707460862092,"sku":"DZO-X1828B","price":120000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Product-1.png?v=1776750553"},{"product_id":"dzofilm-x-tract-18-28mm-t8-probe-zoom-macro-360-lens-pl","title":"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom Macro 360° Cine Lens for PL Mount (Metric)\u003c\/h2\u003e\n\u003cp\u003e18-28mm T8 Probe Zoom Macro lens from the DZOFILM X-tract series for PL Mount. Covers Full Frame with a freely adjustable 360° view, minimum focus of ~6mm, up to 2.1x magnification, Parfocal Design, 6 ED + 7 HRI elements and IP57 water and dust resistance. Ideal for Macro Close-up and professional Cinema work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e A Probe lens that zooms, ideal for Macro Close-up, street, architecture, documentary and special wide-angle work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e360° Rotation View\u003c\/strong\u003e Freely adjust the view through a full 360° and shoot from any direction without moving the camera\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus of ~6mm, up to 2.1x magnification, Magnification 0.47x, ideal for high-detail work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e Good Depth of Field control for images with real depth\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 ED + 7 HRI elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focus with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Works with Follow Focus, Rigs and Matte Boxes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIP57 water and dust resistance\u003c\/strong\u003e Withstands water deeper than 28cm, with Anti-fog, ready for any situation\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard PL Mount\u003c\/strong\u003e Compatible with professional Cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMetric scale\u003c\/strong\u003e Focus distance shown in meters\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eShots from special angles through a full 360°\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Rotation\u003c\/td\u003e\n\u003ctd\u003e360°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x (0.47x)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED x6 \/ HRI x7\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eIP57 (Water \u0026gt;28cm \/ Dust \/ Anti-fog)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eMetric\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the X-tract 90° version?\u003c\/strong\u003e\u003cbr\u003eThe 360° version adjusts freely through a full rotation, while the 90° version is limited to a right angle. Ideal for work that needs maximum flexibility in viewing angle.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is a Probe Lens?\u003c\/strong\u003e\u003cbr\u003eA long, narrow lens that can be inserted into tight spaces or shoot from angles a normal camera cannot reach.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat does IP57 mean?\u003c\/strong\u003e\u003cbr\u003eIt is waterproof to deeper than 28cm and fully dustproof, with Anti-fog as well. Ideal for shooting outdoors or in harsh environments.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. It is made to cover Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom 18-28mm T8 360° Macro — full-rotation view for extreme Close-up, with IP57 for professional cinema\u003c\/strong\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 360° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 10\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461025932,"sku":"DZO-X1828C","price":130000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828C-Product-1.png?v=1776754061"},{"product_id":"dzofilm-x-tract-18-28mm-t8-probe-zoom-macro-0-lens-pl","title":"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom Macro 0° Cine Lens for PL Mount (Metric)\u003c\/h2\u003e\n\u003cp\u003e18-28mm T8 Probe Zoom Macro lens from the DZOFILM X-tract series for PL Mount. Covers Full Frame with a straight 0° design and a long, narrow Probe tip that reaches into confined spaces, up to 2.1x magnification, Parfocal Design, ED + HRI Elements, water and dust resistance and Anti-fog. Ideal for Macro Close-up and professional Cinema work.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 0° Straight\u003c\/strong\u003e A straight, long, narrow tip that easily reaches into tight spaces or angles a normal camera cannot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eZoom 18-28mm\u003c\/strong\u003e Ideal for Macro Close-up, street, architecture, documentary and special wide-angle work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Up to 2.1:1 magnification, 0.26x magnification, capturing tiny subjects in sharp, deep detail\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus holds while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e Good Depth of Field control for images with real depth\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eED + HRI Elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focus with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD gears\u003c\/strong\u003e Works with Follow Focus, Rigs and Matte Boxes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/strong\u003e Usable in any environment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard PL Mount\u003c\/strong\u003e Compatible with professional Cinema cameras\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMetric scale\u003c\/strong\u003e Focus distance shown in meters\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up\u003c\/li\u003e\n  \u003cli\u003eShots that need the lens inserted into tight spaces \/ straight-on angles\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angle\u003c\/td\u003e\n\u003ctd\u003e0° (Straight)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1:1 (0.26x)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED + HRI\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Scale\u003c\/td\u003e\n\u003ctd\u003eMetric\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLens with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the X-tract 90° and 360° versions?\u003c\/strong\u003e\u003cbr\u003eThe 0° version points straight ahead, suited to work where the lens goes straight into a tight space. The 90° looks to the side, and the 360° rotates the view through a full turn.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is a Probe Lens?\u003c\/strong\u003e\u003cbr\u003eA long, narrow lens that reaches into tight spaces or shoots from angles a normal camera cannot. Ideal for work that needs a special perspective.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eWhen you zoom in or out, focus stays on the same point, so there is no need to refocus each time. Ideal for Dolly Zoom shots.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCan it be used with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes. It is made to cover Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom 0° Straight 18-28mm T8 — goes straight into any tight space for Macro Close-up and professional cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 18-28mm T8 · Full Frame MF · PL · Metric – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461058700,"sku":"DZO-X1828A","price":120000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828A-Product-1.png?v=1776754225"},{"product_id":"dzofilm-x-tract-18-28mm-t8-0-360-detachable-2-lens-kit-pl-case","title":"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom 2-Lens Kit (0°, 360°) with Case — Detachable Head, 1 R-Unit for PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM X-tract 18-28mm T8 Probe Zoom Macro lens kit for PL Mount with Full Frame coverage and 2 interchangeable heads: 0° (Straight) and 360° (Rotation), sharing 1 R-Unit. Minimum focus 6mm, maximum magnification 2.1x, Parfocal Design, ED + HRI Elements, waterproof, dustproof and Anti-fog, with Hard Case.\u003c\/p\u003e\n\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2 Interchangeable Heads\u003c\/strong\u003e 0° (Straight) for pushing straight into tight spaces and 360° (Rotation) for a full rotation of the view, sharing 1 R-Unit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e Zoom range suited to Macro Close-up, street, architecture, documentary and ultra-wide shots\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers large sensors with a wide angle of view and sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e High contrast and clear detail with good Depth of Field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus 6mm (0.24 in) and 2.1x maximum magnification, ideal for Texture and tiny Close-up work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus stays put while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e73°–100° Angle of View\u003c\/strong\u003e Covers a wide range of situations\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16.3 in Long \/ Under 1.2 in Wide\u003c\/strong\u003e Slips easily into tight spaces\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eED + HRI Elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focusing with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Works with Follow Focus \/ FIZ, Rig and Matte Box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/strong\u003e Usable in any environment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Shock-resistant for safe transport\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up Texture work\u003c\/li\u003e\n  \u003cli\u003eShots that need the lens inside tight spaces \/ unusual angles\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro (Detachable Head)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angles\u003c\/td\u003e\n\u003ctd\u003e0° (Straight) + 360° (Rotation)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eField of View\u003c\/td\u003e\n\u003ctd\u003e73° – 100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm (0.24\")\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody Length\u003c\/td\u003e\n\u003ctd\u003e~16.3\" \/ Width \u0026lt;1.2\"\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED + HRI\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eR-Unit (main body) x1\u003c\/li\u003e\n  \u003cli\u003e0° (Straight) lens head x1\u003c\/li\u003e\n  \u003cli\u003e360° (Rotation) lens head x1\u003c\/li\u003e\n  \u003cli\u003eShock-resistant Hard Case\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the R-Unit?