DZOFILM Pictor Zoom 14-30/20-55/50-125mm 3-Lens Kit T2.8 · Super 35 MF · White · PL & EF

DZOFILM Pictor 14–30/20–55/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL & EF Mount with Case (White) — Super35 cine zoom 3-lens kit, constant T2.8, Parfocal, 0.8 MOD gears, white body, with case

DZOFILM Pictor Zoom 3-Lens Kit is a set of cine zoom lenses with a white body, comprising 14–30mm / 20–55mm / 50–125mm, covering ultra-wide through mid-range to telephoto and suited to Wide / Landscape, Standard / Documentary and Telephoto / Close-up work. Covers Super 35 and APS-C sensors (image circle Ø31.5mm). The constant T2.8 aperture throughout the zoom range gives consistent exposure and a shallow depth of field that isolates the subject. Parfocal design holds focus while zooming in and out, and Focus Breathing is well controlled. Manual focus with a 270° ring rotation and standard 0.8 MOD gears on the focus, iris and zoom rings, compatible with Follow Focus, Rig and Gimbal. Interchangeable PL and Canon EF mounts, a Ø95mm front diameter shared by every lens, and a Hard Case included

Key Features

• Cine zoom lenses in 14–30mm, 20–55mm and 50–125mm focal lengths – covering every range from ultra-wide through mid-range to telephoto, suited to Wide / Landscape, Standard / Documentary and Telephoto / Close-ups
• Covers Super35/APS-C sensors (image circle Ø31.5 mm)
• Constant T2.8 aperture delivers consistent exposure throughout the zoom range and a shallow depth of field that makes the subject stand out, with bright images and smooth bokeh, well suited to video and Low-Light work
• Standard 0.8 MOD gears work with cine-style lens accessories such as Follow Focus / Rig / Gimbal
• Parfocal Design keeps the subject sharp while zooming in and out and reduces Focus Breathing; focus stays put, accurate and blur-free, ideal for professional video
• Manual Focus gives the operator precise hands-on focus control, with a focus ring that rotates approximately 270°
• Cine color and character: natural color, gentle contrast and easy grading, so subjects look natural in any lighting
• Maximum magnification lets you get close to the subject while still retaining background detail, for close-ups that convey subtle emotion
• Interchangeable Mounts: PL (for professional cinema cameras) and EF Mount (for DSLRs and some mirrorless cameras) — usable across multiple camera systems, both Cinema Cameras and DSLR / Mirrorless

Best For

• Documentary and non-fiction work
• Productions shooting on Super 35 / APS-C cameras
• Run & Gun work that calls for fast zooming
• Commercial and Corporate Video
• Rental House

Specifications

What's in the Box

• Pictor Zoom 14–30mm T2.8 (White) lens
• Pictor Zoom 20–55mm T2.8 (White) lens
• Pictor Zoom 50–125mm T2.8 (White) lens
• PL mount (factory-installed)
• Canon EF mount
• Hard Case

FAQ

• Q: How is a T-stop different from an F-stop?
  A: A T-stop measures the light that actually passes through the lens, accounting for losses from the glass elements and coatings, whereas an F-stop is a theoretical value. Cinema work uses T-stops so exposure matches across every lens in a set.
• Q: What is the difference between PL and EF, and are both included?
  A: Both the PL and Canon EF mounts come in the box and are user-swappable. PL is used on professional cinema cameras (ARRI, RED), while EF is used on Blackmagic cameras and on mirrorless cameras via an adapter.
• Q: What is Parfocal and why does it matter?
  A: A Parfocal zoom lens holds its focus as you zoom in and out, with no need to refocus. That matters a great deal for video where you zoom during a take; ordinary zoom lenses that are not Parfocal lose focus when zoomed.

See more products → Cine Lenses

DZOFILM Pictor 14–30/20–55/50–125mm T2.8 Super35 Parfocal Cine Zoom 3-Lens Kit for PL & EF Mount with Case (White) — official Thai warranty