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DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL

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Original price 99,900 ฿ - Original price 99,900 ฿
Original price
99,900 ฿
99,900 ฿ - 99,900 ฿
Current price 99,900 ฿
Availability:
Out of stock
Availability:
Out of stock
SKU DZO-AZ2575I
option: Imperial
Selected option: Imperial
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DZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — Full Frame 25-75mm cine zoom lens, constant T2.6 throughout the zoom range, Parfocal, 7 ED + 5 HRI elements, 16 iris blades, lightweight at 1,767 g

DZOFILM Arles Zoom 25-75mm T2.6 is a cine zoom lens covering Full Frame sensors. The 25-75mm range spans wide, normal and short telephoto views, covering most on-set needs in a single lens. 3x zoom ratio with a constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure. Parfocal design with a Quad-Synchronized zoom mechanism holds focus while zooming, with Focus Breathing so slight it is barely noticeable. The Four-Group Linkage optical system uses 22 elements in 8 groups, including 7 ED and 5 HRI elements, for Prime-level quality throughout the zoom range, along with a Low-Saturation Blue Coating that gives a modern color tone and reduces flare and ghosting. Covers a Ø43.5mm Image Circle for full-area use on Full Frame cinema cameras. The 16-blade iris produces round, attractive bokeh and a smooth, cinematic focus falloff. Full set-standard specs: Ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box and Follow Focus. 270° focus rotation and 100° zoom rotation give enough throw for fine, professional focus pulls. Gear positions and front diameter match all 11 Arles Prime lenses, so they can be swapped within the same set. Aluminum alloy body, approx. 1,767 g, suited to handheld, gimbal and drone work

Key Features

  • 25-75mm focal range on full frame spans wide–normal–short telephoto views, covering most on-set needs in a single lens (3X zoom ratio)
  • Constant T2.6 aperture throughout the zoom range, so you can change focal length without resetting exposure
  • Parfocal design holds focus while zooming, with focus breathing so slight it is barely noticeable
  • Four-Group Linkage optical system uses ED and HRI elements for Prime-level quality throughout the zoom range
  • Covers full-frame sensors with a ø43.5mm Image Circle, for full-area use on full-frame cinema cameras
  • 16-blade iris for round, attractive bokeh and a smooth, cinematic focus falloff
  • Set-standard specs: ø95mm front diameter, M86 filter thread and M0.8 gears, ready for a Matte Box / Follow Focus
  • 270° focus ring / 100° zoom rotation, enough throw for fine, professional focus pulls
  • Lightweight at ~1767g with an aluminum alloy body, suited to handheld, gimbal and drone work

Best For

  • Film and commercial work that needs to cover multiple focal lengths
  • Documentary and interview work with no time to swap lenses
  • Gimbal and drone shooting where weight matters
  • Teams already using Arles Prime that want a matching zoom lens
  • 8K work on Full Frame cameras

Specifications

Focal Length 25-75mm
Zoom Ratio 3X
Aperture T2.6 – T22 (constant throughout the zoom range)
Sensor Full Frame — Image Circle Ø43.5mm
Design Parfocal — focus holds while zooming, very low Focus Breathing
Optical System Four-Group Linkage (Quad-Synchronized Zoom)
Iris Blades 16 blades
Focus Throw 270° (Manual)
Zoom Rotation 100° (Manual)
Front OD Ø95mm
Filter Thread M86
Cine Gear M0.8
Coating Low-Saturation Blue Coating — reduces flare and ghosting
Build Aluminum Alloy
Mount ARRI PL (standard) — Canon EF conversion kit sold separately, user-swappable
Scale Choice of Imperial (feet) or Metric (meters)
Construction 22 elements in 8 groups (7 ED + 5 HRI elements)
MFD 0.51 m (from the sensor plane)
Length 178.1mm (PL)
Weight Approx. 1,767 g

Focus Scale

  • Imperial
  • Metric

What's in the Box

  • DZOFILM Arles Zoom 25-75mm T2.6 (PL) lens
  • Front Cap
  • Rear Cap
  • User Manual

FAQ

  • Q: Why does Parfocal matter?
    A: Ordinary zoom lenses lose focus when zooming in or out and must be refocused every time, whereas a Parfocal lens holds focus throughout the zoom range, so you can zoom during a take without the image going soft. It is an essential feature of a cinema-grade zoom lens
  • Q: How is a T-stop different from an F-stop?
    A: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.
  • Q: Can a PL mount lens be used on Mirrorless cameras?
    A: Yes, via the DZOFILM Octopus Adapter, which converts to Sony E, Leica L, Nikon Z, Canon RF, Fujifilm X and DJI DX. A user-swappable Canon EF conversion kit is also sold separately
  • Q: How do I choose between Imperial and Metric?
    A: It is the unit on the focus ring scale. The lens is identical in every respect; only the numbers printed on the ring differ. Thai and European crews tend to prefer Metric (meters), while American crews prefer Imperial (feet). Choose whichever your focus puller is used to
  • Q: Can it be used with the Marlin 1.4x Extender?
    A: Yes. With the Marlin 1.4x Extender, the zoom range becomes 35-105mm for the 25-75mm and 91-252mm for the 65-180mm, while remaining Parfocal. The maximum aperture becomes approximately T3.6–T3.7

See more Cine lenses → Cine Lenses

DZOFILM Arles Zoom 25-75mm T2.6 Full Frame Parfocal Cine Zoom Lens for PL Mount — 1-year official Thai warranty

DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 1DZOFILM Arles Zoom Parfocal 25-75mm T2.6 · Full Frame Cine MF · PL – product detail image 2
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