\u003c\/strong\u003e\u003cbr\u003eThe R-Unit is the main body of the X-tract system. It carries the PL Mount and connects to the camera. The 0° and 360° lens heads swap onto the R-Unit instantly.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is this different from buying separately?\u003c\/strong\u003e\u003cbr\u003eThis kit gives you both heads in one set on the same R-Unit. It costs less than buying them separately and comes with a Hard Case.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, ideal for Dolly Zoom and Hitchcock Effect shots.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes, it is designed for Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom Kit 0°+360° 18-28mm T8 — 2 interchangeable heads, Macro Close-up from any angle for professional Cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 1\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 2\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 3\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 4\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 5\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 6\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 7\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 8\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 9\"\u003e\"\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 10\"\u003e\"","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461091468,"sku":"DZO-X1828ACS","price":180000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828ACS-Product-1.png?v=1776754369"},{"product_id":"dzofilm-x-tract-18-28mm-t8-90-360-detachable-2-lens-kit-pl-case","title":"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom 2-Lens Kit (90°, 360°) with Case — Detachable Head, 1 R-Unit for PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM X-tract 18-28mm T8 Probe Zoom Macro lens kit for PL Mount with Full Frame coverage and 2 interchangeable heads: 90° (Right-angle) and 360° (Rotation), sharing 1 R-Unit. Minimum focus 6mm, maximum magnification 2.1x, Parfocal Design, ED + HRI Elements, waterproof, dustproof and Anti-fog, with Hard Case.\u003c\/p\u003e\n\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2 Interchangeable Heads\u003c\/strong\u003e 90° (Right-angle) for an instant side\/top view and 360° (Rotation) for a full rotation of the view, sharing 1 R-Unit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e Zoom range suited to Macro Close-up, street, architecture, documentary and ultra-wide shots\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers large sensors with a wide angle of view and sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e High contrast and clear detail with good Depth of Field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus 6mm (0.24 in) and 2.1x maximum magnification, ideal for Texture and tiny Close-up work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus stays put while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e73°–100° Angle of View\u003c\/strong\u003e Covers a wide range of situations\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16.3 in Long \/ Under 1.2 in Wide\u003c\/strong\u003e Slips easily into tight spaces\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eED + HRI Elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focusing with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Works with Follow Focus \/ FIZ, Rig and Matte Box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/strong\u003e Usable in any environment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Shock-resistant for safe transport of both heads\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up Texture work\u003c\/li\u003e\n  \u003cli\u003eShots from the side \/ top and rotating around the subject\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro (Detachable Head)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angles\u003c\/td\u003e\n\u003ctd\u003e90° (Right-angle) + 360° (Rotation)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eField of View\u003c\/td\u003e\n\u003ctd\u003e73° – 100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm (0.24\")\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody Length\u003c\/td\u003e\n\u003ctd\u003e~16.3\" \/ Width \u0026lt;1.2\"\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED + HRI\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eR-Unit (main body) x1\u003c\/li\u003e\n  \u003cli\u003e90° (Right-angle) lens head x1\u003c\/li\u003e\n  \u003cli\u003e360° (Rotation) lens head x1\u003c\/li\u003e\n  \u003cli\u003eShock-resistant Hard Case\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 0°+360° kit?\u003c\/strong\u003e\u003cbr\u003eThis kit pairs the 90° and 360° heads, suited to side angles and rotating around the subject, while the 0°+360° kit is better for pushing straight into tight spaces.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the R-Unit?\u003c\/strong\u003e\u003cbr\u003eThe R-Unit is the main body of the X-tract system. It carries the PL Mount and connects to the camera, accepting both the 90° and 360° lens heads with instant swaps.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, ideal for Dolly Zoom and Hitchcock Effect shots.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes, it is designed for Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom Kit 90°+360° 18-28mm T8 — side angles and rotation around the subject, Macro Close-up for professional Cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom 90°\/360° 18-28mm 2-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461124236,"sku":"DZO-X1828BCS","price":190000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828BCS-Product-1.png?v=1776754572"},{"product_id":"dzofilm-x-tract-18-28mm-t8-0-90-360-detachable-3-lens-kit-pl-case","title":"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom 3-Lens Kit (0°, 90°, 360°) with Case — Detachable Head, 1 R-Unit for PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM X-tract 18-28mm T8 Probe Zoom Macro lens kit for PL Mount with Full Frame coverage and 3 interchangeable heads: 0° (Straight), 90° (Right-angle) and 360° (Rotation), sharing 1 R-Unit. Minimum focus 6mm, maximum magnification 2.1x, Parfocal Design, ED + HRI Elements, waterproof, dustproof and Anti-fog, with Hard Case.\u003c\/p\u003e\n\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3 Interchangeable Heads\u003c\/strong\u003e 0° (Straight) for pushing straight into tight spaces, 90° (Right-angle) for side views and 360° (Rotation) for a full rotation of the view, sharing 1 R-Unit\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e Zoom range suited to Macro Close-up, street, architecture, documentary and ultra-wide shots\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers large sensors with a wide angle of view and sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e High contrast and clear detail with good Depth of Field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus 6mm (0.24 in) and 2.1x maximum magnification, ideal for Texture and tiny Close-up work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus stays put while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e73°–100° Angle of View\u003c\/strong\u003e Covers a wide range of situations\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e16.3 in Long \/ Under 1.2 in Wide\u003c\/strong\u003e Slips easily into tight spaces\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eED + HRI Elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focusing with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Works with Follow Focus \/ FIZ, Rig and Matte Box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/strong\u003e Usable in any environment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHard Case Included\u003c\/strong\u003e Shock-resistant for safe transport of all 3 heads\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up Texture work\u003c\/li\u003e\n  \u003cli\u003eShots that need the lens inside tight spaces \/ unusual angles in every direction\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro (Detachable Head)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angles\u003c\/td\u003e\n\u003ctd\u003e0° (Straight) + 90° (Right-angle) + 360° (Rotation)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eField of View\u003c\/td\u003e\n\u003ctd\u003e73° – 100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm (0.24\")\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBody Length\u003c\/td\u003e\n\u003ctd\u003e~16.3\" \/ Width \u0026lt;1.2\"\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED + HRI\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eWaterproof \/ Dustproof \/ Anti-fog\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eR-Unit (main body) x1\u003c\/li\u003e\n  \u003cli\u003e0° (Straight) lens head x1\u003c\/li\u003e\n  \u003cli\u003e90° (Right-angle) lens head x1\u003c\/li\u003e\n  \u003cli\u003e360° (Rotation) lens head x1\u003c\/li\u003e\n  \u003cli\u003eShock-resistant Hard Case\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is the R-Unit?