DZOFILM Arles Prime 18/25/35/50/75/100mm T1.4 6-Lens Kit · Vista Vision Cine MF · PL

DZOFILM Arles 18/25/35/50/75/100mm T1.4 Full Frame Vista Vision Prime Cine 6-Lens Kit for PL Mount — Full Frame / Vista Vision Cine lens set, 6 focal lengths, T1.4 across all lenses, 0.8 MOD gears, PL Mount

DZOFILM Arles Prime Cine 6-Lens Kit is a professional prime lens set with 6 focal lengths — 18, 25, 35, 50, 75 and 100mm — from wide-angle to telephoto, covering every popular focal length for film, commercials, series and creative work. A matched T1.4 aperture across the set handles low light well and needs no exposure compensation when swapping lenses. Covers Full Frame and Vista Vision sensors and supports ARRI ALEXA LF / Mini LF, RED V-Raptor VV, Sony VENICE 2 and Canon C400. 16 aperture blades give beautifully round bokeh, with a slight swirl at the edges and a soft, low-contrast look wide open. Barrel size and Ø95mm front diameter are identical across the set, so lens changes need no Matte Box adjustment or rig rebalancing. Consistent ~5000K color and Nano multi-coating make grading a whole project easier.

Key Features

• Professional Cinema Prime lens set made up of 18, 25, 35, 50, 75 and 100 — wide-angle through telephoto, covering every popular focal length for film, commercials, series and creative work
• T1.4–T22 across all 6 focal lengths with identical T-stops, for low-light shooting and no exposure compensation when swapping lenses
• Supports ARRI ALEXA LF / Mini LF, RED V-Raptor VV, Sony VENICE 2, Canon C400
• 16-blade iris for beautifully round bokeh, with a slight swirl at the edges and a soft, low-contrast look wide open
• 270° focus rotation with 0.8 MOD gears for a long, precise focus pull, compatible with industry-standard Follow Focus / Wireless FF
• Floating Element reduces Breathing and corrects aberrations from infinity to close focus, so the image does not zoom in and out when racking focus
• Consistent ~5000K color across the set, with low-toned blue Nano multi-coating that controls flare and reduces ghosting for easier grading across a whole project
• Matched 121mm barrel size (PL) / ø95mm front diameter, so lens changes need no Matte Box adjustment or rig rebalancing
• Dual-sided focus scale in feet/meters, swappable
• Interchangeable PL / EF Mount with a short 1.5cm rear end, supporting PL, EF, LPL and KOOP rear magnetic filters
• Durability tested for 100,000 cycles + 1000Hz vibration, aluminum alloy body, Micron-level assembly

Best For

• Production House / Rental Service
• Film and series
• Advertising and Commercial
• Crews shooting on Full Frame / Vista Vision cameras
• Teams using Follow Focus and Matte Box

Specifications

Options (Focus Scale)

• Imperial
• Metric

What's in the Box

• Arles Prime 18mm T1.4 lens (PL)
• Arles Prime 25mm T1.4 lens (PL)
• Arles Prime 35mm T1.4 lens (PL)
• Arles Prime 50mm T1.4 lens (PL)
• Arles Prime 75mm T1.4 lens (PL)
• Arles Prime 100mm T1.4 lens (PL)
• Hard Case
• Front and rear caps for every lens

FAQ

• Q: How is T-stop different from F-stop?
  A: T-stop measures the light that actually passes through the lens, including losses from the glass elements and coatings, while F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in the set.
• Q: How do I choose between Feet and Meter?
  A: It is the unit on the focus ring scale. Choose whichever your focus puller is used to: Thai and European crews tend to prefer Meter, while American crews prefer Feet. The lens is identical in every way; only the numbers printed on the ring differ.
• Q: Can PL Mount be used on Mirrorless cameras?
  A: Yes, via a PL adapter such as the DZOFILM Octopus Adapter II, which converts to Sony E / Canon RF / Nikon Z / Leica L.

See more products → Cine Lenses

DZOFILM Arles 18/25/35/50/75/100mm T1.4 Full Frame Vista Vision Prime Cine 6-Lens Kit for PL Mount — official Thai warranty