\u003c\/strong\u003e\u003cbr\u003eThe R-Unit is the main body of the X-tract system. It carries the PL Mount and connects to the camera and accepts all 3 lens heads, with instant swaps on the same R-Unit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is it different from the 2-Lens Kit?\u003c\/strong\u003e\u003cbr\u003eThis kit adds the 90° head for maximum flexibility and every viewing angle you need.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, ideal for Dolly Zoom and Hitchcock Effect shots.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes, it is designed for Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Probe Zoom Kit 0°+90°+360° 18-28mm T8 — 3 interchangeable heads for every angle and situation, professional Cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · Case · PL – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461157004,"sku":"DZO-X1828ABCS","price":240000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828ABCS-Product-1.png?v=1776754767"},{"product_id":"dzofilm-x-tract-18-28mm-t8-0-90-360-fixed-head-3-lens-kit-pl","title":"DZOFILM X-tract Probe Zoom Macro 0°\/90°\/360° 18-28mm 3-Lens Kit T8 · Full Frame MF · PL","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003ch2\u003eDZOFILM X-tract 18-28mm T8 Full Frame Probe Zoom Macro 3-Lens Kit (0°, 90°, 360°) Fixed-Head for PL Mount\u003c\/h2\u003e\n\u003cp\u003eDZOFILM X-tract 18-28mm T8 Probe Zoom Macro lens kit for PL Mount with Full Frame coverage and all 3 Fixed-Head versions: 0° (Straight), 90° (Right-angle) and 360° (Periscope Rotation). Minimum focus ~6mm, maximum magnification 2.1x, Parfocal Design, 6 ED + 7 HRI elements, IP57 waterproof and dustproof, Anti-fog. Built for professional Macro Close-up and Cinema work.\u003c\/p\u003e\n\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAll 3 Fixed-Head Versions\u003c\/strong\u003e 0° (straight), 90° (right-angle) and 360° (Periscope Rotation) cover every special viewing angle\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProbe Zoom 18-28mm\u003c\/strong\u003e Zoom range suited to Macro Close-up, street, architecture, documentary and ultra-wide shots\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Frame\u003c\/strong\u003e Covers large sensors with a wide 73°–100° angle of view and sharpness across the frame\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eT8\u003c\/strong\u003e High contrast and clear detail with good Depth of Field control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtreme Macro\u003c\/strong\u003e Minimum focus ~6mm and 2.1x maximum magnification, ideal for Texture and tiny Close-up work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eParfocal Design\u003c\/strong\u003e Focus stays put while zooming in and out; supports Dolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6 ED + 7 HRI Elements\u003c\/strong\u003e Excellent reduction of Chromatic Aberration, Distortion and Flare\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFocus Ring 300°\u003c\/strong\u003e Precise, smooth focusing with fine control\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.8 MOD Gears\u003c\/strong\u003e Works with Follow Focus, Rig and Matte Box\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIP57 Waterproof and Dustproof\u003c\/strong\u003e Withstands water deeper than 28cm, Anti-fog, ready for any situation\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStandard PL Mount\u003c\/strong\u003e Fits professional Cinema cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHigh-detail Macro \/ Close-up Texture work\u003c\/li\u003e\n  \u003cli\u003eShots from unusual angles in every direction\u003c\/li\u003e\n  \u003cli\u003eStreet \/ architecture \/ documentary\u003c\/li\u003e\n  \u003cli\u003eDolly Zoom \/ Hitchcock Effect\u003c\/li\u003e\n  \u003cli\u003eHigh-End Cinema Production\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e18-28mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eProbe Zoom Macro (Fixed-Head)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eView Angles\u003c\/td\u003e\n\u003ctd\u003e0° (Straight) \/ 90° (Right-angle) \/ 360° (Periscope)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eField of View\u003c\/td\u003e\n\u003ctd\u003e73° – 100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMin Focus\u003c\/td\u003e\n\u003ctd\u003e~6mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMax Magnification\u003c\/td\u003e\n\u003ctd\u003e2.1x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSpecial Elements\u003c\/td\u003e\n\u003ctd\u003eED x6 \/ HRI x7\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Rotation\u003c\/td\u003e\n\u003ctd\u003e300°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Mod\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeather Sealing\u003c\/td\u003e\n\u003ctd\u003eIP57 (Water \u0026gt;28cm \/ Dust \/ Anti-fog)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e3 Probe Lenses: 0°, 90° and 360° Fixed-Head with front and rear caps\u003c\/li\u003e\n  \u003cli\u003eManufacturer warranty card\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is Fixed-Head different from Detachable Head?\u003c\/strong\u003e\u003cbr\u003eWith Fixed-Head, each unit is a complete lens on its own with no head swapping, while Detachable Head shares one R-Unit and swaps heads.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHow is 360° Periscope different from a regular 360° Rotation?\u003c\/strong\u003e\u003cbr\u003eIt is a Periscope system that gives an all-around view in a more creative Cine Style.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWhat is Parfocal?\u003c\/strong\u003e\u003cbr\u003eFocus stays on the same point as you zoom in and out, ideal for Dolly Zoom and Hitchcock Effect shots.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDoes it work with Full Frame?\u003c\/strong\u003e\u003cbr\u003eYes, it is designed for Full Frame.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eSee more Cine Special lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-tract Fixed-Head 3-Lens Kit 0°+90°+360° 18-28mm T8 — every special viewing angle, Macro Close-up, IP57, professional Cinema\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003c\/div\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-1.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 1\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-2.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 2\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-3.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 3\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-4.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-5.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 5\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-6.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 6\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-7.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 7\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-8.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 8\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-9.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 9\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828-Detail-10.png\" alt=\"DZOFILM X-tract Probe Zoom Macro 0° 90° 360° Fixed-Head 18-28mm 3-Lens Kit T8 · Full Frame MF · PL – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":47707461189772,"sku":"DZO-X1828ABC","price":350000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-X1828ABC-Product-1.png?v=1776754869"},{"product_id":"thypoch-af-voyager-24-50mm-f2-8-sony-e","title":"Thypoch Voyager Zoom 24-50mm F2.8 · Full Frame AF · Sony E","description":"\u003ch2\u003eThypoch AF Voyager 24-50mm F2.8 Autofocus Full Frame Zoom Lens for Sony E — Full-frame AF zoom 24-50mm with constant F2.8, 10 aperture blades, 67mm filter, just 450 g\u003c\/h2\u003e\n\u003cp\u003eThypoch AF Voyager 24-50mm F2.8 is a full-frame autofocus zoom lens for Sony E mount. Covering 24-50mm from wide angle to standard, it handles landscape, architecture, vlog, portrait and everyday shooting in one lens, with fewer lens changes. The constant F2.8 aperture keeps exposure unchanged while zooming, delivers good background blur and works in low light. Fast, accurate autofocus suits both stills and video, supporting content and run \u0026amp; gun work. Optical design of 16 elements in 13 groups, 10 aperture blades, 0.3 m minimum focus distance, 0.216x magnification, 67mm filter thread, and a weight of approx. 450 g.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFull-frame 24-50mm zoom covering wide angle to general-purpose focal lengths, suited to landscape \/ vlog \/ architecture \/ portrait \/ street \/ everyday shooting.\u003c\/li\u003e\n  \u003cli\u003eWide f\/2.8 aperture for beautiful light and good background blur, usable both in daylight and in low light.\u003c\/li\u003e\n  \u003cli\u003eFast, accurate autofocus suited to both stills and video, supporting content \/ run \u0026amp; gun work.\u003c\/li\u003e\n  \u003cli\u003eGreat for video, with smooth focusing and beautiful cinematic-style tones.\u003c\/li\u003e\n  \u003cli\u003eSharp images with beautiful, natural color and high detail, suited to both photo and film work.\u003c\/li\u003e\n  \u003cli\u003eLightweight and compact, easy to carry, ideal for travel \/ creators. One lens does it all, with fewer lens changes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTravel and everyday carry, one lens does it all\u003c\/li\u003e\n  \u003cli\u003eVlog and run \u0026amp; gun work\u003c\/li\u003e\n  \u003cli\u003eLandscape and architecture\u003c\/li\u003e\n  \u003cli\u003eEnvironmental portraits\u003c\/li\u003e\n  \u003cli\u003eContent creator work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e24-50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003ef\/2.8 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eAutofocus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame (Image Circle 43.2mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e16 elements in 13 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e24mm: 83° \/ 73° \/ 52° · 50mm: 47° \/ 40° \/ 28° (D\/H\/V)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.3 m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e0.216x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 450 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eThypoch AF Voyager 24-50mm F2.8 lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n  \u003cli\u003eRetail Box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Does it support Eye AF \/ Face AF?\u003c\/strong\u003e\u003cbr\u003eA: Yes. It is an AF lens with full communication with Sony cameras, so Eye AF and tracking work as normal.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the benefit of a constant F2.8 throughout the zoom range?\u003c\/strong\u003e\u003cbr\u003eA: Exposure stays the same as you zoom in and out, so there is no need to readjust ISO or shutter while shooting. This is very important for video when zooming during a take.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is 24-50mm enough compared with 24-70mm?\u003c\/strong\u003e\u003cbr\u003eA: It fully covers wide to standard, in exchange for a much smaller and lighter body. If you often need the 70mm tele end, you may need to carry an additional lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/leica-m-mount-lenses\"\u003eLeica M Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThypoch AF Voyager 24-50mm F2.8 Autofocus Full Frame Zoom Lens for Sony E — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e","brand":"Thypoch","offers":[{"title":"Default Title","offer_id":52846811709580,"sku":"TP-V2450E-BLK","price":21900.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/TP-V2450E-BLK-Product-1.jpg?v=1787025755"},{"product_id":"dzofilm-pictor-3-lens-kit-12-25-20-55-50-125-white","title":"DZOFILM Pictor Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 MF · White · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 12–25\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (White) — Super35 cine zoom 3-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, white body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 3-Lens Kit is a set of cine zoom lenses with a white body, comprising 12–25mm \/ 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 12–25mm, 20–55mm and 50–125mm focal lengths – covering every range from ultra-wide through mid-range to telephoto, suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e12–25mm + 20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 12–25mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 12–25\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (White) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-1.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-2.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-3.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-4.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-5.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-6.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-7.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-8.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-9.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-10.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-11.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Detail-12.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262467858572,"sku":"DZO-7220001W\/2W\/4W-KIT","price":158000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-Product-1.jpg?v=1787122208"},{"product_id":"dzofilm-pictor-3-lens-kit-12-25-20-55-50-125-black","title":"DZOFILM Pictor Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 MF · Black · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 12–25\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — Super35 cine zoom 3-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, black body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 3-Lens Kit is a set of cine zoom lenses with a black body, comprising 12–25mm \/ 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 12–25mm, 20–55mm and 50–125mm T2.8 focal lengths – covering every range from ultra-wide through mid-range to telephoto, suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e12–25mm + 20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eBlack\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 12–25mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 12–25\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-1.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-2.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-3.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-4.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-5.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-6.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-7.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-8.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-9.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-10.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-11.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-12.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 12-25\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262475952268,"sku":"DZO-7220001B\/2B\/4B-KIT","price":158000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Product-1.jpg?v=1787122679"},{"product_id":"dzofilm-pictor-3-lens-kit-14-30-20-55-50-125-black","title":"DZOFILM Pictor Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 MF · Black · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 14–30\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — Super35 cine zoom 3-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, black body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 3-Lens Kit is a set of cine zoom lenses with a black body, comprising 14–30mm \/ 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 14–30mm, 20–55mm and 50–125mm focal lengths – covering every range from ultra-wide through mid-range to telephoto, suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e14–30mm + 20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eBlack\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 14–30mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 14–30\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-1.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-2.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-3.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-4.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-5.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-6.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-7.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-8.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-9.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Detail-10.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · Black · PL \u0026amp; EF – product detail image 10\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262478475404,"sku":"DZO-7220001B\/2B\/3B-KIT","price":158000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-Product-1.jpg?v=1787122679"},{"product_id":"dzofilm-pictor-3-lens-kit-14-30-20-55-50-125-white","title":"DZOFILM Pictor Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 MF · White · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 14–30\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (White) — Super35 cine zoom 3-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, white body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 3-Lens Kit is a set of cine zoom lenses with a white body, comprising 14–30mm \/ 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 14–30mm, 20–55mm and 50–125mm focal lengths – covering every range from ultra-wide through mid-range to telephoto, suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-ups\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e14–30mm + 20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 14–30mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 14–30\/20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL \u0026amp; EF Mount with Case (White) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-1.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-2.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-3.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-4.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-5.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-6.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-7.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-8.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-9.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 9\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-10.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 10\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-11.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 11\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Detail-12.jpg\" alt=\"DZOFILM Pictor Parfocal Zoom 14-30\/20-55\/50-125mm 3-Lens Kit T2.8 · Super 35 Cine MF · Case · White · PL \u0026amp; EF – product detail image 12\"\u003e","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262478934156,"sku":"DZO-7220001W\/2W\/3W-KIT","price":158000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W1-Product-1.jpg?v=1787127156"},{"product_id":"dzofilm-pictor-2-lens-bundle-20-55-50-125-white","title":"DZOFILM Pictor Zoom 20-55\/50-125mm 2-Lens Kit T2.8 · Super 35 MF · White · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 2-Lens Kit for PL \u0026amp; EF Mount with Case (White) — Super35 cine zoom 2-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, white body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 2-Lens Kit is a set of cine zoom lenses with a white body, comprising 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 20–55mm and 50–125mm focal lengths, covering every range from ultra-wide through mid-range to telephoto, suited to travel, portraits, street\/lifestyle, landscape\/nature and more\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (White) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 2-Lens Kit for PL \u0026amp; EF Mount with Case (White) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262588969100,"sku":"DZO-7220001W\/2W-BUNDLE","price":102000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001W-2W-BUNDLE-Product-1.jpg?v=1787129594"},{"product_id":"dzofilm-pictor-2-lens-bundle-20-55-50-125-black","title":"DZOFILM Pictor Zoom 20-55\/50-125mm 2-Lens Kit T2.8 · Super 35 MF · Black · PL \u0026 EF","description":"\u003ch2\u003eDZOFILM Pictor 20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 2-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — Super35 cine zoom 2-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, black body, with case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Pictor Zoom 2-Lens Kit is a set of cine zoom lenses with a black body, comprising 20–55mm \/ 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide \/ Landscape, Standard \/ Documentary and Telephoto \/ Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCine zoom lenses in 20–55mm and 50–125mm focal lengths, covering every range from ultra-wide through mid-range to telephoto, suited to travel, portraits, street\/lifestyle, landscape\/nature and more\u003c\/li\u003e\n  \u003cli\u003eCovers Super35\/APS-C sensors (image circle Ø31.5 mm)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work\u003c\/li\u003e\n  \u003cli\u003eStandard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus \/ Rig \/ Gimbal\u003c\/li\u003e\n  \u003cli\u003eParfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video\u003c\/li\u003e\n  \u003cli\u003eManual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°\u003c\/li\u003e\n  \u003cli\u003eCine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting\u003c\/li\u003e\n  \u003cli\u003eMaximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion\u003c\/li\u003e\n  \u003cli\u003eInterchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR \/ Mirrorless\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDocumentary and non-fiction work\u003c\/li\u003e\n  \u003cli\u003eProductions shooting on Super 35 \/ APS-C cameras\u003c\/li\u003e\n  \u003cli\u003eRun \u0026amp; Gun work that calls for fast zooming\u003c\/li\u003e\n  \u003cli\u003eCommercial and Corporate Video\u003c\/li\u003e\n  \u003cli\u003eRental House\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003e20–55mm + 50–125mm T2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eBlack\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.8 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eSuper 35 \/ APS-C (Image Circle Ø31.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus + Focus Throw 270°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Throw\u003c\/td\u003e\n\u003ctd\u003e100°\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Breathing\u003c\/td\u003e\n\u003ctd\u003eVery low\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD (focus, iris and zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003ePL (factory-installed) + Canon EF in the box\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePictor Zoom 20–55mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePictor Zoom 50–125mm T2.8 (Black) lens\u003c\/li\u003e\n  \u003cli\u003ePL mount (factory-installed)\u003c\/li\u003e\n  \u003cli\u003eCanon EF mount\u003c\/li\u003e\n  \u003cli\u003eHard Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is the difference between PL and EF, and are both included?\u003c\/strong\u003e\u003cbr\u003eA: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: What is Parfocal and why does it matter?\u003c\/strong\u003e\u003cbr\u003eA: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more products → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Pictor 20–55\/50–125mm T2.8 Super35 Parfocal Cine Zoom 2-Lens Kit for PL \u0026amp; EF Mount with Case (Black) — official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n","brand":"DZOFILM","offers":[{"title":"Default Title","offer_id":53262589329548,"sku":"DZO-7220001B\/2B-BUNDLE","price":102000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-7220001B-2B-BUNDLE-Product-1.jpg?v=1787130109"},{"product_id":"dzofilm-arles-zoom-25-75mm-t2-6-pl","title":"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 25-75mm cine zoom lens, constant T2.6 throughout the zoom range, Parfocal, 7 ED + 5 HRI elements, 16 iris blades, lightweight at 1,767 g\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 25-75mm T2.6 is a cine zoom lens covering Full Frame sensors. The 25-75mm range spans wide, normal and short telephoto views, covering most on-set needs in a single lens. 3x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 22 elements in 8 groups, including 7 ED and 5 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that gives a modern color tone and reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation give enough throw for fine, professional focus pulls. Gear positions and front diameter match all 11 Arles Prime lenses, so they can be swapped within the same set. Aluminum alloy body, approx. 1,767 g, suited to handheld, gimbal and drone work\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e25-75mm focal range on full frame spans wide–normal–short telephoto views, covering most on-set needs in a single lens (3X zoom ratio)\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1767g with an aluminum alloy body, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFilm and commercial work that needs to cover multiple focal lengths\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interview work with no time to swap lenses\u003c\/li\u003e\n  \u003cli\u003eGimbal and drone shooting where weight matters\u003c\/li\u003e\n  \u003cli\u003eTeams already using Arles Prime that want a matching zoom lens\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e25-75mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e3X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e22 elements in 8 groups (7 ED + 5 HRI elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.51 m (from the sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e178.1mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,767 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles Zoom 25-75mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with the Marlin 1.4x Extender?\u003c\/strong\u003e\u003cbr\u003eA: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143887397004,"sku":"DZO-AZ2575I","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143887429772,"sku":"DZO-AZ2575M","price":99900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Product-1_2db4081c-c4e6-4cfa-99bb-7ab6d19f6391.jpg?v=1788941061"},{"product_id":"dzofilm-arles-zoom-65-180mm-t2-6-pl","title":"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 65-180mm telephoto cine zoom lens, constant T2.6, Parfocal, 7 ED + 2 HRI elements, 16 iris blades, lightweight at 1,782 g\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 65-180mm T2.6 is a telephoto cine zoom lens for Full Frame. The 65-180mm range runs from short telephoto to long telephoto, letting you move from a portrait or Medium Shot to a more distant Close-up without changing lenses. 2.8x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 20 elements in 8 groups, including 7 ED and 2 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation. This lens's 65mm end overlaps the 75mm end of the 25-75mm model, so the two pair as a two-lens set with no gap in focal range. Aluminum alloy body, approx. 1,782 g\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e65-180mm focal range runs from short telephoto to long telephoto, letting the operator move from a portrait or medium shot to a more distant close-up without changing lenses; 2.8X zoom ratio\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1782g with an aluminum alloy body, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePortraits and long-distance Close-ups\u003c\/li\u003e\n  \u003cli\u003eTelephoto film and commercial work\u003c\/li\u003e\n  \u003cli\u003eDocumentary where you cannot get close to the subject\u003c\/li\u003e\n  \u003cli\u003ePairing with the Arles Zoom 25-75mm as a two-lens set\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e65-180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.8X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 8 groups (7 ED + 2 HRI elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.89 m (from the sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,782 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDZOFILM Arles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront Cap\u003c\/li\u003e\n  \u003cli\u003eRear Cap\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can it be used with the Marlin 1.4x Extender?\u003c\/strong\u003e\u003cbr\u003eA: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 65-180mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 65-180mm T2.6 · Full Frame Cine MF · Telephoto · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143887462540,"sku":"DZO-AZ65180I","price":99900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143887495308,"sku":"DZO-AZ65180M","price":99900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ65180-Product-1_bfc0e4fb-ee33-4c91-bbda-b990d3a7416b.jpg?v=1788941071"},{"product_id":"dzofilm-arles-zoom-2-lens-kit-25-180mm-pl","title":"DZOFILM Arles Zoom Parfocal 25-75\/65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · PL","description":"\u003ch2\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — Full Frame cine zoom 2-lens kit covering 25-180mm with no gap in focal range, constant T2.6 across the kit, Parfocal, with Hard Case\u003c\/h2\u003e\n\u003cp\u003eDZOFILM Arles Zoom 2-Lens Kit is a set of 2 professional Full Frame cine zoom lenses, the Arles Zoom 25-75mm T2.6 and 65-180mm T2.6, covering wide-angle through long telephoto for a combined 25-180mm range. The key point is that the telephoto's 65mm end overlaps the wide zoom's 75mm end, so there is No Gap in focal range between the two lenses, and the overlap falls in the mid range used most often in documentary and interview work. Both lenses hold a constant T2.6 aperture throughout the zoom range, so you can swap lenses without compensating exposure. Both are Parfocal, holding focus while zooming, with very low Focus Breathing. The Four-Group Linkage optical system uses ED and HRI elements for Prime-level quality. Both cover a Ø43.5mm Image Circle and share a 16-blade iris, Ø95mm front diameter, M86 filter thread and matching M0.8 gear positions, so lenses can be changed quickly without moving the Matte Box or resetting the Follow Focus, even with lens motors attached. Weights are similar at around 1.77 and 1.78 kg, so the gimbal barely needs rebalancing. Supplied with a Hard Case for storage and transport\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProfessional full-frame cine lens kit of 2 lenses, 25-75\/65-180mm, covering wide-angle through telephoto\u003c\/li\u003e\n  \u003cli\u003eConstant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure\u003c\/li\u003e\n  \u003cli\u003eParfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable\u003c\/li\u003e\n  \u003cli\u003eFour-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range\u003c\/li\u003e\n  \u003cli\u003eCovers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras\u003c\/li\u003e\n  \u003cli\u003e16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff\u003c\/li\u003e\n  \u003cli\u003eSet-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box \/ Follow Focus\u003c\/li\u003e\n  \u003cli\u003e270° focus ring \/ 100° zoom rotation, enough throw for fine, professional focus pulls\u003c\/li\u003e\n  \u003cli\u003eLightweight at ~1767g \/ ~1782g with aluminum alloy bodies, suited to handheld, gimbal and drone work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eProduction Houses and Rental Services\u003c\/li\u003e\n  \u003cli\u003eFilm and commercial work that needs to cover every focal length\u003c\/li\u003e\n  \u003cli\u003eDocumentary and interview work with no time to swap lenses\u003c\/li\u003e\n  \u003cli\u003eTeams using Follow Focus and Matte Box\u003c\/li\u003e\n  \u003cli\u003e8K work on Full Frame cinema cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLenses Included\u003c\/td\u003e\n\u003ctd\u003eArles Zoom 25-75mm T2.6 + Arles Zoom 65-180mm T2.6\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCombined Range\u003c\/td\u003e\n\u003ctd\u003e25-180mm (no gap in focal range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e3X (25-75mm) \/ 2.8X (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture\u003c\/td\u003e\n\u003ctd\u003eT2.6 – T22 (constant throughout the zoom range)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eSensor\u003c\/td\u003e\n\u003ctd\u003eFull Frame — Image Circle Ø43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eParfocal — focus holds while zooming, very low Focus Breathing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eOptical System\u003c\/td\u003e\n\u003ctd\u003eFour-Group Linkage (Quad-Synchronized Zoom)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIris Blades\u003c\/td\u003e\n\u003ctd\u003e16 blades\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus Throw\u003c\/td\u003e\n\u003ctd\u003e270° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Rotation\u003c\/td\u003e\n\u003ctd\u003e100° (Manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFront OD\u003c\/td\u003e\n\u003ctd\u003eØ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCine Gear\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCoating\u003c\/td\u003e\n\u003ctd\u003eLow-Saturation Blue Coating — reduces flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eBuild\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMount\u003c\/td\u003e\n\u003ctd\u003eARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003eChoice of Imperial (feet) or Metric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003e25-75mm: 22 elements in 8 groups (ED 7 + HRI 5) · 65-180mm: 20 elements in 8 groups (ED 7 + HRI 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMFD\u003c\/td\u003e\n\u003ctd\u003e0.51 m (25-75mm) \/ 0.89 m (65-180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e178.1mm \/ 190.85mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eApprox. 1.77 kg \/ 1.78 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eIncluded\u003c\/td\u003e\n\u003ctd\u003eHard Case\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eFocus Scale\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eImperial\u003c\/li\u003e\n  \u003cli\u003eMetric\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eArles Zoom 25-75mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eArles Zoom 65-180mm T2.6 (PL) lens\u003c\/li\u003e\n  \u003cli\u003eFront and rear caps for every lens\u003c\/li\u003e\n  \u003cli\u003eHard Case for storage and transport\u003c\/li\u003e\n  \u003cli\u003eUser Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why do you say there is no gap in focal range?\u003c\/strong\u003e\u003cbr\u003eA: Because the telephoto's 65mm end overlaps the wide zoom's 75mm end, the pair covers 25-180mm continuously with no focal length missing, and the overlap is the mid range used most often in documentary and interview work\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How is a T-stop different from an F-stop?\u003c\/strong\u003e\u003cbr\u003eA: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Can a PL mount lens be used on Mirrorless cameras?\u003c\/strong\u003e\u003cbr\u003eA: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: How do I choose between Imperial and Metric?\u003c\/strong\u003e\u003cbr\u003eA: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it better value than buying separately?\u003c\/strong\u003e\u003cbr\u003eA: Yes. The kit costs less than buying the two lenses separately, and the Hard Case is included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Full Frame Parfocal Cine Zoom 2-Lens Kit with Case for PL Mount — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-1.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ2575-Detail-2.jpg\" alt=\"DZOFILM Arles Zoom Parfocal 25-75mm + 65-180mm 2-Lens Kit T2.6 · Full Frame Cine MF · Case · PL – product detail image 2\"\u003e","brand":"DZOFILM","offers":[{"title":"Imperial","offer_id":57143890346124,"sku":"DZO-AZ25180I","price":199900.0,"currency_code":"THB","in_stock":false},{"title":"Metric","offer_id":57143890378892,"sku":"DZO-AZ25180M","price":199900.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/DZO-AZ25180-Product-1_3ab2691b-c587-428d-9fe9-3ba54852c4ac.jpg?v=1788941080"},{"product_id":"chiopt-xtreme-zoom-mf-16-35mm-t3-2-full-frame-parfocal-cine-zoom-lens","title":"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts)","description":"\u003ch2\u003eCHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — Wide-Angle 16-35mm Cine Zoom with Constant T3.2, Parfocal, Full Frame + S35, User-Swappable PL\/EF\/E Mounts\u003c\/h2\u003e\n\u003cp\u003eThe CHIOPT XTREME ZOOM MF 16-35mm T3.2 is a cinema zoom lens that covers Full Frame and Super 35 sensors with a ⌀46mm image circle. The 16-35mm range spans ultra-wide to standard wide angle, ideal for establishing shots, big scenes, architecture and tight spaces where you can't step back. It has a 2.18x zoom ratio and a minimum focus distance of 0.34 m from the front of the lens, letting you get very close to subjects for a wide lens. The constant T3.2 aperture across the zoom range lets you change focal length without exposure shifts. The Parfocal design holds focus while zooming in and out, and focus breathing is kept very low, so the frame doesn't grow or shrink when racking focus, making editing easier. Mounts are user-swappable between PL, Canon EF and Sony E with high-strength stainless steel mounts, so you can move to another camera system without buying a new lens. The focus ring rotates 288° with a standard 0.8 MOD gear, ready for a follow focus right away. The focus scale is marked in meters on the left and feet on the right, ready for international crews. The 114mm front diameter is the same across the set, so you can swap lenses without readjusting the Matte Box or donut. The all-metal body is sealed against dust and splashes, with housing gaps filled with special material, and back focus is user-adjustable with multiple shim sizes included.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eParfocal: focus holds while zooming, no refocusing mid-shot\u003c\/li\u003e\n  \u003cli\u003eConstant T3.2 across the range: no exposure shifts or readjustments when changing focal length\u003c\/li\u003e\n  \u003cli\u003eFull Frame + S35: 46mm image circle covers Full Frame and Super 35 sensors\u003c\/li\u003e\n  \u003cli\u003eVery low breathing: the frame doesn't grow or shrink when racking focus, for easier editing\u003c\/li\u003e\n  \u003cli\u003eInterchangeable mounts: PL \/ EF \/ E high-strength stainless steel mounts, change cameras without buying a new lens\u003c\/li\u003e\n  \u003cli\u003e288° focus rotation with 0.8 MOD gear: long focus throw for precise pulls, works with standard follow focus systems right away\u003c\/li\u003e\n  \u003cli\u003eDual meter + feet scales: meters on the left, feet on the right, ready for international crews\u003c\/li\u003e\n  \u003cli\u003e114mm front diameter across the set: swap lenses without readjusting the Matte Box \/ donut\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, dust and splash resistant: housing gaps sealed with special material, built for location work\u003c\/li\u003e\n  \u003cli\u003eUser-adjustable back focus: multiple shim sizes included so you can fine-tune the flange distance yourself\u003c\/li\u003e\n  \u003cli\u003eColor-matched across all 3: 16-35 \/ 28-85 \/ 75-250 share the same color rendering and mechanics, ready to build a set\u003c\/li\u003e\n  \u003cli\u003eSmooth, round bokeh: 9-blade aperture (75-250mm = 11 blades) for beautifully round out-of-focus highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eEstablishing shots and wide scenes\u003c\/li\u003e\n  \u003cli\u003eArchitecture and interiors\u003c\/li\u003e\n  \u003cli\u003eShooting in tight spaces\u003c\/li\u003e\n  \u003cli\u003eGimbal and in-car work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF \/ E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16-35mm, 28-85mm, 75-250mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.18x, 3x, 3.5x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eT3.2-T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImaging Circle\u003c\/td\u003e\n\u003ctd\u003e⌀46mm (Full Frame + Super 35)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMOD From Lens Front\u003c\/td\u003e\n\u003ctd\u003e0.34m, 0.4m, 1.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e0.05-0.1X, 0.05-0.15X, 0.05-0.18X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight (PL)\u003c\/td\u003e\n\u003ctd\u003e2.5kg, 2.7kg, 2.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Pitch\u003c\/td\u003e\n\u003ctd\u003e0.8M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCHIOPT XTREME ZOOM MF 16-35mm T3.2 × 1\u003c\/li\u003e\n  \u003cli\u003ePL \/ Canon EF \/ Sony E mounts (user-swappable)\u003c\/li\u003e\n  \u003cli\u003eShim set in multiple sizes for back focus adjustment\u003c\/li\u003e\n  \u003cli\u003eFront and rear lens caps\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Typical zoom lenses lose focus when you zoom in or out, so you have to refocus every time. A Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of cinema-grade zoom lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Do I need to choose a mount when ordering?\u003c\/strong\u003e\u003cbr\u003eA: No. PL, Canon EF and Sony E mounts are all included, and the stainless steel mounts are user-swappable, so you can move to another camera system without buying a new lens.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is adjusting back focus difficult?\u003c\/strong\u003e\u003cbr\u003eA: Not at all. Multiple shim sizes are included for setting the flange distance after a mount change or when infinity focus is off. We recommend checking back focus every time you change mounts.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it worth buying the full set?\u003c\/strong\u003e\u003cbr\u003eA: All 3 share matched color rendering and mechanics, the same 114mm front diameter and 0.8 MOD gears in the same position, so you can swap lenses without moving the Matte Box or resetting the follow focus. For full-scale production work, the set is better value than a single lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-1.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-2.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-3.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-4.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-5.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-6.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-7.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-8.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-9.jpg\" alt=\"CHIOPT XTREME ZOOM MF 16-35mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 9\"\u003e","brand":"CHIOPT","offers":[{"title":"Default Title","offer_id":59014569001100,"sku":"CHPT-XTZ-MF16-35-T32","price":119000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Product-1.jpg?v=1789444483"},{"product_id":"chiopt-xtreme-zoom-mf-28-85mm-t3-2-full-frame-parfocal-cine-zoom-lens","title":"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts)","description":"\u003ch2\u003eCHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — Mid-Range 28-85mm Cine Zoom with Constant T3.2, Parfocal, Full Frame + S35, User-Swappable PL\/EF\/E Mounts\u003c\/h2\u003e\n\u003cp\u003eThe CHIOPT XTREME ZOOM MF 28-85mm T3.2 is a cinema zoom lens that covers Full Frame and Super 35 sensors with a ⌀46mm image circle. The 28-85mm range is the core working range, spanning standard wide and normal through short telephoto, the focal lengths used most for documentaries, interviews and dialogue scenes. It has a 3x zoom ratio and a minimum focus distance of 0.4 m from the front of the lens. The constant T3.2 aperture across the zoom range lets you change focal length without exposure shifts. The Parfocal design holds focus while zooming in and out, and focus breathing is kept very low, so the frame doesn't grow or shrink when racking focus, making editing easier. Mounts are user-swappable between PL, Canon EF and Sony E with high-strength stainless steel mounts, so you can move to another camera system without buying a new lens. The focus ring rotates 288° with a standard 0.8 MOD gear, ready for a follow focus right away. The focus scale is marked in meters on the left and feet on the right, ready for international crews. The 114mm front diameter is the same across the set, so you can swap lenses without readjusting the Matte Box or donut. The all-metal body is sealed against dust and splashes, with housing gaps filled with special material, and back focus is user-adjustable with multiple shim sizes included.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eParfocal: focus holds while zooming, no refocusing mid-shot\u003c\/li\u003e\n  \u003cli\u003eConstant T3.2 across the range: no exposure shifts or readjustments when changing focal length\u003c\/li\u003e\n  \u003cli\u003eFull Frame + S35: 46mm image circle covers Full Frame and Super 35 sensors\u003c\/li\u003e\n  \u003cli\u003eVery low breathing: the frame doesn't grow or shrink when racking focus, for easier editing\u003c\/li\u003e\n  \u003cli\u003eInterchangeable mounts: PL \/ EF \/ E high-strength stainless steel mounts, change cameras without buying a new lens\u003c\/li\u003e\n  \u003cli\u003e288° focus rotation with 0.8 MOD gear: long focus throw for precise pulls, works with standard follow focus systems right away\u003c\/li\u003e\n  \u003cli\u003eDual meter + feet scales: meters on the left, feet on the right, ready for international crews\u003c\/li\u003e\n  \u003cli\u003e114mm front diameter across the set: swap lenses without readjusting the Matte Box \/ donut\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, dust and splash resistant: housing gaps sealed with special material, built for location work\u003c\/li\u003e\n  \u003cli\u003eUser-adjustable back focus: multiple shim sizes included so you can fine-tune the flange distance yourself\u003c\/li\u003e\n  \u003cli\u003eColor-matched across all 3: 16-35 \/ 28-85 \/ 75-250 share the same color rendering and mechanics, ready to build a set\u003c\/li\u003e\n  \u003cli\u003eSmooth, round bokeh: 9-blade aperture (75-250mm = 11 blades) for beautifully round out-of-focus highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eDialogue scenes and interviews\u003c\/li\u003e\n  \u003cli\u003eDocumentaries with no time for lens changes\u003c\/li\u003e\n  \u003cli\u003eAdvertising and commercial work\u003c\/li\u003e\n  \u003cli\u003eA main lens for almost every shot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF \/ E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16-35mm, 28-85mm, 75-250mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.18x, 3x, 3.5x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eT3.2-T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImaging Circle\u003c\/td\u003e\n\u003ctd\u003e⌀46mm (Full Frame + Super 35)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMOD From Lens Front\u003c\/td\u003e\n\u003ctd\u003e0.34m, 0.4m, 1.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e0.05-0.1X, 0.05-0.15X, 0.05-0.18X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight (PL)\u003c\/td\u003e\n\u003ctd\u003e2.5kg, 2.7kg, 2.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Pitch\u003c\/td\u003e\n\u003ctd\u003e0.8M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCHIOPT XTREME ZOOM MF 28-85mm T3.2 × 1\u003c\/li\u003e\n  \u003cli\u003ePL \/ Canon EF \/ Sony E mounts (user-swappable)\u003c\/li\u003e\n  \u003cli\u003eShim set in multiple sizes for back focus adjustment\u003c\/li\u003e\n  \u003cli\u003eFront and rear lens caps\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Typical zoom lenses lose focus when you zoom in or out, so you have to refocus every time. A Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of cinema-grade zoom lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Do I need to choose a mount when ordering?\u003c\/strong\u003e\u003cbr\u003eA: No. PL, Canon EF and Sony E mounts are all included, and the stainless steel mounts are user-swappable, so you can move to another camera system without buying a new lens.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is adjusting back focus difficult?\u003c\/strong\u003e\u003cbr\u003eA: Not at all. Multiple shim sizes are included for setting the flange distance after a mount change or when infinity focus is off. We recommend checking back focus every time you change mounts.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it worth buying the full set?\u003c\/strong\u003e\u003cbr\u003eA: All 3 share matched color rendering and mechanics, the same 114mm front diameter and 0.8 MOD gears in the same position, so you can swap lenses without moving the Matte Box or resetting the follow focus. For full-scale production work, the set is better value than a single lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-1.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-2.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-3.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-4.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-5.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-6.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-7.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-8.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-9.jpg\" alt=\"CHIOPT XTREME ZOOM MF 28-85mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 9\"\u003e","brand":"CHIOPT","offers":[{"title":"Default Title","offer_id":59014577291404,"sku":"CHPT-XTZ-MF28-85-T32","price":119000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF28-85-T32-Product-1.jpg?v=1789445021"},{"product_id":"chiopt-xtreme-zoom-mf-75-250mm-t3-2-full-frame-parfocal-cine-zoom-lens","title":"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts)","description":"\u003ch2\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — Telephoto 75-250mm Cine Zoom with Constant T3.2, 11 Aperture Blades, Parfocal, User-Swappable PL\/EF\/E Mounts\u003c\/h2\u003e\n\u003cp\u003eThe CHIOPT XTREME ZOOM MF 75-250mm T3.2 is a cinema zoom lens that covers Full Frame and Super 35 sensors with a ⌀46mm image circle. The 75-250mm range is a telephoto zoom with strong perspective compression that separates subjects well from cluttered backgrounds, ideal for long-distance portraits, sports and scenes where you can't get close to the subject. Its 3.5x zoom ratio is the widest in the set, and it uses an 11-blade aperture versus 9 blades on the other two, giving especially smooth, round bokeh, which matters for telephoto work with heavily blurred backgrounds. The constant T3.2 aperture across the zoom range lets you change focal length without exposure shifts. The Parfocal design holds focus while zooming in and out, and focus breathing is kept very low, so the frame doesn't grow or shrink when racking focus, making editing easier. Mounts are user-swappable between PL, Canon EF and Sony E with high-strength stainless steel mounts, so you can move to another camera system without buying a new lens. The focus ring rotates 288° with a standard 0.8 MOD gear, ready for a follow focus right away. The focus scale is marked in meters on the left and feet on the right, ready for international crews. The 114mm front diameter is the same across the set, so you can swap lenses without readjusting the Matte Box or donut. The all-metal body is sealed against dust and splashes, with housing gaps filled with special material, and back focus is user-adjustable with multiple shim sizes included.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eParfocal: focus holds while zooming, no refocusing mid-shot\u003c\/li\u003e\n  \u003cli\u003eConstant T3.2 across the range: no exposure shifts or readjustments when changing focal length\u003c\/li\u003e\n  \u003cli\u003eFull Frame + S35: 46mm image circle covers Full Frame and Super 35 sensors\u003c\/li\u003e\n  \u003cli\u003eVery low breathing: the frame doesn't grow or shrink when racking focus, for easier editing\u003c\/li\u003e\n  \u003cli\u003eInterchangeable mounts: PL \/ EF \/ E high-strength stainless steel mounts, change cameras without buying a new lens\u003c\/li\u003e\n  \u003cli\u003e288° focus rotation with 0.8 MOD gear: long focus throw for precise pulls, works with standard follow focus systems right away\u003c\/li\u003e\n  \u003cli\u003eDual meter + feet scales: meters on the left, feet on the right, ready for international crews\u003c\/li\u003e\n  \u003cli\u003e114mm front diameter across the set: swap lenses without readjusting the Matte Box \/ donut\u003c\/li\u003e\n  \u003cli\u003eAll-metal body, dust and splash resistant: housing gaps sealed with special material, built for location work\u003c\/li\u003e\n  \u003cli\u003eUser-adjustable back focus: multiple shim sizes included so you can fine-tune the flange distance yourself\u003c\/li\u003e\n  \u003cli\u003eColor-matched across all 3: 16-35 \/ 28-85 \/ 75-250 share the same color rendering and mechanics, ready to build a set\u003c\/li\u003e\n  \u003cli\u003eSmooth, round bokeh: 9-blade aperture (75-250mm = 11 blades) for beautifully round out-of-focus highlights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBest For\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLong-distance cinematic portraits\u003c\/li\u003e\n  \u003cli\u003eSports and events\u003c\/li\u003e\n  \u003cli\u003eScenes where you can't get close to the subject\u003c\/li\u003e\n  \u003cli\u003eShots that need heavily blurred backgrounds\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"product-specs\"\u003e\n  \u003ctr\u003e\n\u003ctd\u003eLens Mount\u003c\/td\u003e\n\u003ctd\u003ePL \/ EF \/ E\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e16-35mm, 28-85mm, 75-250mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eZoom Ratio\u003c\/td\u003e\n\u003ctd\u003e2.18x, 3x, 3.5x\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAperture Range\u003c\/td\u003e\n\u003ctd\u003eT3.2-T22\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eFocus\u003c\/td\u003e\n\u003ctd\u003eManual Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eImaging Circle\u003c\/td\u003e\n\u003ctd\u003e⌀46mm (Full Frame + Super 35)\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMOD From Lens Front\u003c\/td\u003e\n\u003ctd\u003e0.34m, 0.4m, 1.5m\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003e0.05-0.1X, 0.05-0.15X, 0.05-0.18X\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eWeight (PL)\u003c\/td\u003e\n\u003ctd\u003e2.5kg, 2.7kg, 2.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eGear Pitch\u003c\/td\u003e\n\u003ctd\u003e0.8M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 × 1\u003c\/li\u003e\n  \u003cli\u003ePL \/ Canon EF \/ Sony E mounts (user-swappable)\u003c\/li\u003e\n  \u003cli\u003eShim set in multiple sizes for back focus adjustment\u003c\/li\u003e\n  \u003cli\u003eFront and rear lens caps\u003c\/li\u003e\n  \u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFAQ\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Why does Parfocal matter?\u003c\/strong\u003e\u003cbr\u003eA: Typical zoom lenses lose focus when you zoom in or out, so you have to refocus every time. A Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of cinema-grade zoom lenses.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Do I need to choose a mount when ordering?\u003c\/strong\u003e\u003cbr\u003eA: No. PL, Canon EF and Sony E mounts are all included, and the stainless steel mounts are user-swappable, so you can move to another camera system without buying a new lens.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is adjusting back focus difficult?\u003c\/strong\u003e\u003cbr\u003eA: Not at all. Multiple shim sizes are included for setting the flange distance after a mount change or when infinity focus is off. We recommend checking back focus every time you change mounts.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ: Is it worth buying the full set?\u003c\/strong\u003e\u003cbr\u003eA: All 3 share matched color rendering and mechanics, the same 114mm front diameter and 0.8 MOD gears in the same position, so you can swap lenses without moving the Matte Box or resetting the follow focus. For full-scale production work, the set is better value than a single lens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSee more Cine lenses → \u003ca href=\"\/en-th\/collections\/cine-lenses\"\u003eCine Lenses\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) — 1-year official Thai warranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-1.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-2.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 2\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-3.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-4.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 4\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-5.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 5\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-6.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 6\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-7.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 7\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-8.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 8\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF16-35-T32-Detail-9.jpg\" alt=\"CHIOPT XTREME ZOOM MF 75-250mm T3.2 Full Frame Parfocal Cine Zoom Lens (3 Mounts) – Product detail image 9\"\u003e","brand":"CHIOPT","offers":[{"title":"Default Title","offer_id":59014591447180,"sku":"CHPT-XTZ-MF75-250-T32","price":139000.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0762\/9874\/8044\/files\/CHPT-XTZ-MF75-250-T32-Product-1.jpg?v=1789445463"}],"url":"https:\/\/shop.lnwgadget.com\/en-th\/collections\/zoom-lenses.oembed","provider":"lnwGadget Store","version":"1.0","type":"link"}